Yiga Clan Scientist Rambutan

Interestingly, the Nintendo Switch version of Super Mario RPG merely approximates the original isometric (technically dimetric, but commonly known as "isometric" in video game terminology) perspective of the SNES version.

Instead, it has a 30° angle perspective projection where objects further away do get smaller unlike in the original, but the perspective is very subtle so it can easily be mistaken for an actual isometric projection.

Source: Thomas Feichtmeir

Officially licensed 1996 Donkey Kong Country 3 handkerchief from Japan.

Note that it for an unknown reason depicts Diddy Kong, which is misleading as he only appears for less than a minute in the game's ending and does not climb any ropes, or in fact do anything except stand, during the time he is seen.

Source: buyee

Extremely rare officially licensed 1993 British Bowser figurine.

Source: krke_8

Custom painted Togekiss binder ⭐️

1992 box of Kellogg's Apple Jacks with a Super Mario World cross-promotion event. While the Mario & Yoshi and Koopa Paratroopa illustrations are merely redrawn official art, the artwork of Mario holding six maps of the Forest of Illusion is entirely original.

Source: estatesaleuniverse

Commissions open on my Vgen!

Update to the screenshot I sent awhile ago, Strong Bad and Lord of Games are now dating!!!

Update to the screenshot I sent awhile ago, Strong Bad and Lord of Games are now dating!!!

Update to the screenshot I sent awhile ago, Strong Bad and Lord of Games are now dating!!!

In Super Mario 64, the Eyerok boss does not actually have to be defeated with punches or other attacks, and actually has a hitbox that can be reached just by jumping.

This allows for a particularly stylish way of defeating the boss seen in the footage, whereby it is hit exclusively with wall kicks.

@linklethehistorian sat me down to watch the entirety of Andromeda and now whump Jesus over here is our son. I love Seamus Harper from Torment Seamus Harper: The Show.

Congratulations, honey, that’s quite an achievement!🏅 And I really love this piece so much…the lighting, the artstyle, the shine on the scissors, the hints of the bonsai plants around him…it’s so sad and ominous and hhhh…. Seamus Harper angst, my beloved….you truly know how to do things right.

Anyway, V and I have been watching (or in my case, rewatching) this show together for like over a month now, and his understanding of the beauty of this absolute piece of cinema history has brought me around to realize that I need to just stop pretending any part of this is or has ever been half-hearted or worry about putting up a thousand disclaimers about it because actually, the show is quite lovely, its flaws are lovely, it’s all the more enjoyable for them and it has a lot of heart despite what one particular person attempted to do it after a certain season rolled around.

Unused title screen cutscene found in the SNES version of Yoshi's Cookie. This is actually an adaptation of the title screen from the NES version of the game, remade with 16-bit graphics; while the final SNES version simply does not have a cutscene and all and merely displays Yoshi being surrounded by cookies.

Please note that the cutscene is rather lengthy; the loop starts with Mario walking in from the left with a cookie tin and ends with Mario and Yoshi performing a victory sign in the center of the screen.

Unused title screen cutscene found in the SNES version of Yoshi's Cookie. This is actually an adaptation of the title screen from the NES version of the game, remade with 16-bit graphics; while the final SNES version simply does not have a cutscene and all and merely displays Yoshi being surrounded by cookies.

Please note that the cutscene is rather lengthy; the loop starts with Mario walking in from the left with a cookie tin and ends with Mario and Yoshi performing a victory sign in the center of the screen.