“Love is a sacrament that should be taken kneeling”

Here’s the rest of the quote. It’s from De Profundis:

octavia paulina was a six year old girl whose sarcophagus was found in her family’s tomb at via triumphalis in rome, dated roughly around the third century a.d. her parents mourned her mors immatura, her premature death, by having the wall behind her sarcophagus painted with the image of a giant meadow with children and a chariot pulled by doves accompanied by hermes leading an unconscious girl into afterlife. (to my knowledge, the doves and the fact that they were led by hermes was a symbol for hope.)

the sarcophagus itself shows athletic competitions between girls and boys alike, and in the most important one on the front, octavia paulina appears as the winner (a palm branch in her hand, which is meant to symbolize her strength and honor, her virtus). her opponent is sitting on the floor, upset. what really stands out is that octavia paulina’s parents ordered a common sarcophagus that was usually used to bury boys with athletic interests or futures but then proceeded to have it remodeled — smaller heads and genitalia cut off etc — to include girls in the relief.

i just get very soft when i think about parents ordering a sarcophagus for their little daughter who think it’s perfect for her and who remodel it to make it even more accurate for her. the thought of parents more than 1.700 years ago thinking their six year old daughter deserves a sarcophagus that fits her personality (rather than what was expected of her as a young girl of the time) despite none being available and then ordering for it to be altered makes me wanna scream because it’s such a human and caring thing to do. maybe octavia paulina even had a say in this because it took weeks to months to make a sarcophagus this detailed.

The young man, Carvilio Gemello, was around 18 when he died, likely as a consequence of a bone fracture in his leg. The woman, Aebutia, was around forty forty-five when she died and was buried wearing this ring (now housed in the Palestrina Archeological museum)

Behind the quartz window we can still see the face of Carvilio Gemello engraved in a golden miniature that his mother commissioned.