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on the alberta oil sands
If you want to understand the Alberta oil sands — and everyone should, at least a little, because they are among the strangest industrial artifacts in the Western hemisphere and the standard coverage of them is almost uniformly wrong — you have to start with the fact that what's in the ground is not oil. Oil, proper oil, the stuff Saudi Arabia and Texas and the North Sea have been pumping for a century and a quarter, comes out of the ground as a liquid. You drill a hole, pressure differentials do most of the work, and what comes up is roughly pourable. This is not what's in northeastern Alberta. What's in northeastern Alberta is bitumen, which is oil that has been sitting around for a hundred million years getting its light ends biodegraded out of it by bacteria, and what's left is a substance with the consistency, at room temperature, of cold molasses or peanut butter. You cannot pump it. You cannot drill it. If you cut a chunk of oil-sand out of the formation and put it on your desk it will sit there, looking like a dark sticky brick, being the least ambitious hydrocarbon in the history of hydrocarbons.
So the entire industry is, at a physical level, a workaround for the fact that the thing they're extracting is an embarrassment to the concept of petroleum.
There are two workarounds and they both cost a lot of energy. If the deposit is close to the surface — and only about a fifth of the reserves are — you can dig it. This means you strip off the boreal forest and the peat underneath it (the "overburden," in the terminology, which is one of those words like "collateral damage" or "surplus population" that you can tell was invented to not describe something) and you run the biggest trucks and shovels in the world, actually the biggest, 400-ton dump trucks that cost five million dollars each and tires that cost the price of a house, and you mine it like coal. The oil-sand goes into crushers and then into giant hot-water tumblers that separate the bitumen from the sand the way you'd separate wet paint from gravel, with a lot of help from caustic soda and even more help from steam. The water goes into tailings ponds, which are not ponds, they are lakes, they are visible from low earth orbit, and they are full of a mixture of fine clays and residual bitumen and a lot of other chemistry that is at best dubious and at worst a slow-motion environmental catastrophe nobody in Alberta can figure out how to clean up and which, by provincial law, the operators are supposed to eventually reclaim — a promise whose timeline keeps sliding to the right and whose financial reserves, if you actually cost them out, would bankrupt most of the companies that made them. That's the mining side.
The other eighty percent of the reserves are too deep to mine. For those you use SAGD, steam-assisted gravity drainage, which works like this: you drill two horizontal wells, one stacked a few meters above the other, you blast the upper one full of high-pressure steam until the bitumen down there gets hot enough to actually flow, and then you collect the flowable bitumen out of the lower well. You are, essentially, cooking the ground. To do this you need ungodly amounts of natural gas, because steam doesn't make itself, and the natural gas is piped in from elsewhere in the province, which is why the oil sands are sometimes described (accurately) as a process for converting natural gas, which is a reasonably clean fuel, into synthetic crude, which is not, at a thermodynamic efficiency that would make a nineteenth-century millwright wince.
The net energy math on this is — fine. It works. You put one unit of energy in, you get three or four out, that's the rough ratio, less than conventional oil's old ten-to-one but more than enough to make money at any oil price north of roughly fifty dollars a barrel, which the global oil price has been north of most of the time since about 2004. So it gets done. And once you've gotten the bitumen out of the ground — whether by digging or by cooking — you still can't ship it, because at pipeline temperature it's still too thick to flow, so you cut it with condensate (a light hydrocarbon imported specifically for this purpose, sometimes from the US Gulf, shipped north, used as a thinner) until it's a mix called dilbit, diluted bitumen, which is what actually goes down the pipe. About a third of every barrel of dilbit leaving Alberta is diluent. You are paying to ship the thinner.
This is, I want to stress, the normal operation of the industry. None of this is scandal. This is the regular Tuesday.
The scale of it is the part people don't absorb, because the numbers are all in units nobody has intuitions for. Canadian oil sands production is running around 3.5 million barrels a day as of 2025, which is more than every OPEC producer except Saudi Arabia and Iraq, which is almost half of all oil produced in Canada, which accounts for most of the difference between Canada being an oil-exporting country and Canada being a quiet resource backwater with a per-capita income that looks more like Ireland's. The industry is about thirty percent of Alberta's GDP. It is the entire reason Alberta's per-capita GDP is what it is. Until the Trans Mountain pipeline expansion came online in May 2024 — after twelve years of construction, at a cost of 34 billion Canadian dollars, after the federal government had to buy the project from Kinder Morgan because no private company could eat the political risk — basically all of it went to the United States, which meant Canadian producers had exactly one customer and priced accordingly, at whatever discount to WTI the American refiners felt like imposing. This was annoying to Canada in the way that having a single customer is always annoying to a supplier, and it's the thing the pipeline was supposed to fix, and fixing it is already looking like it wasn't as much of a fix as promised because production keeps growing faster than egress capacity can keep up.
Okay. That's the industrial situation. Here's the part that actually matters.
Fort McMurray is not a city in any sense that the word normally carries. It is a town of maybe 75,000 permanent residents, up near the 57th parallel, surrounded by boreal forest and muskeg, to which is attached — and the word "attached" is wrong, the word needs to be something more like "grafted" or "hosting" — a second population of roughly 35,000 workers who live in what are called camps. The camps are the actual operational engine of the industry. A camp is a cluster of prefab dormitory buildings attached to a cafeteria and a gym and maybe a movie room, plopped down in the bush near a mine or a SAGD plant, with capacity for anywhere from a few hundred to several thousand workers. Workers fly in from everywhere in Canada — Newfoundland, Cape Breton, New Brunswick, whatever backwater the post-industrial labor market has stranded them in — on two-week-on two-week-off rotations, work twelve-hour shifts, live in a room the size of a cell, and fly home to spend two weeks with their families before coming back. The term of art is "shadow population." The official census counts them separately.
And this arrangement is not incidental to how the industry works. It is the industry. You cannot run a facility the size of Syncrude's Mildred Lake mine with a labor force of people who live in the nearest city and commute to work. There is no nearest city. The nearest city is eight hundred kilometers away. You have to import the workforce, and because you have to import the workforce, you have to house them, and because you have to house them cheaply, you put them in camps, and because the camps are miserable, you pay the workers a lot of money, and because you pay the workers a lot of money, they put up with the camps, and the whole system is stable as long as the oil price is high enough to subsidize the discomfort premium. It is an entire industrial operation structured around the fact that nobody would voluntarily live where the bitumen is, and so the industry has to buy the labor's tolerance of not-living-there, over and over, shift after shift, for however many decades the deposit lasts.
Which brings me to Kate Beaton.
Beaton is from Mabou, Cape Breton, which is one of those Canadian places that the twentieth century was mostly unkind to. Cape Breton had coal, and Cape Breton had steel, and Cape Breton had fishing, and Cape Breton lost all three of these industries in the space of about forty years, and what it has now is diminished. The island's culture, which is Gaelic-inflected and absurdly musical and which has produced a shocking amount of art per capita, has as one of its load-bearing assumptions the idea that you will probably have to leave to make a living, and that this leaving will be sad but necessary, and that everyone you know will do it too, and that it's been going on since the Highland Clearances, and will go on after you. This is the Cape Breton structure of feeling. It predates the oil sands by about two hundred years. The oil sands are just the current destination.
So when Beaton graduated from Mount Allison in 2005 with an arts degree and a pile of student loans, she did what her cousins and the boys from her high school had already been doing for a decade, which was get on a plane to Alberta. She went to the camps. She worked tool cribs, she worked supply offices, she worked at Syncrude's Long Lake and at Shell's Albian Sands and at a couple of the smaller operators whose names I can't remember off the top of my head, and she kept a notebook, and eventually — many years later, after she'd become internet-famous for Hark! A Vagrant, which is a different story — she turned the notebook into a graphic memoir called Ducks, published in 2022 by Drawn & Quarterly, which won pretty much every prize available to graphic novels and landed on Obama's list that year, and which is, I think, the single best book anyone has written about what the oil sands actually are, which is a very specific kind of social machine.
The book is called Ducks because in 2008, while Beaton was there, 1,600 migratory ducks landed on a Syncrude tailings pond and died in it, which became briefly a global news story and got Syncrude fined three million dollars, which is roughly the kind of money Syncrude made every forty-five minutes that year. The ducks were the visible atrocity. The book is about the invisible one.
The invisible one is that the ratio of men to women in the camps was, depending on which camp and which shift, somewhere between 30-to-1 and 50-to-1. Beaton spent two years as one of the maybe two or three women at any given installation surrounded by several hundred men who were working twelve-hour shifts, living in single-occupancy dorms a hundred meters from hers, drinking heavily when off-shift because there was nothing else to do, doing cocaine at a rate that surprised even her, isolated from their wives and girlfriends and mothers and daughters, and — this is the part the book builds very patiently and very devastatingly — slowly losing the ability to behave like the people they used to be when they were still at home. The book is not a condemnation of the men. It is explicitly not that. The book's most painful move is that it keeps humanizing them, keeps showing how they're also trapped, also miserable, also being used up by the same machine, even as they do the things they do to her. Which, without getting into the specifics — read the book — include the full range of what several hundred isolated men will do to two women when the HR function is a phone number in Calgary that nobody is going to call.
And the thing Beaton sees, the thing she sets up with complete economy and then lets the rest of the book bear out, is that the machine is designed to produce exactly this. It's not a bug. The camp structure produces isolated men away from their social networks in exchange for money. Isolated men away from their social networks, given enough money and enough boredom, will do predictable things, and those predictable things are accepted by the operators as part of the cost of doing business, the way a mine accepts that a certain number of miners will get silicosis. It's a function of the design. Nobody up the chain at Suncor or Syncrude or Shell wants the women in the camps to be harassed. It's just that preventing the harassment would require reorganizing the entire labor-rotation structure of the industry, which would raise the cost per barrel, which would make the operation uncompetitive, and so the harassment is priced in as an externality. The women are told they have a bad attitude. The men are told to knock it off. The rotation continues. The oil flows.
What makes Ducks extraordinary, and what makes it a book about the oil sands rather than a book about harassment — though it is also that — is that Beaton also sees the men. She sees the welders from Cape Breton she grew up around, except here they're trapped in a way she recognizes because she's trapped in the same way, a way her dad would recognize from his own generation going to Boston or Toronto, a way her grandfather would recognize from the mines. The Maritime out-migration has been happening long enough that it has a folk repertoire, a whole tradition of songs about leaving, and the men in the camps are inside that tradition whether they know it or not. Some of them are actively dying inside it — there's a running count in the book, not emphasized, just there in the margin, of young men who die on the highway between Fort McMurray and Edmonton, or who kill themselves in their dorms, or who disappear. The mortality of the rotation is ambient. It's baked in. Nobody makes a particular fuss because making a particular fuss isn't what anyone there has the cultural equipment to do.
And the thing I keep coming back to, reading that book, is how precisely it maps onto earlier Canadian industrial extractions. Cape Breton exported its own men to its own mines in the 1890s and they died of black lung. Newfoundland exported its men to the Banks and they died drowning. The cod collapsed in 1992 and those men went to Fort Mac. There is a temporal rhyme here that Beaton doesn't belabor but that sits underneath the whole book: this is what Canadian industrial history is, a series of extractive operations that consume the bodies and social networks of men from places the previous extractive operation already hollowed out. The oil sands are just the current iteration. When the oil sands go — and they will go, either because the world stops buying the product or because the bitumen that's economically recoverable runs out or because a carbon regime finally prices the externalities — whatever comes next will be staffed by the grandsons of the men who died at Fort McKay, who were themselves the grandsons of the men who died at Glace Bay. Same as it ever was.
The industry knows all this, by the way. None of it is secret. The oil companies have sociologists on retainer. The turnover statistics are studied. The mental health crisis in the camps is a line item, it has a budget, there are contractors whose entire business is running crisis-response services for a workforce they know is coming apart. The 2016 wildfire — which evacuated 88,000 people from Fort McMurray in the largest wildfire evacuation in Canadian history, which burned down 2,400 homes, which briefly shut down most of the industry — revealed in passing that the regional municipality's shadow population was around 40,000 people at that moment, people who lived here but didn't live here, who were uncounted in most of the news coverage because they weren't from there, they were from somewhere else, and they all went back to their somewhere elses during the evacuation and some of them simply never came back. The 2018 post-fire census found the shadow population down fifteen percent. The oil didn't care. The oil kept flowing. The rotations restarted.
And the Indigenous piece, which I've been circling without saying directly, is that all of this is happening on land that belongs, by every reasonable reading of treaty and prior occupation, to the Athabasca Chipewyan and the Mikisew Cree and the Fort McKay First Nation and the Métis communities of the region, who have been variously co-opted, partnered-with, sued-into-submission, paid-off, or simply bulldozed over, depending on the decade and the specific negotiation. Some of the bands have significant ownership stakes in the operations now, which is a development the 1970s activist version of this story did not predict. Some are still in active litigation over water quality and cancer clusters downstream on the Athabasca River. Both things are true. The oil sands produce billionaires and elders dying of bile duct cancer and they produce them in the same watershed and if you want a tidy story about which is the real one you'll have to write it yourself because the ground doesn't offer one.
Beaton's book ends, more or less, with her going home to Cape Breton, having paid off her loans. She is permanently changed. She does not know if she is changed in a way she can live with. The book came out fourteen years after she left the camps and you can feel in it the time it took her to process what she'd seen, which tracks — it takes that long, usually, to figure out what a thing was, and sometimes you never figure it out, you just get old enough to stop being wrecked by it. She is one of the very few people who went through those camps and came out with the specific combination of linguistic ability and patience and moral seriousness to write about them. The others — the welders and the mechanics and the engineers and the heavy-equipment operators — mostly did not. They went home. They drank. They worked the next rotation. They raised kids who, statistically, also went to Alberta, because the Maritime economy did not improve. The book is as much about them as it is about her, and the fact that their version of the book doesn't exist, and won't, is part of what the book is finally about.
There is a thing you learn if you read enough industrial history, which is that the machine doesn't need you to understand it in order to keep running. Understanding the oil sands does not stop them. Beaton writing Ducks did not stop them. The 1,600 ducks in the tailings pond did not stop them. The 88,000-person wildfire evacuation did not stop them. The carbon math does not stop them. The Chipewyan cancer clusters have not stopped them. The only thing that will eventually stop them is the price, and the price is set in a market that does not weight any of the inputs I have just listed, and so the bitumen will keep coming out of the ground until it doesn't, and the men will keep flying in, and the women who work among them will keep being what they have to be to survive the rotation, and somewhere a Cape Breton teenager is right now considering her options and thinking about student loans.
Same as it ever was.
This coming out just days after it was revealed in the Jeffrey Epstein email dump that powerful people manipulated American and British news, political figures and forums to push transphobia to distract from people looking at their child abuse ring.
This includes chief anti-Corbyn-ite in Labour Peter Mandelson, directly feeding anti-trans stories to UK and US newspapers, actively bullshiting "biological studies" that trans people are idk ontologically evil (we have proof of Epstein pitching this exact thing), and creating /pol/ and then feeding anti-trans conspiracy theories for years until it all boiled over.
And over and over we found out each plank of this argument was rotten from the start but people are choosing to keep the bigotry.
I was supposed to give a speech to over a thousand people today at a labor rally, but the rally was planned mostly around white union organizers who have not been to ICE recently or maybe ever. I say this because they planned this as follows: a Rally, with a march to ICE, followed by a second half of a Rally, the second half of which was to include my speech, which seemingly was the only speech to include a Salvadoran migrant speaker.
I was not originally invited to speak, but heard last minute that someone else had fallen ill and was giving up their slot, and begged white organizers through the grape vine to let me speak as a Salvadoran migrant and union steward who came to the US at age 7.
I have long been soured of going to so many rallies and felt alienated that they were allegedly for or about my people, but that no one had thought people /like/ me exist - we are still here! There are migrants in your work spaces and neighborhoods and organizations, we have stories and labor songs and speeches to share, we are marxists and labor organizers and have reasons to speak out too.
But seldom if ever do you hear our music or faces or voices near the banners. Instead of Tigres Del Norte we heard Bella Ciao, and none of the singers knew the Italian words or bothered to even translate them, so they sang nanananananana, instead of the powerful lyrics that maybe meant something once to someone somewhere. Instead of Somos Más Americanos we heard Don’t Worry, Be Happy.
Instead of a Salvadoran woman who wanted to speak to the American union workers about the Banana workers unions, we heard from a dozen white people about democracy, and justice, and the constitution, and no one was warned about what would happen if they marched down the street from the park to the ICE facility. They fully expected everyone to come back and complete the second half of the rally.
Instead, marchers with their dogs and children were tear-gassed to hell and back the second they dared get close to the facility, maybe at best 1/3rd of the marchers returned while the rest were bottlenecked towards ICE. There was little to no water to treat the untrained protestors. I returned to the rally quickly realizing I could not get caught up at ICE, knowing who I am and what awaits me.
When I got back a chorus of smiling white faces sang a silly song like a Christmas carol with their heads bobbling, reading the lyrics from some handed out papers. White people with upside down flags cheered. Then a black woman in overalls abruptly got on the mic and said “Well thank you everyone but we have to close the program early because people are getting tear-gassed, please get home to safety righty away,” - and I swore I couldn’t believe my ears.
They had brought us all here, marched all these people down to the ICE facility, and expected us all to march back without encountering teargas? And then when some people had made it back they had them sing a little jingle but turned the one migrant away? I begged them to let me speak for the three minutes I had allotted, noting that I had put myself in serious danger to come out here today. That I needed to be heard just this once, and that all the white people had their fair turn to say many unrelated things, and to sing many unrelated songs.
She said, “you don’t understand, there are children down here,” and I had to say “you don’t understand, there are children in the camps.”
And she tried again, “yes but the gas is spreading,” and I said “yes we have been down here being gassed for six months, don’t you understand?”
She blinked twice and told me they just had to break down. I watched from the sidelines as they continued to blare Caribbean Blue and smooth jazz while people filtered out, stood around talking, chatting - finally I said, “please let me speak, you still have speakers going, it’s been 20 minutes,” and the DJ, a white elderly man in a sweater vest who had a strict “only the classics” policy that seems to actually mean “no hip hop and no curse words,” - barked at me that he had to break down and to help him take down his canopy. I am no maid, so I did not listen. He then turned to my comrades and told them to take his canopy down, which they did not. Then turned to his two other labor organizers who were not paying attention, and they took a leg of the canopy and moved it somewhere without breaking it down.
And one looked at me and said quietly, “it’s okay, take that bullhorn no one will notice,” and we took it and ran.
And we ran to a firetruck which I climbed, and I gave the speech, which was in fact more than 3 minutes, sorry not sorry, to a crowd of workers who were slowly pouring out from the ice facility, some stopping, some going, some who heard me, some who didn’t. And I gave it there and it was the only speech most of these people will ever hear from a migrant in all of this, and I think that is tragic. But I firmly believe that had I not given it, had I not climbed the truck, had I not taken the mic, some people would have never heard this story at all. And I think very much you should hear it. And I hope you will share it, if you have the chance. And I hope I get to tell it again, someday, to people who actually listen, to the masses who came to actually support immigrants, and not just to the dredges after they’ve been gassed and are running for shelter while I’m coughing myself.
This is what I had to say.
Transcribed for accessibility + added links for context, but please still watch/listen to the speech if possible. A live speech really resonates. Begin transcription.
Olivia: I came to the United States when I was 7 years old. And I became a citizen when I was 20. But I am on this stage to ask: if you will give me 3 minutes of your time, *cough* I will give you 300 years of American History that has been taken from you.
There are five crops that changed the world as we know it. Bananas. Coffee. Tobacco. Sugar. And Cotton.
First grown by slaves in the New World, these crops all happened to also grow in a little bean-shaped country that my parents lived in near the Caribbean called Cuzcatlan, ‘The Land of Precious Things.’ It would be renamed El Salvador in the 1800’s.
But the precious things remained after the name changed. And the people were captured, and they were forced to work for pennies on the dollar to dredge the precious things from the soil, and the sea, and the mountains, and the sand. Cuzcatlan was not precious just to us, you see. It was coveted by the Americans. And once they saw our jewels, they would never be satisfied again.
The people suffered. And how we suffered! Dying in the fields, raped by their masters, buried in the shining black volcanic sands, their blood fertilizing the crops.
Of Bananas. Coffee. Sugar. Cotton. And Tobacco.
Until one day, the people of Cuzcatlan said, ‘We can bear it no more.’ And they broke their shovels in half, and they plunged the stems into their masters, and they rode through the streets on their masters’ Spanish horses, and they cried out that Cuzcatlan would no longer belong to the American companies that demanded their precious things without paying precious prices. Perhaps, soon, those business leaders would learn to negotiate for the labor and crops they so needed.
And the Americans? The Americans could not stand it! They would not abide such a story be told. And so you never heard it! The American companies, and all of their corporate masters came down on Cuzcatlan, with a fury seldom seen before. They killed everyone.
Instead, you heard a story about “Communists” and “Terrorists” in Central America, spreading a disease that would destroy your country and families. You heard a story that we have no good will towards you. That we wanted you to starve, that we were lazy, and formed gangs, and were lawless, and wore weapons to sell you drugs and fund terrorism.
But you never heard the story of Cuzcatlan, because it was a sad story, and sad stories do not sell fruit, and coffee, and cigarettes!
No, they came to my country, and they wiped out entire villages. The Archbishop, Don Remar - er, Don Romero, himself, was shot by the military during his Sunday Mass, for having dared to wonder whether the workers deserved some mercy. Assassinated for having dared to wonder, and he was left bleeding on the pulpit, even as worshippers bowed their heads.
EVERYBODY was KILLED.
EVERYBODY! The women, with their children still in their arms. Anyone looking for cover; people who found cover, people who didn’t. People who worked, and people who had no jobs. Communists. Catholics. Those who didn’t know how to read, those who didn’t know what labor rights were. Simple folks. Smart folks.
And they didn’t stop there. They went through the countryside, and they killed everyone they thought was hiding labor organizers or communists sympathizers. Banana union men and women, who they labeled terrorists. And in one village, we still only speak about in whispers, called “El Mozote.” The Americans tied women and children to trees, and they threw their babies in the air, and they shot them. Everyone was killed, to send one message, and that is: “A union is a threat to the American Empire. Not one union man or woman will hide in your village, or any other. And if you hid one here, now or ever, you will never breathe to hide one again."
And I tell you this because I am you from the future. You and I, all of you, are very much alike. You worked very hard to buy the precious things you have from the ground, the sky, the water, and the aether. You all wrote stories, you filed insurance policies, you taught children, you rung people up, you made sure whatever sorry system they had worked, not because you believed in it, not because you wanted it, but because it was all you could do.
And in exchange, they offered you cheap bananas. Coffee. Sugar. Tobacco. Bananas.
But I will tell you a secret. They were never cheap. They were precious. And so are you.
And they stole you, and they stole us, and they stole it all, and they told you: if you look the other way, you get to be satisfied and at least well-fed. But who can afford the luxuries of cigarettes or vapes or groceries anymore? Even that is being taken from you. And even if you have them, your food or your small pleasures won’t satisfy you. Not more than knowing the truth about Cuzcatlan, not more than knowing the truth about El Salvador. Today, where our precious land once stood, they built a concentration camp called CECOT. And not just for our precious things, our people, but yours. Your citizens, your dissenters, your unwanted disappeared into the hole that America built.
And what will we do when they start building incinerators at the camps? What will you do when they open up mass graves?
For our people, the most precious gift of all: do not take my warning lightly. The story of Cuzcatlan is not just from the past. It is from the future. The workers face the same enemy, and the enemy never had your interest in mind. From the moment they had you, the plan was to have a worker. From the moment you existed, it was to create another soldier against the people of Cuzcatlan and the rest of the world. You were a commodity to them.
But we have written you a new future. One in which we no longer point guns at each other. One in which our billionaires fear the land of precious people from learning they are no longer precious things.
Turn to me now! And tell me you will not forget the last three minutes. You will never again be ignorant of this story. And you will not let it happen here. You will close the camps. You will destroy ICE.
Spectator: Yeah! Olivia: You would rather have seasonal bananas or never see one again than have it covered in blood.
Spectators: That’s right! Yeah!
Olivia: You would rather trade fairly with other union workers than kill your fellow man, wouldn’t you?
Spectators: Yes! Olivia: Tell me you love me, and that our fates are tied! Tell me you’ll stop them from dragging me down from this place, and I’ll never let them do to you what they did to us. I promise. El pueblo unido…
Spectator: JAMÀS SERÀ VENCIDO!
Olivia: Nunca será vencido. Amen.
End Transcription.
It means a lot to me, that someone wrote down this speech for me, that I in the middle of the night wrote for as a love letter to the American labor movement.
I know I stuttered a bit, as I had just been gassed, as it took place not but 400 feet maybe from the Portland ICE facility.
One correction among many tiny ones:
“You worked very hard to /ply/ the precious things you have from the ground, the sky, the water, and the aether.” - And that work, it is very precious.
May the message make it to you all regardless.
Robots with clear plastic plating are Exhibitionist
and we love them.

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Antler Boys Comic 04 : The Challenge. Here, KyuHo tells Tatsuki about how his mom, Tigress Yang won Dang-geun in an arm wrestling contest.
For more Antler Boys Short Comics, you can see them all here (link below):
SHORT COMICS
please god watch this right now
The editing of this video is hysterical and genius- they switch between so many editing styles to reflect exactly what kind of thing they're going for in each segment its GREAT.
There's an absolute genius to the way they mimic so many different styles but also never slip away from the "filmed at 3am in a dorm with harsh lighting" vibe

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We live in the dumbest, lamest cyberpunk dystopia possible.
So LA has been — and continues to — protest against ICE. These protests haven’t gotten any smaller or lost any momentum, but social media wasn’t reflecting it.
TikTok users, realizing that the platform/other social media are censoring/deleting/shadowbanning these protest videos, decided to find a workaround.
They’re calling it the LA Music Festival. Ice detention centers and other protest locations are “stages.” The hottest band is Rage Against the Machine. “Here’s what gear you should be bringing to stay safe at the LA Music Festival.”
And it fucking worked.
TikTok has become a proving ground for a lot of new music, meaning lots of labels and organizations have lucrative deals with TikTok to promote their new artists and music festivals. So they absolutely cannot censor the words “music festival” or train the algorithm to ignore it, or they risk endangering that very important revenue.
So now protest videos are flooding feeds again, but it’s the LA 24/7 Music Festival. Truly an incredible timeline we’ve landed in.
hey you should ask your doctor about MAOIs. my SSRIs weren’t working so we tried those (i’m on nardil) and it did wonders for my mental health. just saying as a suggestion because based on the fact that you put the fucking onceler on my dashboard in 2022 the meds you take right now don’t work
WHAT
yo what
kris will sing swears
Can't take them anywhere

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time to throw the whole man out
A good rule of thumb for AI is "would you trust a trained pigeon to do this?"
"We trained a pigeon to recognise cancerous cell clusters and somehow they're really good at it" okay great, that's something that could plausibly be a thing.
"We trained a pigeon to recognise good CV:s and left it in charge of sorting through all our job applications" uh perhaps consider not doing that.