The Awakening, (Detail), (1893), by Eugene de Blaas (Italian-Austrian, 1843 – 1931), oil on canvas, 175 cm (68.8 in) x 100 cm (39.3 in), Private Collection
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The Awakening, (Detail), (1893), by Eugene de Blaas (Italian-Austrian, 1843 – 1931), oil on canvas, 175 cm (68.8 in) x 100 cm (39.3 in), Private Collection

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Tending Flowers I - Chloe Chlumecky , 2026
Canadian , b. 1999 -
Oil on wood panel , 30 x 40 in.
Virginia Woolf, in a diary entry dated 5 April 1918, from The Diary of Virginia Woolf Vol. I: 1915-1919
Bob Dylan with Joan Baez and his whip, Newport, Rhode Island, 1963.

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Lily of the valley by Kawarazaki Shodo (1899-1973)
Afghanistan. Kim Landgraf: The photos of Afghanistan were taken by my father in the years 1968 to 1972 when he was living in Kabul with his young family.
Rosa Chacel, from a diary entry featured in Diario, originally published in 1993

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Georgy Nissky (Russian, 1903-1987)
Bike Ride, n.d.
Oil on canvas
40.5 x 50 cm. (15.9 x 19.7 in.)
Private collection
Sentimental Value (2025) dir. Joachim Trier
Aaron Johnson (American, 1975), A Phone Rings in the Forest, 2009. Acrylic on polyester mesh, 51 x 51 cm.
Susan Sontag’s annotated Finnegans Wake [via @HamishH1931]
Yumeji Takehisa 1910-20
Yumeji Takehisa was a Japanese poet and painter. He also painted in the Nihonga style.

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“It’s love – absolutely, Berry is a fabulous girl. I’m looking for the right sentiments… I feel so much calmer now now with her in my life. I feel so much less compulsive, less at the mercy of things. I feel a part of feelings now.”
– Anthony Perkins on (then future) wife Berry Berenson, pictured on the street in front of their home in Chelsea, NYC, 1973.
Emma. (2020), dir. Autumn de Wilde