ribbit

let’s talk about how they made it impossible to function without a phone and digitalised everything and then turned around and went “actually! these phone things aren’t safe for kids but it’s magically ok once you’re eighteen. guess you’ll have to have your life dictated by your parents now lol cause we’re gonna take the devices away from you. IT’S FOR YOUR OWN GOOD WHY ARE YOU COMPLAINING”

ok my apologies. take away my ability to buy anything too ig because these fuckass stores don’t accept cash anymore. take away my ability to communicate with people outside my house and school because I can’t text and I can’t email and I cant drive to them either and I can’t even fucking get public transport without a phone either. can’t order at a fucking restaurant without being asked to get a membership and install an app and also very sorry but you can only order through our online menu now! have you ever considered that it’s not just about instagram?

Something about the bastardization of the story time and time again proves that nobody in power really cares about the people who would resonate with King’s Carrie White. A girl so ugly and repulsive she’s been removed from her own story. The societal need for women and girls to be constantly perceived as attractive is what fuels a fair amount of her torment in the book, but that person isn’t even allowed to exist on the screen. We cannot empathize with her; it isn’t allowed. It’s fascinating to me.

I think one of Gideon's funniest moments is when she learns that Pal and Dulcie have a Thing and she's so distraught about it because she feels like a complete homewrecker. Like she just made one of her first ever friends, this weird little man whom she diagnosed as Bitchless upon first sight, and then she learns he actually does have A Single Bitch but it's the woman she's been flirting with nonstop since she got there. So naturally her reaction is to start mourning for him because literally, how was her new bestie The Most Bitchless Man Alive ever supposed to compete with her

meanwhile I, Redwallpilled since childhood,

nona the ninth is a fucking roller coaster from start to finish. it's the third book in a series and it starts with three returning characters who were barely in book 2 and everyone else is new. It follows a gravity falls arc in tone, ie it starts as a slightly weird slice of life story and by the end they're fighting ancient eldritch abominations from actual hell, and not a moment in that transition feels out of place or jarring. our first impression of the main character is the list of people she wants at her birthday party and the first five names on the list are dogs. our last impression of her is some of the most heartbreaking dialogue ever written.