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try as they might, and they will try, they will never successfully franchise-ify dune. there's twenty four books. there's six books. four of them are good. the four good ones are good because every plotline is attached to three separate subplots all intertwined in a delicate braid. if you remove any plotline the whole thing collapses. every character has a mirror and a counterpart and a narrative foil. dune family trees look like the back of a tapestry. the final line of the first book is about how being a concubine is good actually. dune adaptations are not supposed to be marvel movie posters filled with actors you recognise, every character should be played by some unknown little freak. the longer the series goes on the more it becomes about politics and economics. about 40% of each book is internal monologue. at its core it's space wizards versus bdsm warriors on cocaine planet and trying to deny that is rank cowardice.
that being said I'm not actually always opposed to conflict free fluff I am just opposed to the characters having their claws filed down for it. you can stick them in a coffee shop au it should just still feel like you sat the two worst most insane people on earth in a starbucks
[Text ID: Metis (Oceanid) Titan-Goddess of wisdom, cunning, planning, and deep thought.]

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My dream Lawrence cameo in a future saw movie would happen in a very high intensity scene where another apprentice is in grave danger frantically dialing a number on their phone, followed by a smash cut to Lawrence in a bubble bath with candles and smooth jazz playing in the room picking up his cell and hitting decline
saw xi will be 2 hours of amanda coping with the consequences of the impulsive haircut featured in saw x
For my first thought about “Saw X” (once again, highly recommend), I’m really impressed with how the movie managed to make their concept work. It’s mainly because the story of “Saw X” is really hard to pull off.
Not a lot of movies and shows can portray the kidnapper/torturer/evil mastermind as the protagonist while the victims are the main villains. Because, obviously, no one wants to be rooting for a character who is tormenting other people. It’s like making a version of “Squid Game” where you’re supposed to root for the VIPs, that’s a hard sell.
But, there are the rare few that manages to pull this off. “Hard Candy” is one of the best examples of this since the victim is a pedophile murderer while the torturer is Elliot Page. “Don’t Breathe” is an accidental example since even though we’re supposed to root for the victims, they’re not so easy to side with since they’re burglars who robbed a blind man.
So “Saw X” had a tough sell since we’re supposed to be on Jigsaw’s side for once. But honestly, I thought they nailed it. Not only are the victims horrible people (scammers who prey on the terminally ill), the story doesn’t force you to like John Kramer. John is entirely unapologetic about his actions as Jigsaw and the movie doesn’t try to justify him, especially by having Amanda question John’s choice of putting Gabriella into a test (she was a drug addict). Instead, the story naturally puts you on John’s side by focusing on his internal dilemma; fighting his cancer.
The first third of the movie was entirely devoted to John dealing with his cancer and how he was dreading that he was almost out of time. It humanizes John and makes you feel really sorry for him, even knowing who he is. What I like about this is that it’s not forced sympathy because the audience has known about John being a cancer patient for over a decade by now. Focusing on John’s disease and mortality makes sense is what I’m saying.
Even Jigsaw’s friendship with the little boy Carlos makes sense since John wanted to be a father. The one thing that people can say was a little forced to make you sympathize with Jigsaw STILL has precedence in the series, which is really rewarding for people who’ve watched every “Saw” movie. Nothing felt out of place for John’s character, it’s like a legit tribute to the character.
So when you learn that the doctors were all scam artists, it’s natural to side with John since:
1) They did it to themselves
2) You feel for John since you watched at least 30 minutes of him trying to fight the disease
3) You feel angrier towards the doctors since they’re arguably worse people than John
4) The lead doctor reveals that she knew John was Jigsaw and continued the grift anyways, so they have really no excuse
It’s like “Don’t Breathe” again, where both sides are horrible people, but the more sympathetic one gets to be the hero. And I’m all for it, because fuck medical malpractice/grifters.
(Side note: I feel like another way the movie got us on John’s side was that he stayed true to his word. If you pass the test, you get to live. During the movie, he makes sure Diego survived since he passed and asked that Gabriella be taken to a hospital after she freed herself. It’s honor, but in a fucked up way, which is appropriate for the character)
here's the character traits i think predisposes characters in the jigsaw franchise to get brainwashed by jigsaw and become a jigsaw killer themselves:
they have to believe that they did something wrong, and that they atoned for it when jigsaw tested them
they have to be already somewhat comfortable making life or death decisions for other people
we all know pee-paw's self-help seminar from hell isn't just an alleged self-help seminar, but doubles as retributive justice in case the person fails (in his eyes). so whoever is offered to join up with jigsaw has to be comfortable with both sides of the ideological operation in play. it's not enough that they were severely traumatized and have a hole in their lives that they could fill by being part of this cult, though those things really predisposes them for the brainwashing. multiple characters were targeted to join the jigsaw movement and did not feel the vibe, so i think i have it isolated to these two traits.
further thoughts under the cut

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saw iv observation: mark hoffman is obsessed with control. he wants to feel like god. he wants to pull every string. he wants to always be omniscient, three steps ahead of everyone. he's thrown off by the evidence he leaves behind, like the skin abrasions from the harvesting of the jigsaw piece and the fingerprints (the chemicals on peter strahms fingertips that told the coroner's they were a dead guys fingerprints) and he falls apart because of that one oversight. he gives up control in the coffin trap. he puts his life in peter strahms hands- all strahm had to do was get in the coffin, and in the process, kill hoffman. strahm couldn't hand the control over to hoffman, and that's why he died. mark is obsessed with controlling every variable, and thats why he's so shocked that lawrence is alive and kramer's true apprentice- he was outside of hoffmans radius, he couldnt break gordon like he broke down jill. he was shocked that gordon was successful, and not only that, incredibly calculating, he was clever, and he was more in control than mark ever could have been
I’d been anticipating the scene of the reverse beartrap actually successfully activating for 7 whole ass movies, ngl.
i just think that the first saw apprentices are victims, like, lawrence and amanda endured so much, following the rules and literally finding purpose and a will to live. lawrence cut off his own foot, amanda killing a man. they suffered and passed their games. they learned how to make people suffer and atone because that is what they had to endure. they are as much jigsaw's apprentices as much as they are victims. mark hoffman is iconic. he just decided to saw trap his sisters killer because he deserved it. his victim wasnt meant to survive because he never suffered the same pain as a victim. he missed the point, and when he was allowed to apprentice, he thought he would go untested. even john kramer suffered before he made his first trap. jill suffered the loss of gideon and the death of john himself. mark never did. mark thought he would never suffer.
but thats a part of being an apprentice. you have to suffer. you have to be tested.
Just now noticing the way Strahm fidgets with the pen while watching the tape of Hoffman and Jill, and I love it cuz
A. it’s very cool foreshadowing, especially considering he’s holding it right by his neck
B. tehe he stimming, which again, the amount of men his age in agencies like the FBI or CIA who have undiagnosed autism is more than you would think
C. something something Freudian, Hoffman got him up playing with his penis
Hoffman smooching the glass of the water cube before he left Strahm there. Thank you.

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yeah sure sex is cool and all but have you heard about the new kind of intimacy called a saw trap?
The glass coffin trap bothers me so much. It’s definitely up there on my least favourites. Strahm. STRAHM IF YOU WOULDVE JUST LISTENED TO THE FUCKING TAPE OR LEFT THE ROOM IMMEDIATELY AFTER THE COFFIN CLOSED THERE WAS A FUCKING DELAY. THERE WAS A DELAY BEFORE THE ROOM DOOR CLOSED. YOU COULDVE MADE IT OUT BUT NO YOU HAD TO STAY AND GLOAT AND THIS. THIS IS WHY YOU FUCKING DIED.