Donald Jurney - The Potting Shed, 2020
Alisa U Zemlji Chuda

Janaina Medeiros

Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă

blake kathryn
let's talk about Bridgerton tea, my ask is open

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Kaledo Art
2025 on Tumblr: Trends That Defined the Year
taylor price

Product Placement

Kiana Khansmith
i don't do bad sauce passes
Show & Tell
Jules of Nature
"I'm Dorothy Gale from Kansas"
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JBB: An Artblog!
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⣠Chile in a Photography âŁ
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@aesthetic-dissonance
Donald Jurney - The Potting Shed, 2020

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Vanessa Stockard â Kevin series.
We probably shouldnât be telling children that who they are determines what they do.
My son didnât blow off his science worksheet because heâs a fuckup; he fucked up because he blew off his science worksheet. Readers of the French philosopher Jean-Paul Sartre will recognize here a formulation of his classic argument that existence precedes essence, best explicated in Being and Nothingness with his example of the soldier who deserts from war. People say he deserted because heâs a coward, but really heâs a coward because he deserted. He could have hung around and been scared in his uniform with his squadmates, but he chose to run. We can identify an essential cowardice within this choice, but it only emerges after the choice is made, as an epiphenomenon.
This admittedly fine point is not just a matter of language; it also carries an ethical implication. The coward canât really be blamed for doing cowardly stuff, because thatâs his nature â the same way you canât blame the kitchen table for being hard and heavy when you stub your toe. But the difference between human beings and objects is that we do not have fixed natures that determine our behavior. When I say I didnât do the dishes because Iâm lazy, Iâm talking around the fact that I could have done them but chose not to. The illusion of a fixed nature gives us an excuse to repeat bad behavior. To insist that what we do determines who we are â and not the other way around â is to make freedom and therefore responsibility a part of our worldview at the most basic level.
Freedom is scary, though, because it is the freedom to become something other than what you are now â something you cannot predict. Itâs easier to think of yourself as a type of person, riding along with yourself and playing out the behaviors your type does. Itâs comforting to think that you did what you did because of who you are, even if who you are is bad, because nothing is more frightening than the feeling that you are about to change into someone else. Ask any 12 year-old.
Mine recently started a conversation with me by saying, âYou know how Iâm a low-empathy person?â No, man, I do not know that. It turned out he listened to a podcast about how some people donât feel other peopleâs suffering as deeply as everyone else, and he decided thatâs why heâll probably act selfish forever.
Seth Armstrong
Tree South Korea-based artist Myoung Ho Lee frames trees to create beautiful natural portraits. This series, soberly titled Tree, was exhibited at the Yossi Milo Gallery in New York.

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âThings donât have purposes, as if the universe were a machine, where every part has a useful function. Whatâs the function of a galaxy? I donât know if our life has a purpose and I donât see that it matters. What does matter is that weâre a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass. [âŚ] Weâre in the world, not against it. [âŚ] The world is, no matter how we think it ought to be. You have to be with it. You have to let it be.â
â Ursula Le Guin, The Lathe of Heaven
Schittâs Creek + text posts
âł tropes
âIn a 1994 Harvard study that examined people who had radically changed their lives, for instance, researchers found that some people had remade their habits after a personal tragedy, such as a divorce or a life-threatening illness. Others changed after they saw a friend go through something awful, the same way that Dungyâs players watched him struggle.
Just as frequently, however, there was no tragedy that preceded peopleâs transformations. Rather, they changed because they were embedded in social groups that made change easier. One woman said her entire life shifted when she signed up for a psychology class and met a wonderful group. âIt opened a Pandoraâs box,â the woman told researchers. âI could not tolerate the status quo any longer. I had changed in my core.â Another man said that he found new friends among whom he could practice being gregarious. âWhen I do make the effort to overcome my shyness, I feel that it is not really me acting, that itâs someone else,â he said. But by practicing with his new group, it stopped feeling like acting. He started to believe he wasnât shy, and then, eventually, he wasnât anymore. When people join groups where change seems possible, the potential for that change to occur becomes more real. For most people who overhaul their lives, there are no seminal moments or life-altering disasters. There are simply communitiesâ¤sometimes of just one other personâ¤who make change believable.
One woman told researchers her life transformed after a day spent cleaning toiletsâ¤and after weeks of discussing with the rest of the cleaning crew whether she should leave her husband.
âChange occurs among other people,â one of the psychologists involved in the study, Todd Heatherton, told me. âIt seems real when we can see it in other peopleâs eyes.â
The precise mechanisms of belief are little understand. No one is certain why a group encountered in a psychology class can convince a woman that everything is different, or why Dungyâs team came together after their coachâs son passed away. Plenty of people talk to friends about unhappy marriages and never leave their spouse; lots of teams watch their coaches experience adversity and never gel.Â
But we do know that for habits to permanently change, people must believe that change is feasible. The same process that makes AA so effectiveâ¤the power of a group to teach individuals how to believeâ¤happens whenever people come together to help one another change. Belief is easier when it occurs within a community.â
⤠The Power of Habit, Charles Duhigg
Shy fishies
i have a hill to die on real quick
phrases like âyou donât owe anyone anythingâ and ârelationships arenât transactionalâ have the power to be used in ways that are very backwards and harmful
for example, no you donât owe anyone anything in that if some creep is trying to get with you, you can block him without feeling bad. you donât owe kindness to people who are transphobic or racist or bigoted.
but, you canât use this as an excuse to fuck over people who have helped you. âyou donât owe anyone anythingâ isnât an excuse to allow yourself to forget compassion and basic empathy, it isnât an excuse for you to be an asshole just because you find it easier to be one
relationships arenât transactional in that if your partner does something nice for you, you are indebted to them. they do these things because they love you; it is their choice to express love through these gestures
but they are transactional in that you both actively need to be putting time and care into the relationship. ignoring the dynamic of one person caring too much (and putting in excessive (emotional an literal) work and labor) while the other does nothing isnât healthy. one person canât solely take and the other person canât solely give- thatâs dangerous, and you canât put the bandaid of âthis isnât transactionalâ over a relationship that is draining you in all capacities
iâm tired of seeing these things being misconstrued and used as an excuse to hurt people, while framing it as a way of taking care of yourself

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Moonlight by Sara Wong
Key cultural influences of Avatar: The Last Airbender.
People instantly categorizing each nation to a single real-life counterpart has been sort of my pet peeve for a while. Each nation was influenced by multiple real-life cultures as stated by creators and artists and this is very evident in the show.
This is my attempt at making a simplified visual representation. Of course, reality is much more intricate and detailed, but this is the best I could do without having to write paragraphs after paragraphs or listing thousands of pictures.
olivia de recat for the new yorker
âBasically, the entire movie is a comic book that moves. Co-director Phil Lord said, âIf you freeze any part of the move at any time, it will look like an illustration with hand-drawn touches and all.âÂ
- MOVIES INSIDER (How âSpider-man: Into the Spider-Verseâ Was Animated)
LIKE WHATâS UP, DANGER? CANâT STOP ME NOW

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Lord of the Rings is the rare case where the book is a musical and the movie isnât
i saw into the spiderverse today