When you meet Edward Elric he gives off the impression that he's the short-tempered hot-headed "violence is the answer to all life's questions" kind of protagonist, and it's in fact incredible character craft that he's actually the character who ends the series with a negative-3 kill count.
God's worst soldier Edward Elric. Showed up as the youngest member of the Amestrian army, took millions of dollars from them, never followed a single order, helped dismantle their fascist regime, left with a lower kill count than he arrived with, then fucked off to go be a house-husband. Character of all time.
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I've seen some posts trying to make fun of former gifted kids by comparing them to former student athletes who insist that they could have gone pro if not for a specific injury, and those posts always backfire, because my reaction to them is "You're right, we should treat former student athletes with more compassion than we currently do"
I went from being very physically active to getting the "your body doesn't make energy properly anymore" disability so I can completely understand the grief that comes with circumstances outside your control destroying parts of you you were once proud of and locking you out of the life you could have had. It's not a good feeling.
... was that not the whole point of that comparison? Are we supposed to dislike the kids who were pushed into overworking and permanently damaging their bodies at a young age by people who should know better but value second hand glory over the health of kids?
Iâm going to level with you. I have listened to The Devil Went Down to Georgia for most of my life. We were a country music household, this was a staple of my childhood along with Johnny Cash, Garth Brooks, and that one Chipmunks country album.
I have no idea what âFire on the mountain run boys run/The Devil's in the house of the rising sun/Chicken in the bread pan picking out dough/Granny does your dog bite no child noâ means and at this point Iâm too scared to ask.
this is the key part of the song, that a lot of people miss. people have this misconception that the contest between Johnny and The Devil is about who is the better fiddle player. but it isn't. its about who is the better fiddler.
in a time before things like radios and record players, every time you heard music was because there was somebody in the room with you playing an instrument. and many, many, many social events involved dancing, which requires music. so, if you're planning any kind of gathering in the american south or appalachia, you need to find a fiddler. and the fiddler's job is to play music that everybody knows and likes and can dance to.
the mistake The Devil makes in his bet with Johnny is that he misinterprets the contest as being about technical ability, so he has this big flashy song. he plays fast and impressively with a band of demons playing unfamiliar instruments in unfamiliar rhythms. he's definitely more skilled at playing than Johnny, and thinks he has it in the bag.
but Johnny wins because the contest is about being the best fiddler. the song uses these lines mentioned above as a shorthand for saying that Johnny is playing these songs. Johnny launches into a set of the most popular songs, played well, and that's what gives him his big win. A good fiddler knows all the hits, and can read the room to know what to play next. The Devil loses because he completely fails to read the room, and doesn't know the right songs.
Why is it that every time I google something like "Are olives poisonous to cats" the top results are always like "Fun fact: Cats are carnivores! This means that they eat meat. There is no reason to include olives in a cat's diet. You should feed your cat cat food, which is dry or wet food especially designed for cats. You can purchase this at a store." like is there a single person alive on the planet who's googled "Are blueberry muffins safe for cats" because they're planning on switching their cat to a muffin-only diet??? No, I'm asking because the little bastard somehow popped open the packet while I was putting away the groceries and dragged one under the couch before I could react and now I need to know if I should call the after-hours vet. "Cats should not eat spaghetti." NO SHIT, SHERLOCK!!!! "Try to keep human food away from cats." i live in a studio apartment with a completely silent and permanently hungry apex predator who has the intelligence of a toddler and the desperate Machiavellian cunning of a creature who spent his formative months on the streets. He can already open doors and he is this đ close to learning how to open the microwave. He is stronger than me and covered in knives. So im gonna do my best but for the moment i just need you to tell me whether this yoghurt is going to kill my son y/n
I've been using the pet poison hotline's poison list cause it has a search function. It also tells you whether something is mildly, moderately, or severely toxic which can be very handy! It doesn't contain like everything but it might be a good place to start, it also includes plants for fellow houseplant lovers <3
Explore Pet Poison HelplineÂŽs vast knowledge on poisons by reviewing our pet poison list. Explore our top 10 poison and holiday poison lists
For plants specifically, thereâs also a wildly detailed set of posts and listings about toxicity on the old, wonderful, Plants Are the Strangest People blog
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I (32F) recently got a gig as a live in housekeeper for a haunted mansion. I'm like 85% sure the job posting was a scam to try and feed me to the house in order to stave off its eternal hunger for another decade or so. But it pays alright and I don't have to pay rent as long as I'm living here.
One of the ghosts (~250M(?)) possessed my body a few nights ago, but instead of, I don't know, making me climb onto a blaustrade or something, he got real quiet. I don't think he ever possessed a trans woman before and he just kinda spent the whole night staring at my hrt pill bottles.
Since then, he's still been wandering the halls at the stroke of midnight, shattering all the mirrors that mysteriously regenerate by morning, but it seems like his heart hasn't been in it.
(Are the mirrors symbolic of something???)
He (she?) is definitely going through some shit. I don't *think* I did anything wrong, considering he was the one who possessed me, but I still feel really bad about it.
I watch the flames reach higher and higher into the night.
I've never seen a haunted house die before. I half expect the whole house to implode or something, that'd be neat.
But it doesn't.
I guess the flames are blazing a little more hungrily than they should given the thunderstorm that is currently drenching me.
I have mixed feelings about the whole thing. Well... not really, I'm relieved that this stupid house isn't going to be trying to kill me any more. I'm not looking forward to starting parallel apartment and job hunts tomorrow. I guess I kinda feel bad to see it burn for Minerva's sake (it's a working name, she still hasn't quite settled on any, but I can't just go around calling her "the ghost" now, can I?).
I'm not actually sure how she's feeling about this. It was her house, both living and dead, so there's a ton of baggage there. Maybe she's in shock. Maybe she's afraid of what happens next.
I don't know. I'm not afraid. I'm mostly tired. As far as I can tell, our little plan worked, so that's good.
I pull my eyes away from the house and squelch through the muddy lawn to my car. I pull the door closed behind me with a sigh and sit heavily.
I glance in the mirror where my face looks back at me with eyes that are the wrong color. That's going to take some getting used to...
"You okay?"
My reflection nods. She isn't okay, but that's expected.
I pat my own leg reassuringly.
She's free now. This whole shitty misadventure was worth it just to have had the opportunity to meet her and get her out of that place.
"I'm going to start the car now, and we're going to find a motel. You're going to see a lot of unfamiliar shit. Don't freak out. Just let me drive, okay?"
Like... when I got possessed this weekend, it was just a dumb mistake on my part. This right now, this is intentional. I could be opening myself up to all manner of horrors here. I'm not a medium by any stretch of the imagination, nor have I ever claimed to be a genius.
I have no fucking idea what I'm doing.
But... I'm doing it anyway.
So here we are.
The good thing about ghosts (at least so far as I've read and observed since moving in) it's they're incredibly predictable in their movements. Like there's this incredibly strict schedule that they follow, like they're stuck in a time loop and they don't even know it.
(That's where I fucked up this weekend, snuck out of my room to pee and totally missed that these ghosts predate daylight savings time and have zero concept of spring forward)
Midnight came and went.
Like clockwork comes the sound of glass breaking.
Crash. Crash. Crash.
She makes her way through the house right on schedule.
The thing about ghosts and their schedules of whatever is any deviation totally messes with them. Reactions can range from curiousity (hoping my ghost is on this end of the range) to outright malevolence (there is definitely one of these in the house that I am very keen to avoid).
So it's 12:07. The scheduled crash in the hall just outside my door doesn't come. I can see her out of the corner of my eye, standing in the doorway uncertainly.
She.
Suffice to say I've thought about it a lot this week and I'm now absolutely convinced I've got at least that sense of her down.
She's dressed like a man, maybe early 20's. Thin and sickly looking.
Fuck. She was younger than I am now when she died. I was older than she ever got to be before my egg finally cracked.
Maybe that's why I'm doing this.
I dare not look at her, lest I spook her. If my assumptions are correct, she isn't comfortable being looked at, and I can respect that.
"You can come into the room if you'd like," I say, picking my words very carefully.
She doesn't move.
"Please," I say. "I want to talk to you. You don't need to say anything... I know what it feels like to have a voice that doesn't feel like your own... so I get it if you're not ready to say anything. I can do all the talking tonight, but I do want to talk... and well... I think maybe you've never really been able to talk to anybody about... the things we both know I want to talk about."
She enters.
My heartrate spikes and my skin prickles. I'm an animal, flesh and blood, and there are certain autonomous reactions to certain things. I'm also a human being and I force myself to remain calm.
She hovers awkwardly just inside. That's what young gentleman are always doing in period dramas, right? Just hover awkwardly when a lady invites them into her room?
Terror makes the whole mental image really absurd and it takes a lot of will power to not laugh hysterically.
I take a breath. I've had a week to think about this. It's weird trying to think up some common point of reference with someone born in the 18th century. Like, how do you even start *this* conversation with a 250 year gap in culture?
"When I was a kid," I say, "I don't know, starting around 8 or 9, I was totally obsessed with mythology. I assume that's a totally normal experience, no matter what time period, right? I've browsed your library... Hesiod, Ovid, that kind of stuff, you know them?"
The ghost doesn't reply. Should I expect them to? I don't know. Too late to second guess myself, I suppose. The only way out is through.
"I always fixated on the transformation stories. You know the ones where mortals cross the gods and get turned into cows, or deer, or spiders? I don't know, they just spoke to me in a way I couldn't really put into words, being magically transformed into something else. Getting to be something else. Not having to be myself any more."
Something changes in the air. If I didn't have her attention before, I absolutely have it now.
"I lived a lot of my life like that," I continue. "Wishing for some divine intervention that would let me be someone who wasn't me. It took me 28 years to figure out I actually had it backwards. I wasn't really me yet, and what I was really wishing for was to become who I really was."
I pause and chew on my lip. I glance in the mirror of the vanity in front of where I'm sitting, at the shadowy figure that stands there, not sure what she is or what she could have been.
"Things still aren't perfect. Not by a long shot. But they are a bit different than what I imagine they were like when you were... well... alive, I guess."
Are you not supposed to tell a ghost they're dead?? I couldn't get a straight answer from the internet. Shit, too late to worry about that now because now it's time for me to do something truly ill advised.
"Do you want to know what it's like?" I ask. "I mean... you kinda saw a little bit already, but I was fighting you the whole time. So... I guess, do you want to try again? Do you want to see what it feels like? To be a girl?"
This is an absolutely terrible idea. Everything I've read says to not blindly offer yourself to these kinds of entities.
But I'm thinking back to being 18 or 22... how many times did I lay there at night secretly wishing I was a girl? How much would I have given just to have a few moments to see what it was like? How different would my journey have been if I just knew then?
How long has my ghost been suffering that exact same feeling? Every single night since she died?
I felt it when she possessed me, that aching hollowness that was so familiar. I can see it now in the stiffness of her posture.
I turn. I don't face her, not fully. But I reach out a hand to take hers in mine... at least inasmuch as it's possible between something flesh and something spirit.
My hand brushes through hers, soft and ethereal. A chill jolts through me like a shock, but I don't recoil. I feel her. I feel her fathomless despair, the agony of never becoming.
I focus.
I focus my mind on one feeling, the deep sense of euphoria that has somehow taken root in me over the past five years, that single fragment of blazing hope that blossomed into something like self-love.
I feed her my hope and her spirit shudders.
I don't think she needs my permission. She already demonstrated that, when she lashed out, full of eternal despair and spite. But this time, it's different.
I do grant permission this time.
I don't resist even though my scared little animal brain tells me I should.
I let her in.
I let her feel my hope, my scars, my pain, my mistakes, my joy.
I let her feel something that isn't unending self-loathing and despair.
We stagger back into the chair, breathing heavily. She looks at the face in the mirror, looking back with the grayish hue of her own eyes. My fingers rise to brush cheeks as she struggles to understand. I don't tell her the details of how hormone replacement works, for now it's simply enough for her to understand that this is my face. I had a face like hers once, but I made it onto my own. I made it into a face whose reflection I liked seeing in the mirror.
I let her feel that.
A noise in the hall, a creaking floorboard.
Shit.
We are definitely doing something the house doesn't approve of.
She tears herself out of me and we become two once more.
For a brief moment she lingers, and I swear I can see a flicker of light within her, like a candle flame passed from one to another.
And then she's gone.
I rise up on shakey legs and start to close the door.
It feels like the whole house is watching me, disapproving of what I've done.
I don't give a fuck.
I've upset plenty of people with my particular choices and I'm well past caring what they think at this point.
"Goodnight," I whisper into the gloom. I hope she can hear me. "I'll see you tomorrow."
Every time Sean Astin makes a statement on whether or not Sam and Frodo were indeed gay for each other in lord of the rings heâs always like âwell we have to acknowledge that attitudes around sexuality have changed dramatically over the past several decades and since authorial intent is only up to speculation, the story is open to multiple readings, some of which might have different significances for different groups of people also they kiss on the lips because I said soâ
Rosie: "This is my husband Sam, and that's his husband, Frodo. Frodo is my husband-in-law. I'm not into him, he's he's a bit too 'elfy' for my taste, but Sam likes him, and that's fine with me. As far as I know, Frodo can't give Sam children, but Frodo looks after ours all the same, so I don't mind sharing Sam if it means another pair of eyes on the wee ones. In all honesty, our family tree is right simple compared to some hobbits. Yes, I'm referrin' to you Lobelia, over there pretendin' you ain't eavesdroppin'. Still bitter you ain't got either of my boys or their house, eh?"
Tbh it's canon that Frodo invited Sam and Rosie to move in to Bag End after their wedding and they all lived there for a couple of years until Frodo went to Valinor, so yeah. Running with it.
And once Rosie dies, Sam says his goodbyes and disappears after him.
whatâs funny is people assuming that rosie would somehow be too dim or naive to KNOW that sam loved frodo, instead of looking at a guy who would loyally follow a beloved friend to hell and then help carry him home again, and not be like âoh i canât not fuck that.â
Polyamory, specifically polyandry, would be an interesting solution to the oddball population of the Shire.
The Shire is excellent farming country, with consistently good weather, and only one tough winter in living memory; hobbits like to produce large families; theyâre resistant to disease, rarely violent, and encounter few dangers. It is usual for hobbits to produce many children, so that (for example) Bilbo and Frodo are unusual in both being only children, with no siblings, and not having children of their own. All of this should point to a population that increases every generation if not doubling outright. Young people (and their ideologies!) should rapidly outnumber the old with an ever-increasing effect and impact on society. However, the Shire has a surprisingly stable history; it never seems to increase or decrease greatly in population, and the bell curve of age seems⌠demographically balanced? There certainly isnât a conflict from rising young bloods challenging the middle-aged reactionaries; thereâs no unemployment; there are no housing crises or waves of emigration, or even a tendency for young people leaving home to marry. Meanwhile, not only does the Shire not suffer from internal pressures, but it remains obscure and hardly noticed in global politics.
What makes sense here is that adult hobbits form a loose group. Four parents in a polycule, between them all, may produce four children. All four parents claim to have four children. An outsider would assume this meant the adults had eight children.
Hobbits therefore are not especially fertile or fecund. They simply have large families. Much of their interest in genealogy is due to the complex relationships of blood-kin, hearth-kin, love-kin and pledge-kin, who must all be carefully tracked and measured - not just because you need to make sure that you donât climb into bed with an un-permitted degree of blood-kin, but to track family alliances and carefully quantify the precise level of thoughtfulness to put into the proper present to gift your fatherâs loverâs lover (too much implies a degree of intimacy that might upset the polycule.)
Thus, while a hobbit matron may tell a startled dwarf that she has seven sons, she might only have borne five of them herself, and have one hearth-son by her wife, and a pledge-son of her first husbandâs. There are between three and four fathers involved at various stages of production, from conception to pledge-duty, but there is debate about the precise number of fathers, as one child was festival-conceived and therefore provisionally pledged to the Brandybucks until more distinctive paternal traits should materialise. Itâs expected that four of the sons will be uninterested in women, and their contribution to family life will be in raising hearth-children and pledge-duty. However, this level of detail is normally negotiated later in conversation, as a mutual overture of friendship. So sheâs just clear and simple: yes, certainly, she has seven sons. Yes, theyâre all hers. Yes, thatâs fairly normal - yes, hobbits like big families. How big? Thatâs really hard to say! Well, about thirteen hobbits live in her house⌠er, she has forty-three nieces and nephews. Yes! She has nine siblings, thatâs correct, but some of them are still babies themselves..
In this way, a bewildered dwarf might assume that hobbits are absurdly fertile, producing an average of seven children per couple, at an absurd pace.
When in fact, with about half of hobbits never bearing biological children, the population of hobbits is pretty much always the same.
Tl:dr, hobbit population works perfectly well, both internally and in the perceptions of outsiders, if the majority of the Shire is gay, theyâre all polyamorous, and they all firmly claim to be parents of high numbers of children. Of course Frodo fathered Samâs kids - he named them! They were pledge-kin but not hearth-kin, as Frodo needed a lot of quiet and stability in the home.
No outsider ever parses hobbit genealogy well enough to understand this except for Gandalf, who never explains anything either.
Since âpledgeâ kinships are multidimensional and can occur in different directions, hobbits can form - and formalise - family bonds simply because they choose to. Gandalf doesnât tell anyone that the formation of Thorinâs Company, the Fellowship of the Ring, and Belladonna Tookâs Accidental Troop of Mercenaries* are legal formations of pledge-siblings, a hobbit family structure usually claimed to increase social class and prestige (as high numbers of pledge-kin confer distinction on a hobbit, being a sort of popularity vote/endorsement that adds greatly to their social power. Incidentally, this is partly why Bilbo was both controversial and successful in his pledge-claim of Frodo; outsiders mistook his âbachelorâ status as someone living outside of heteronormativity, while the Shire was bewildered and increasingly annoyed by his rejection of pledge and hearth commitments. By rights Bilbo had too few pledge-kin, and too little parenting experience, to claim rights to an orphan, especially one from Brandybuck hearth; but conversely, his social status was high enough that his belated bid for his very first pledge-son couldnât reasonably be denied by anybody.)
In short, all of the hobbits enjoyed achieving even larger families on their adventures, legally and without argument or debate. Itâs free real estate. If nobody else is going to sibling these losers, we will. (The condensation of so many entanglements at once also legally made Pippin his own father-in-law.)
Gandalf never explained.
* see the post about the Old Tookâs âenchanted diamond cufflinksâ that obeyed the wearerâs commands; which were probably, given the general state of things, two lost silmarils recovered by his Remarkable Daughters and gifted to him because things stay small and safe in the shire
Only through Boromir while Boromir was alive! Pippinâs familial claim through Boromir technically dissolved on Boromirâs death, as Denethor hadnât been privy to it, and those bonds rarely stretch to a stranger when the person in the middle has died before introducing them; although Pippin, who was well-brought-up, perfectly and politely rectified the problem at once by simply swearing himself as Denethorâs pledge-son. but through his blood-cousinship to Frodo, who was older than Boromir, his status as the Took double-primarc (donât ask) and the proximity-enhanced status-doubling effects of having a five-way cousin in Merry, Pippin was demonstrably higher status as a pledge-sibling and was also his own father-in-law and approved of himself. As such, he would have significantly raised Boromirâs social status and marital prospects in the Shire.
Inheritance follows parent-child pledge as the primary consideration, with matrilineal descent as the secondary. Pippin would have been bewildered to gradually understand that Denethor held his two sons in such odd and different standing :-/ hobbits donât recognise kingship so it wouldâve been very upsetting and disappointing to Pippin to understand how Denethor stood in position of sworn-father to a whole city of people without even being slightly fair to his younger hearth-son. Aragorn is demonstrably much better dad-material and therefore had Pippinâs vote. Pippin, by virtue of being an excellent father-in-law to a spectacularly promising young son-in-law, also considered himself a better candidate for king of Gondor than Denethor, by outranking him in Dad Competence - but was too busy by the time he realized this to point this out .
Ironically, the events in which Pippin realized this made Faramir his own hearth-son - so Pippin won in the end and took a great interest in ceremonially approving of Eowyn. Gandalf never explained
Gallus, why is everything brassica? I'm upset? How am I supposed to get a crop rotation going, in consideration of soil, climate and what this family actually eats, when everything, I can think of, is brassica? What were our ancestors thinking?
"Why are all crops Brassica?" is like asking "Why are all dogs wolves?": Because we found ONE very genetically manipulable species and pushed it into as many fun and exciting shapes as possible.
HOWEVER, Like how we also have Cats, Chickens, Horses, goats and Pigeons, we also have:
Nightshdes: Tomatoes, Potatoes, and every kind of pepper except black pepper. Like Brassicas, they need a lot of calcium, so you shouldn't put them in the same bed, and supplemmenting both beds with finely crushed eggshells will help.
Cucurbits: Summer and Winter Squashes, melons, cucumbers, Chayote, Pumpkins. Not as demanding about the calcium, do need the kind of sun that will literally Sunburn brassicas and nightshades to death.
Alliums: Garlic, Leek, Onion, Scallion. What are you doing if you don't have these???
Special shouthout here to CEREALS like Corn, Sogrhum, Wheat, oats and Barely, which *can* be grown in a backyard garden if you are insane.
BEANS: Look. There is some bean somewhere your family will like. Black beans, pinto beans, peas, lentils, chickpeas, and PEANUTS.
There's also Carrots and parsnips, but they have weird sandy soil requirements so they require a similar level of dedication and research as cereals do.
And that's just vegetables! You also have "fruits" which for purposes of this post are "assorted sweet-tasting plant parts", including but not limited to:
Strawberries, blueberries, Raspberries, apples, pears, peaches, plums, currants, cranberries, and cherries all of which I've grown in my yard before.
You've also go HERBS, which are generally not related, but you can interweave them between larger crop plants to keep your biodiversity up and help prevent disease outbreaks by acting as physical barries between plants: Rosemary, Thyme, Dill, Sage, Parsley, BASIL, Savory, lemongrass, and Mint if you're nasty.
I have to believe there's a few things in each of these categories your family will eat. Look up the nutritional needs of each and you can probably swing a crop rotation schedule from there.
As Westley the sometime Dread Pirate Roberts once said: "I've always been a quick healer."
I'm doing fine. No nausea, pee is flowing nicely, took a walk around the unit, got cleared for actual food. Nursing staff are impressed. I sent the boyfriend home to play cards with his friends and get a proper night's sleep.
I am living up to my titan-shifter reputation. My therapist called me Wolverine.
We all know that Eliot has a penchant for accidentally becoming famous but if Hardison could would he join a famous D&D live stream just for shits and giggles? Would he make a 12 step plan to befriend the cast of Dimension 20 without raising suspicion and by the end he not only appears in the occasional game but is invited to other shows?
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Eliot definitely tags along on Parker and Hardisonâs dates to:
Keep them safe (fight in a locked off comedy frame, of course)
Pay any musicians around to play something the two of them will like, which isnât necessarily classically romantic stuff
Break into kitchens at restaurants they might go to and take over cooking for them because he knows how they like their food, and if theyâve ordered something that they wonât like he can change it
Eliot always wants to know what restaurant they plan to go to, and clearly has Opinions about their choices, even though he doesn't directly critique them to their faces. Hardison and Parker pretend not to know that the distinction between Eliot-approved restaurants and Eliot-annoying restaurants is correlated to which ones see them walk in and just preemptively make some room for the vigilante chef they know will follow versus those that try to call the cops on the dude invading their kitchen.
Although, realistically, I think Eliot would have dueling motivations of 1) wanting to meddle and make their date perfect but also 2) being appalled and wanting to shut down any restaurant that would allow food to go out to a customer after a stranger got in the kitchen and meddled with it. For one, because what other safety issues are they playing fast-and-loose with if they let outsiders get away with barging in and mucking around with the food? And second, because he probably knows way too many ways to surreptitiously poison food that regular restaurant staff wouldn't know how to spot even if they thought to watch for it.
So perhaps the dichotomy is "restaurants where Eliot has managed to set up a cover that allows him to 'legitimately' barge in and do this" (in some cases to bemused or enthusiastic acceptance; in others to the great annoyance of the actual chef) and "restaurants where Eliot has no plausible excuse for getting in the kitchen to intervene." (Plus a niche third category of "restaurants with stories swirling about the most opinionated, meddling health inspector ever who didn't actually touch any of the food but kept trying to give flavor advice backed by an implicit threat of a bad rating" from before Eliot figured out which covers actually worked for his purposes.)
The Mystery Chef who has some kind of arrangement with half the restaurants in Portland (Despite being rumored to have his own restaurant somewhere? Seriously, how does this dude have the time?!) is on the conspiracy boards alongside Roy Chappell, Kenneth Crane, and Jacques LeBert. There is more than one early-career chef in the area who insists that Mystery Chef taught at their culinary school, but still have absolutely no other identifying information for him beyond "Chef." Most restaurant staff think it's either an urban legend or a inside joke to play on the newbies... until Hardison and Parker happen to pick their restaurant for date night.
some of the best additions to this post are in two flavors:
type 1: eliot still being in denial
@agape-emo-eros: #he would#and still pretend he doesn't want to date them
@siobhanhawthorne: #before all three start to date
type 2. appreciating eliot and what he would do
@benwvatt: #he also fixes hardisonâs bow ties#and picks the mixtape for their group road trip
@velveteencryptid: Help Hardison pull off outrageous romantic gestures (most of which are just illegal but Parker finds them romantic)
@trashcan-trashfan: override their wine pairing choices
@caseys-breanna: #acts of service bf fr
@emilyarmadillo: #he's a romantic!
ALSO a fic idea from @miamatx: #look at this amazing head canon#id like to read fic about it#from the perspective of outsiders#other chefs#wait staff#musicians#the actual health inspectors#door men
Eliot talking up Paul and going on about how he was shot twice and Paul carried him away + obvious History⢠+ ending shot of The Rundown Job my beloved
#im just saying#shot twice#carried eliot to safety#y'all know how i feel about The Rundown Job#now the question is just amicable exes?#or add Paul to the polycule?#THE PAULYCULE -op
I know Eliot's single-con "baseball career" was too short for this to actually make sense, but I have a sudden delightful mental picture of pre-season 3 Damien Moreau sitting in some expensive cushy office, studying a Roy Chappell baseball card* in utter confusion, trying to figure out 1) whether that is actually Eliot Spencer and 2) if so...why?
*The baseball card of course features a photo of "Roy" smiling mid-game, hair at maximum floof.
You say this as if Hardison did not actually design a limited edition Roy Chappell baseball card and hack the Topps website to add it to the catalog. AND as if the limited edition Roy Chappell Topps cards didnât sell out within an hour and promptly create mass chaos at Toppsâ HQ because a) no one knows who this guy is and b) where are these cards and how are they going to ship things that donât exist and c) 5-10 business days later: HOW are we getting reviews on the website about a product we did not ship to customers because we do not have?
I do wonder if the revival will still do undercover stunts like that and Eliotâs short-lived career as a country singer. With the internet and social media, realistically it shouldnât be possible - Kenneth Craneâs fanclub would have searched the web and found Roy Chappell within hours. Granted, the theories would probably have been more along the lines of Roy Chappell was forced to retire after an old injury, found solace in music, and adopted the nom de plume of Kenneth Crane, or they are twin brothers. Entertaining, yes, but not necessarily the kind of attention you want during a con.
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I moved this week after 3 years in The Wrong House and
The ceilings are low. The kitchen is scaled to me. I can touch the ceiling, I can reach everything. It is amazing and I'm so excited about it. Yesterday morning I went in to start making breakfast and just stood there enjoying it for a bit.
Hardison studies accessibility options!!!!! Parker and Eliot need very similar options - simple interfaces, big buttons, clear directions, non-saturated colors! He makes his tech easy to use! Touchscreen interface Yes Please because typing frigging hurts (source: shitty hands with loose joints)!
But! More than that!
Captions are Always On for their media - Parker has audio processing issues and Eliot has tinnitus and Hardison likes to read because it helps him stay focused on the media!
Grab bars next to all toilets/in all showers and tubs! Plus shower chairs that can be stowed away!
Parker has sensory corners everywhere - in the vents, a cocoon up in the ceiling, in a few closets, and in the main room!
Electric hot pads, rice bags, and ice packs are Always within reach! Weighted blankets on every couch! (Plus afghans from Nana)
Voice controls!!! Homebrew of course, but all the lights and stuff are set to respond to voice commands (locked to vocal signature) that vary based on the person! If Eliot makes a Very Distinctive Grunt the lights dim bc he has a migraine!!!!!
Ergonomic handles! None of those round doorknobs, levers Only!
Sound cancelling headphones are scattered for when the World is Too Much for Parker!
Fidget and stim toys all over the place for when Hardison or Parker need them! (Some make noise ans some dont)
BACK TO THE HEADPHONES some of them are Bluetooth enabled! So if Eliot needs quiet and Parker needs loud she can put them on and blast music and Eliot hears nothing! Also good for watching movies together with the sound off if someone (Eliot) has finally fallen asleep but the movie is good!
Blue blocker film on Every Screen Ever!
Perfectly sized furniture! The counters are the right height so that a certain Punch Small Man doesnt strain himself!