this sewing pattern just touched me while i was in the middle of reading it
will byers stan first human second

cherry valley forever

oozey mess
KIROKAZE

Andulka
Mike Driver
trying on a metaphor

Kaledo Art

❣ Chile in a Photography ❣
Game of Thrones Daily

★
Misplaced Lens Cap

Love Begins
dirt enthusiast
Acquired Stardust
Today's Document
Cosmic Funnies
Sweet Seals For You, Always
Stranger Things

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@17steps
this sewing pattern just touched me while i was in the middle of reading it

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Really hate that most people don’t understand the difference between “self-expression” and “artistic-expression.”
I say this as someone who sells pottery, and many people who see my art assume I am using art as an outlet to “express myself.”
I am not.
I use art to challenge myself. A lot of what I do is the equivalent of doing a hard sudoko or a half marathon, answering the question of “can I do this?”
I use art to question things and explore ideas. Finding physical synthesis between concepts and working out a design to its end state.
I use art to make money. I make some things just because I suspect they’ll sell well, and I keep making them when they do.
This idea that an artist is “putting themselves out there” every time they create is not only stupid, but harmful, and it kills critique and analysis.
Yes every creative work is influenced by its creator, but the most preliminary step of analysis is to define the purpose of a work of art (functional, narrative, entertainment, persuasive, decorative, ceremonial, etc.) and a vanishingly small percentage of that is self-expression. Even then, it’s generally tied to the self’s relationship with something else—perception, society, etc.
It’s very tiresome to have people assume they know you because they like (or dislike) your art, to make assumptions about who you are and how you approach the world. It’s nothing new— people called the Impressionists insane and the Fauvists degenerate. And now people are expected to hand out their identities and traumas to prove they have the right to explore certain subjects.
But to actually understand art, you have to contextualize it beyond assuming it’s just what the artist felt like making at the moment and it’s somehow coming from their deepest soul, or you’ll badly misinterpret most art you come across.

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Les courriers envoyés en mai 2026 🥨
"give me a gay break will ya" is becoming part of my lexicon immediately
I got a 4 min long video of Kimchi dreaming today, so here's a clip
You get the whole walk cycle and the little sprint at the end.
Sometimes her sprints last for like 4 or 5 seconds and she can shoot herself off the couch or into a wall if she gets a grip with her back claws. If she does it next to a wall, her head smacking into it sounds like someone is trying to break into the house. She doesn't wake up.
Later in the dream she injured her paw and was limping, and earlier she caught something and ate it.
Byzantine mosaics found on the ceiling of the Mausoleum of Galla Placidia in Ravenna, Italy.

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You make soup in a big bowl. You serve it in a smaller bowl. And then you convey it, using a spoon, to your mouth. But what is the spoon? Simply a smaller bowl still
Kōno Michisei - Self-Portrait (1917)
Kohno Michisei, seen here at twenty-two, presents himself in a pose modeled on Western Renaissance master Albrecht Durer's (1471-1528) self-portrait produced in 1500. Between 1914 and 1924 a remarkable quantity of high-quality portraiture was produced by Japanese artists who blended Western and East Asian painting traditions. While some of these painters had first-hand knowledge of Western painting, most, like Michisei, culled their images from books and magazines. The young artist was raised in an environment filled with powerful iconic images. His father was a portrait photographer, an artist in both Japanese and Western modes, and an active member of the Russian Orthodox Church. These influences are readily apparent in this self-portrait. Michisei's perceptive understanding of classic Western images was based on constant perusal of his father's extensive library; a portrait's potential for psychological and spiritual impact was impressed on him through exposure to religious icons used in the Orthodox liturgy. (source)
the girl who is comfy in bed yearns to be On The Computer. The girl who is On The Computer yearns to be comfy in bed. Thus does desire become the root of all suffering
are those my only options
disco elysium dialogue tree

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Quand il faut expliquer la pâtisserie à un Américain: imaginez un hamburger