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A while back, I wrote an angsty "what if Tom was secretly gay" fanfic. Now I've begun a super angsty sequel that takes place after the war.
https://archiveofourown.org/works/89642731/chapters/238122171
Since it's a "Tom survived the war" story, I naturally have to give inspirational credit to Eleutherophobia, the Archetypal "Tom survived the war" story written by the amazing @thejakeformerlyknownasprince
I made a conscious effort not to steal/copy anything too specific. But I don't deny Eleutherophobia was a massive influence overall. It's the fanfic that made Tom my favorite Animorphs character in the first place.
(Though I did, without shame or apology, absolutely steal a few things from The Summer Hikaru Died. And also Torchwood.)
I may have messed up a certain someone's notifications because I had to edit this post about eight times because I could not get the link to appear. Sorry.
A while back, I wrote an angsty "what if Tom was secretly gay" fanfic. Now I've begun a super angsty sequel that takes place after the war.
https://archiveofourown.org/works/89642731/chapters/238122171
Since it's a "Tom survived the war" story, I naturally have to give inspirational credit to Eleutherophobia, the Archetypal "Tom survived the war" story written by the amazing @thejakeformerlyknownasprince
I made a conscious effort not to steal/copy anything too specific. But I don't deny Eleutherophobia was a massive influence overall. It's the fanfic that made Tom my favorite Animorphs character in the first place.
(Though I did, without shame or apology, absolutely steal a few things from The Summer Hikaru Died. And also Torchwood.)
Irony: When Orpheus looked back, I almost missed it because I was busy looking at Eurydice singing.
WAS NO ONE GOING TO TELL ME HADESTOWN IS IN THEATERS RIGHT NOW?!
I just got back from seeing the proshot in a movie theater, which is the closest I'll ever get to seeing it live.
No one talk to me now.

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Oh no.
I just got an idea for a cursed AU that must never see the light of day. Somebody stop me from finishing this post.
A "The Summer Hikaru Died"/"In The Flesh" crossover.
(For those who don't know, "In The Flesh" was a queer horror show. And the queer analogy wasn't subtext, it was actual text.)
Yoshiki finds original!Hikaru's corpse on the mountain. Yoshiki prays to "nounuki-sama" for Hikaru to come back. And original!Hikaru does come back… as a zombie.
So Hikaru is basically Kieren Walker now. He takes medicine everyday to stop himself from going rabid and eating people's brains. The whole village is constantly spitting homophobia zombiephobia at him. Original!Hikaru shouts back "You're wrong! I'm not dead anymore! I'm not like THOSE zombies, I'm normal!" And Yoshiki is just "This is fine."
This is a horrible horrible idea that must never be expanded on because it completely writes "Hikaru" out of the plot.
WAS NO ONE GOING TO TELL ME HADESTOWN IS IN THEATERS RIGHT NOW?!
I was today years old when I realized: That endless joke of "Don't call me Prince." "Yes Prince Jake."
That was because Ax never understood the request. Because Ax WASN'T calling him "Prince", he was calling him "Prince Jake".
Jake would have saved himself a lot of aggravation if he simply said "Call me Jake".
Okay so, I saw this post earlier today and thought
"Ohhhhh!! Thats a cute idea. I figured the reason was because of the culturally ingrained respect to superiors andalites have, or that Ax actually does have a sense of humor and he thinks this is funny, but i like this idea too :D"
Then, jump forward a few hours and im reading #16 at work
And I had to dig through the Animorphs tag to find this post again, lol
Oh.
It's probably worth mentioning #16 is one of the books I don't have a physical copy of. Foiled once again by holes in my collection.
I was today years old when I realized: That endless joke of "Don't call me Prince." "Yes Prince Jake."
That was because Ax never understood the request. Because Ax WASN'T calling him "Prince", he was calling him "Prince Jake".
Jake would have saved himself a lot of aggravation if he simply said "Call me Jake".
Classmate who has a crush on Jake: If you could be any animal, what would you be?
Jake, forgetting to play it cool: Can't I just stay human for one friggin' day???

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tom, on rachel
[rachel's POV]
Rachel. He'd sent Rachel.
Smart kid, my brother was. Rachel was the only one that would understand what had to happen. She'd understand what she needed to do. She'd always been the most blunt and practical one at the kid's table, after all. 'Tough' was the only kind of love she knew.
I was proud of both of them, in a way. My only regret is that I never got to thank them, never got to ruffle their hair and call them names for the last time. (I couldn't regret my helplessness. If I did, I'd have driven myself mad a long time ago.)
Iniss never paid much mind to Rachel at family gatherings, so she looked older than I remembered. The weight of the world was visible on her shoulders, and she carried it like pauldrons. I didn't want to think about how she got that way.
I had been keeping all my strength in reserve, concealing my intentions from my captor, saving it for a moment when it really mattered. And this mattered. I'd help my cousin in the only way I could.
Rachel lunged, her jaws snapping an inch from cobra muscle. The long, cylindrical body twisted to dodge her. The sensation was distant and strange. Iniss was piloting a body I'd never known, and all I could do was watch. And feel.
The battle surged. She defended herself with unsettling ease. I waited with practiced patience. Then -- a chance! She was close, and he was about to dodge again, but--
Now!
I used all my willpower to try and wrest control of the body. I couldn't do it, of course. Iniss was experienced with unruly hosts, and I didn't know how to work this thing, anyway.
But it was a distraction. A moment's lapse in his total, utter control of me.
Just enough.
Grizzly fangs pierced our skin, nearly cleaving us in two. The pain was blinding. The injury was fatal.
In my final moments, I heard the Yeerk wail in silent rage and agony. Then, I exhaled.
Visser Three: "HA HA! I have discovered the books written by the so-called Animorphs! I now know all their secrets! They think they can protect their identities by not telling their last names or where they live, BUT LOOK! Marco says he is the son of Visser One's host! THE FOOL! This means his last name is…" Visser Three: "Is…" Visser Three: "…" Visser Three: *hates Visser One so much he never bothered to learn her host's name* Visser Three: *can't reveal he doesn't know to his subordinates* Visser Three: "These books are obviously lies written by the real Andalite bandits. But I'm too smart to fall for them."
Animorphs #23: The Pretender thoughts (pt. 5):
Controversial opinion incoming: I don't like the end of this book.
Like, this post really sums it up:
Animorphs is not that bad. Cassie's not related to anyone important, at least, and Jake's tie to Tom is mostly just inconvenient. HOWEVER. It's still canon that the Ellimist "stacked the deck" by recruiting Animorphs who are relatives of people like Eva and Elfangor and Tom, and the implication about ~*~superior genes~*~ is still in there.
To me, the reveal about Tobias being related to Elfangor:
Cheapens the message about these being ordinary kids — dumb jocks, bully magnets, screw-ups — who are literally in the wrong place at the wrong time when superheroism gets thrust upon them. Jake is my favorite because he cuts against type for SF heroes: he's not an outsider nerd, he's not talented; he's just some dumb jock who is also kind and brave and optimistic. Giving Tobias the classic SF backstory makes him less relatable, in my book.
Undercuts Tobias's friendship with Ax. Along with the backlash to "they're such good friends they must be in love", I'd like to start a backlash against "they're such good friends they must be related." Because it's still implying that some types of love are more valid than others. The shorms are family before they find out they share genes; do we really need that added element?
Undercuts Tobias's own call to action in the first book. Tobias makes this instant connection with a stranger from another species, in a way that Jake notes only Tobias could ever do, and it ends up pulling all five human kids into the war. There's heartbreaking power to the idea that Tobias is this overflowing with empathy and also naïveté. But whoops, nope, turns out it was a genetic connection all along!
Straight up doesn't make sense? It's a rare case where Animorphs' otherwise pretty good continuity slips up big time — Loren's three husbands, Chapman's contagious amnesia, both Tobias's parents going from "dead" to "missing", Ax's childhood suddenly being illogical. There are so many ret-con gymnastics going on that this twist doesn't feel worth it.
Loses the realism. Animorphs has my love forever for details like Marco not being able to afford admission to the Gardens and Ax fighting tears at the thought of disappointing his dad and Rachel having to be the second parent to her sisters. Tobias having a dogshit home life, just because, and using morphing as a desperate escape hatch — that's realism. That feels perfectly in line with the themes of the series. It feels like things I saw as a kid that no adult, and no other kids' book series, would talk about. Tobias having a dogshit home life because his dad's an alien prince who got time-warped off to fight a cosmic war while his mom was attacked by his dad's ancient enemies and given fantasy!amnesia because of her former role as the first human ever to be mind-controlled... Fuck off. If I wanted fantasy escapism, I'd read a different book.
Animorphs books can be read here | Book Club schedule is here
To be fair, id argue Tobias being Elfangor's son (beyond them seeming to have some connection when they meet) doesn't really make HIM anymore special or fanatastical as a person. Its not like his alien heritage gives him some special powers and he stil lived his life on Earth as an avaerage kid, magical space reasons or not, his life DID still suck for reasons outside his control. Though I would argue that hits on an an issue I might find more with this twist nowadays: It....doesnt really MATTER?
Like, "Tobias is Elfangors son" feels like a twist that could be done in Animorphs (honestly, they couldve just had him leave either by choice or Andalites coming to Earth to bring him back and Lorens memory just erased by Andalite tech, thus hitting on those themes of war and duty and the Andalites kinds sucking.) But him being Elfanors son doesn't really change anything. Tobias's stories are still more about him being a hawk or being with Rachel. Even his relationship with Ax feels like it should....change more considering Tobias is his nephew. Heck, maybe it'd even be cool to see what the Andalite's as whole think on that. Like, what ARE the Andalite rules for interapecies breeding while in morph? Feels like something that should come up. Hell, how does Tobias feel about Elfangor now, since he has to ASSUME his father abandoned him and his mom to go fight the Yeerks? Resentful? Angry? Hurt? Tobias being Elfangor's son isn't really something that changes anything like it should. I'd even argue Marco's mom being Visser one has more effect because it drastically changes how Marco considers his mission in the war and his motivation.
Like, the twist itself doesnt bother me, its more how it feels like it SHOULD really change more for Tobias in SOME personal way.
No, you're right, and to me that's an extra frustration. I think it'd bother me less if it ended up being setup for a plotline where Tobias communicated with the andalites somehow, or it mattered to, like, the war-prince they negotiate the treaty with in #54. But it's basically just a weird little fun fact for the rest of the series.
And yes, all the other family connections pretty much get a pass from me as well. Tom's role is mostly 'surprise, kid; you thought you could ignore the war but it turns out there's already a yeerk living inside your home." And even when that yeerk does become important for the war effort, it becomes important because of Jake -- it steals the morphing cube and gets a giant promotion by holding Jake's family hostage against him. So that connection isn't coincidence. Ax is similar -- he was the only aristh on his Dome ship because he's Elfangor's little brother, not out of luck.
As you said, Eva and Marco feels more coincidental, but even then you can argue that Marco is an Animorph because of Eva. And it's a major plot point that Marco wants Visser One in particular dead. Just like it's a major plot point that Visser Seventeen* wants Jake in particular dead, just like it's a major plot point that Elfangor's death requires Ax to kill Visser Three.
All this space opera crap with Tobias is just... there. It's never important to the story that Tobias is half andalite, other than being another reason (besides everything we already got with Loren) for Elfangor to love Earth and trust humans. And even then, Elfangor says outright in #23 that he neither knows nor feels attached to Tobias. So it's basically just space opera nonsense.
*Visser Seventeen = the yeerk that controls Tom from #6 - #54, and ends up head of invasion security for the Empire. Whose name we never learn. And who might in fact be several yeerks.
Weird headcanon: The letter says Tobias is Elfangor's son, but is there any actual evidence that's true? Elfangor wasn't there when Tobias was born, he only thinks Tobias is his son because the Ellimist told him so, right? The same Ellimist who sent the letter in the first place? Do we as a fandom consider the Ellimist a trustworthy source now?
James Moriarty fucked Beatrice bc he couldn’t fuck Sherlock
I remember when I was younger, anytime I watched a movie where the characters have to kill a scary monster/alien, I always thought the act of killing it was intended to be part of the horror. Like there’s this amazing creature that we’ve never seen before, and maybe under different circumstances we could’ve coexisted with it, but it’s trying to attack you and you have to defend yourself, but by destroying it you also destroy the ability to ever understand it and that’s sad and is supposed to make you feel conflicted.
It was not until well into my adulthood that I realized most people do not have complicated feelings about movies where people have to kill a scary alien monster, nor is that necessarily meant to be part of the narrative (unless it very obviously is). They just want the scary thing to die because it’s scary. I don’t have a real conclusion to this I just started thinking about it for some reason.

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Have you talked about secunits/murderbots in animorphs? I feel like the Chee would get heated
This is the closest I've come. And yes, the chee and the Secunits would find each other sooooo upsetting. Possibly to the point where they have exactly one minor spat and the chee get annihilated.
Also discussed here and here
Another fanfic idea I will never write:
Animorphs/Dead Boy Detectives.
Takes place in the Animorphs canon, after the war. Tom is a ghost (spoilers). And there's this other ghost who can't remember his name or anything else from when he was alive (though strangely he doesn't seem too concerned with finding out). And the two of them team up to become Ghost Detectives. Although they're not all that good at the detecting part, it's really just an excuse to hunt spooky bad guys and work out their pent-up anger issues.
Soon enough it comes out that the second ghost is David. He was lying about not remembering, he just didn't want to admit his dark past to Jake's brother. But Tom knew the whole time and just chose not to say anything.
If I did write this, I would possibly include Melissa as the obligatory living-person-who-can-see-ghosts.