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i dont care what you’re doing take 1 minute out of your day to watch this you wont regret it YOU NEED SOUND

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Sometimes Red Hood does some work for Batman
Tim Drake’s Characterization as per his Creator.
When you look up who created Tim Drake you’ll see Marv Wolfman and Pat Broderick, but that’s just because Pat Broderick drew Tim’s initial cameo as a creepy looking toddler cause he couldn’t draw a toddler.
And I’d rather not believe we’re supposed to take this as what Tim is suppose to look like, when he looks much more different during his origin story.
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Today I want to attempt to make the most quintessential Tim Drake post I can manage. By talking about his characterization as written by the man that created Tim, with help from various artists, Marv Wolfman. So basically, the man that has no better authority on Tim Drake.
That way I figure is the most concrete characterization you can get for Tim. And while obviously he’s had character development. His stories were made to show us who Tim Drake was at his heart.
So that’s what I chose to go off of for this post that goes over his origin, motivation, personality, and looks.
That way you can get the ultimate understanding of Timmy Drake! Or at least the basics.
Also, as a note, and what may be obvious, this is his origin, meaning that he’d obviously develop more as a character, which would lead to the degree of some of these traits being changed, or written by other writers that focus on some more than others, or even just made to be out of character.
I’m just choosing to use the origin, because it’s the closest way to show what the intention was for the heart of his character. <3
(I don’t own the hardback cover, but man, if I did. I’d…just treat it the same as my softback. But it’d be really cool. It’s a very fun cover. Batman’s smiling again and look at Timmy’s toothy grin!)
I think the easiest way to begin to explain Tim and his characterization, is what I can gather may be the most obvious way to it. His origin story. Which I’ve covered in quite some detail in another post, which I may link if I can figure out how to do that. So I’ll just recap the important parts of it, before just going to the character moments that can show us what little Timmy is like.
Keep reading
Jason Todd Timeline, Part 1: ROBIN
Post-Crisis, Jason's rebooted origin to his death
Disclaimer: I have not read all of Jason's Robin tenure! If there is any information from 1987-1988 that I missed, I would love to hear it! This part of the timeline is meant as more of a prequel for the Red Hood part, which I got maybe carried away with.
Jason's mom dies in February - Batman (1940) #409: Bruce learns from the records of a clinic of some kind that Catherine Todd died of an overdose "last February". Bruce suggests in the previous panel that she may have died within the past six months.
context for later - Dick moves on from Robin around May/June - Batman (1940) #408: the narration states a number of weeks pass between Dick leaving and the later events of this issue.
Jason is caught stealing the Batmobile's tires on June 26 - Batman (1940) #408: the narration states Batman is in Crime Alley for the anniversary of his parents death, which has been generally established as June 26. This also aligns with the six month span Bruce suggests in #409 (it's unclear to me where he got this number from but he's Batman and I'm trusting him with this).
bonus - Batman (1940) #409: Bruce originally sends Jason to Ma Gunn's School for Boys after reclaiming his tires. Jason stays for about 24 hours before running away. I'm not going to summarize the whole issue here, but I think it's worth noting that Bruce did try a more typical approach before taking Jason in himself.
Jason becomes Robin around late December - Batman (1940) #410: the narration states Bruce has been training Jason for six months since taking him in. This is also the issue where Jason finds out Two-Face is believed to have killed his dad (but I won't clutter this post with my thoughts about Willis Todd).
Jason Todd Timeline, Part 2: RED HOOD
Post-Crisis, Jason's revival through early Red Hood (click here for Jason's rebooted origin to his death)
Compared to Jason's tenure as Robin, there is much less specific information given here regarding how long things take, and I don't have the energy to sift through the text for breadcrumbs (but if anyone does have that energy, I would love to hear what you find!). What I have done is skim Lost Days to account for the time between Jason's revival and his first appearance in Hush, and sorted everything else into a reasonable order of events.
Jason is revived in late October - Batman (1940) Annual #25: the narration states six months passed between Jason's death and revival, placing it in late October. Besides, I think it would be fun for Jason to be revived on Halloween. As I covered in part 1, this timeline puts Jason at 12 when he dies, and since death generally puts a pause on growth and development, he is still 12 when he's revived (an argument could be made that his birthday is now the date of his revival, but I'm not making it).
Three years pass between Jason's revival and his dip in the Lazarus Pit - Batman (1940) Annual #25: the narration states Jason spent 1 year in a coma at Huntington Convalescent Home, 1 year living on the streets of Gotham (I have qualms with the implication that none of the Bats noticed Jason sleeping on sidewalks for an entire year but whatever), and 1 year living with the al Ghul's before Talia put him in the Pit. Jason would be 15 at this time.
Much of the above is reiterated in Red Hood: The Lost Days (2010-2011) #1 with conflicting time spans given, but I'm prioritizing the information provided in Annual #25 because it was published earlier, in 2006 immediately following the conclusion of Under the Red Hood.
Jason gets to Gotham and spends six days there - Red Hood: The Lost Days (2010-2011) #2: after Talia pushes him off a cliff to get away from the al Ghul's mansion (not kidding), Jason swims and motorbikes and boards an undocumented plane to get to Gotham and there is no way to tell how long any of that took. But the narration states that Jason spent six days in Gotham before planting the bomb on the Batmobile. This would roughly be the beginning of November.

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Cassandra Cain’s Speaking Patterns
I was trying to write some fic and started saving a bunch of comic panels to analyze Cass’s speech patterns, so here’s my notes for myself and others! Most of the panels are taken from more recent stuff, like Birds of Prey (2023), Batgirls (2022) and Batgirl (2024).
I have nine points:
Only speaking when necessary
Typically monotone
Sentence Structure
On the job vs off the job
Slang
Facial Expressions and Body Language
Miscellaneous
My personal headcanons (still with some evidence)
I've also been forced to split this post up, since I can't add more than ten images per post :(
1: Only speaking when necessary
Unsurprisingly, Cass doesn’t talk much. This is especially true in group situations, since she doesn’t need to drive any conversation.
[Birds of Prey, Issue #2: Zannah and Black Canary are discussing plans, going back and forth about how to get onto Themyscira. Cass adds “or they’ll be on high alert.”]
The panel above is from a scene showing the Birds strategizing, and this is the only time Cass talks. She’s silent the rest of the time.
For one-on-one situations, she still doesn’t expand much, preferring single-word sentences.
[Batgirl (2024), Issue #2: Lady Shiva dropping some exposition, and Cass asking a question with one word.]
In tense situations, she can forget to speak ‘properly’, dropping words like ‘I’ll’ in the panel below:
[Batgirl (2024), Issue #2: Cass fights Kalden the Unseen after he hurts her friend.]
Also, she’ll talk more casually with people she’s comfortable with, like Steph!
[Batgirls, Issue #4: Cass and Steph banter a bit before being interrupted by Barbara.]
2: Typically monotone
Cass sounds very monotone, a lot of the time. She barely ends her sentences with exclamation marks or asks rhetorical questions. It’s fun to see her contrast her with characters who are more excitable/long-winded!
[Birds of Prey, Issue #7: Cass and Bertha go back and forth after being beaten in a fight.]
Cass also keeps up her usual tone in most fights. Here she is, battling a giant squid creature, focused as ever.
[Spirit World, Issue #3: Cass chides her teammates for bickering at each other rather than focusing on the fight.]
When in more alarming situations, she’ll raise her voice like everyone else. It’s uncommon, but only because it’s uncommon for her to be overwhelmed.
[Spirit World, Issue #4: A mysterious force takes control of Cass and Constantine, Cass looks scared, shouting “Can’t control… my body!”]
Once again, she’s more expressive with Steph. She’s more comfortable with her, and matches Steph’s energy when they’re both excited.
[Batgirls (2022), Issue #2: Steph and Cass exclaim “Bondo?!” at the same time, christening the car.]
3: Sentence Structure
Short Sentences with No Commas
As said before, Cass doesn’t talk more than she has to. Where most would use a comma, she ends each phrase with a period. She also drops a lot of ‘unnecessary’ speech.
Birds of Prey #1
[Birds of Prey, issue #1: Batgirl talks to Black Canary, where she greets her by just saying ‘Black Canary.’ without a hello.]
If she can be understood with just a word, she’ll only say that word.
[Batgirls, issue #1: Cass replies with ‘Soap. Towel. Favourite robe.’ when asked if she needs anything.]
[Batgirls, issue #1: Cass says ‘Movement. Grumpy neighbor.’ when Steph asks what’s going on.]
Ellipses
Cass uses a lot of ellipses, especially in the early days. She trails off often, and speaks slowly.
[Batgirl (2000), Issue #7: Batgirl tries to convince Batman she’s ready, stuttering.]
4: On the job vs off the job.
Cass is much more at ease and confident with her sentences as Batgirl. She trails off a lot more as a civilian.
[Batgirl (2008), Issue #2: Cass talking to a guy in her class, having an awkward conversation (likely also awkward since it’s implied to be romantic, but still).]
In the exact same issue, Cass as Batgirl speaks a lot more confidently.
[Batgirl (2008), Issue #2: Cass and Marque discuss their plans and trade information.]
5: Slang
Cass canonically picked up dialogue from watching TV, and uses some slang. Although she picked up English almost like a second language, she doesn’t speak like she was taught in a formal, classroom setting.
[Spirit world, issue #4: Cass says ‘gotcha’.] [Birds of Prey, Issue #9, Cass says ‘sorta’ in her sentence.]
[Batgirls, issue #1: Cass says ‘...I dunno’.]
6: Facial expressions & Body Language
If Cass can get her point across just using her face or other non-verbal gestures, that’s her go to. No point using words when your face does the trick!
The page below is one of my favourites, since it really shows Cass communicating a lot without words.
[Birds of prey, issue #7: Cass makes her opinion on potential outfits known with her facial expressions.]
She’d also rather nod or shake her head, as opposed to saying ‘yes’ or ‘no’.
[Batgirls #3: Cass nods her head.][Spirit World #4: Cass shakes her head.]
7: Miscellaneous
Cass can’t storytell well at all:
[Birds of Prey, Issue #1: The team tells Cass she’s really bad at telling stories.]
Cass uses a lot of emojis:
[Nightwing issue #79: Babs remarking that Cass can’t help herself when it comes to emojis.]
8: Veering into Headcanon Territory:
Cass has a very basic grasp on describing what she’s feeling. In my mind, this translates to a very basic grasp of her feelings as a whole.
In the panel below, Cass is very confused about why she’s putting in effort towards her father, and describes him as terrible. She pauses a lot, indicating she’s having a hard time putting together how she feels:
[Batgirl (2000) #65: Cass tells David Cain he ‘sucks’, very simple vocabulary for everything that’s gone down between them.]
I also think Cass has echolalia, which is the ‘meaningless repetition of words spoken by another person’. This only happens a few times but I’ll peddle it.
[Batgirls #2: Cass repeats Stephs words ‘still sucking’, without much reason.]
Conclusion:
Obviously, different writers write her differently, and I’ve tried to grab from a lot of different series to get the main points down. It’s also important to think about what point of Cass’s life you’re writing. In the current stories, Cass can express basically anything she needs to (except anything too complicated like feelings, lol), but in the early 2000s she was struggling with simple sentences. And of course, she didn’t speak at all for the majority of her life! Anyways, I hope you find this guide useful.
one of the hardest things to learn as a depressed former Gifted Kid™ is that half-assed is better than nothing. take the 50%, 40%, even 20% job. scrubbing your face is better than not taking a shower at all. picking up your clothes is better than never cleaning. nibbling on some bread is better than starving.
DO THINGS HALFWAY. NOW YOU’RE 100% BETTER OFF THAN YOU WERE BEFORE.
One of my college professors used to say “anything worth doing is worth doing poorly.” I didn’t understand that for years because I didn’t do anything poorly, I couldn’t do anything poorly, I had to Do Everything Perfectly.
But brushing your teeth for 30 seconds is better than not brushing them at all when that 2 minutes seems exhausting. Doing ten minutes of yoga is better than 10 minutes of sitting when 30 minutes of cardio sounds impossible. Changing my clothes is good when a whole shower is impossible. Standing on the porch for a few minutes is worth it after being in the house for three straight days because I don’t have the energy to go anywhere.
Anything worth doing is worth doing poorly… because doing it poorly is better than not doing it.
someone please hit me over the head with this post every day for like the next week thanks. a mention, a reblog with text, a message, something.
I find Jason's lack of hatred for Sheila despite luring/betraying him to The Joker, which lead to their mutual deaths, so interesting.
In Death in The Family, while beaten half to death, he uses what little strength he has left to set her free and tells her to run.
He knew he wasn't going to be able to make it out on his own, but his main priority was Sheila's safety. The only reason he made it anywhere near the door is because she chose to help him.
And when she discovered it was locked, his last act in his first life was to shield her from the blast with his own body.
In Deadman: Dead Again (2001) #2 we get to see Jason's spirit in the immediate aftermath of his death.
"It's weird--she betrayed me to The Joker, got us both blown up--but I'm not mad at her. It wasn't really her fault--her whole life was screwed up. Things just--happened."
Which lines up well with his reaction to her explanation for why she wasn't there to raise him. He has nothing but sympathy and understanding for his mom.
(Though forgiving her for what she did in DITF is honestly on another level, it WAS her fault. Part of why she did it was to prevent her theft of famine relief funds from being discovered.)
Fast forward several years later and that care is still there despite everything. From: Task Force Z (2022) #8.
"You all know I wasn't killed with a crowbar, right? It was a bomb. I died trying to save someone I cared about."
In Knight Terrors: Robin (2023) #1 we even see that he still calls her mom!
Now it's possible that there was a point post resurrection where his feelings toward her changed; I haven't read far enough yet to speak on that. But he didn't hate her during DITF, in the immediate aftermath of his death, or (as far as I've seen) in the present.
He remains a mama's boy at his core:
i think the thing about batman's no kill rule is that its essentially bruce saying "guilty people don't deserve to be murdered on the street either, actually." and he's not wrong.
At Toba aquarium in Japan, after closing time, some clever little otter pups help their grandpa tidy up their toys. As a reward, he gives them ice cubes
literally in tears at this video....such good helpers......

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i hate that so many people—fanfic writers and professional writers alike—think that cass would speak broken english. that is an INCREDIBLY racist asian stereotype.
you want to show that she struggles with english? writer her...talking like...this...instead. it makes more sense that she would struggle to find words and would need to pause to find them!
just don’t be racist!
I agree about the broken sentences thing being dumb and get what this is saying but at the same time I think you gotta look at how most things depict her abilities as working and translate it to how she thinks in terms of language. Her ability to read body language means that everything is about immediate, direct, blunt information. There is no framing of it, it just is. Cass isn’t gonna be pausing to figure out how she wants to put something unless she’s making a concerted effort to talk the way everyone else does. In situations where she’s not actively trying figure out structured sentences or phrasing or whatever (like in fights), she would logically default to short, clipped sentences using words she already knows for the sake of conveying the information available as quickly as is possible. For Example, If the sentence is “I need to go to the store to get some milk”, writing Cass in broken English is like, “I go store... get milk.” When the structure should be more like “Going to the Store. Need Milk. Now.” The first is bad because it doesn’t give us information that lets us really understand anything other than “This girl can’t speak English properly”. There’s no characterization in it that expresses WHY she’s not speaking fluently and that means the audience is free to make incorrect assumptions, but not able to really get to know her as a character. We can’t gather why her vocabulary is limited, we can’t gather how she’s processing it, we don’t really know how far along in her development she is. And as an Asian woman, it infantilises her in a really racist way. The second is better because it immediately shows us that Cass understands how language works. She’s processing it into the structure of What is she doing, Where is she doing it, Why is she doing it, and When is she doing it and conveying it as efficiently as possible with the words she knows. It’s deliberate, she knows where the gaps are so she focuses on efficiency rather than wasting time trying to figure out how to frame things. And in social scenarios rather than pausing between a few words, when she’s actually practicing it’d make more sense for her to pause between sentences and respond in a relatively longer way, because she doesn’t need to rush it. Honestly she should talk quite similar to how Batman does a lot of the time.
i really appreciate this response and this makes a lot of sense and is something i will keep in mind, thank you!
I always figured that, since she's a perfectionist at heart, she'd insist at trying to speak in perfect diction every time, even if it takes a bit longer. But it's a *really* good point that, out in the field, she'd focus on speed and efficiency instead. And that last sentence is an extremely strong point too.
Jason does not think the explosion of Bludhaven is a joke or a good thing, and it DRIVES ME UP A WALL when people take a single frame out of context to say he does. Let's break down his reactions in this shot across Batman 649 and 650 drawn by Eric Battle:
Startled/Shocked:
Grimacing:
Somber:
Performatively Cocky / Baiting for a Reaction
Performance slipping away to a very unhappy smile bordering on a grimace:
Smile slips away fully leaving sad, bitter eyes/brow:
Because Jason IS startled and horrified by the bombing of Bludhaven, but everything in his plan and his second life has been building to this moment. This is the moment he will see if he's more important than everything else to Bruce or die in the learning. He cannot let it be derailed for anything. He needs Bruce to focus in on him and the scenario. No distractions. If the ultimatum goes well, they can worry about Bludhaven together after. But now, he needs to keep baiting Bruce and keeping his focus on him. That does NOT mean he thinks Bludhaven's destruction is a joke! If you look at Battle's frankly excellent use of expression in this scene, it's so clear that is what he says but not what he feels.
i think everyone has a version of gotham in their heads and i want to slowly draw mine...starting off with one of jason's safe houses.
in the comics it's super clean and modern but in my mind it's a bit industrial too. and no way it's going to be that neat if roy crashes there from time to time - i've seen how roy lives, i don't think he knows how to clean
my interpretation of jaytim has evolved more and more as i analyze the comics myself.
(massive yapperism warning)

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ur telling me batman (a hero whose power is like 65% fear 35% money) has a villain who is all about weaponizing fear and he’s not the main villain? ur telling me batman (man with a secret identity so strong that there are questions of who the real person is at the end of the day and whose entire creed is about stopping One Bad Day™️) has a villain who is his childhood friend that has physically separated his dual violent-nonviolent nature and is all about duality and chance and he’s not the main villain? ur telling me batman (man with strong ideas about the Right Way to stop crime and who emerged from the destruction of his own family structure) has a villain who is his undead son/former sidekick who he couldn’t save and now disagrees with the way to address crime in gotham and he’s not the main villain? ur shitting me about this clown guy right
So, a thing that didn't really register until just now...
It's right before Janet's funeral, and Tim has one hell of a nightmare. It's old style art, from Batman rather than Tim's solo run, and Tim doesn't really look like Tim as we all think of him. So it's probably why my brain glazed over it. But he's watching a mock version of the funeral, seeing himself in attendance.
Regardless of his opinions of Bruce and Dick while awake, in his dream, he says that both of them are monsters, and starts clawing at them, wanting them to take their masks off.
Except he gets them off, only for them to still have their masks on underneath. Some pretty heavy symbolism there.
But...
He also demands himself to show what he's hiding. Except Tim is Tim at the funeral, and not Robin...
And Funeral Tim starts ripping off his face to show the Joker beneath.
It's a wet drippy face, that matches the Joker art on Jason's mother's tomb stone, even if it's not the most typical to modern standards Joker look.
*** Let's also note that this issue came out in 1990, and so Batman Beyond wasn't a thing yet, let alone the concept of Joker Junior Timmy. So in retrospect this is probably a lot more gasp and cringe worthy to more modern readers.
But also, Tim calling Janet Mommy, rather than mom, mum, or mother 😭
- Batman (1940-2011) #455