Little Aogami and Bino scribbles!! :')
(Also I finished my first run of vengence and GAUGHGHGG I LOVE IT SO MCUHHHH GGGHHHHBSNSNDF)

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Little Aogami and Bino scribbles!! :')
(Also I finished my first run of vengence and GAUGHGHGG I LOVE IT SO MCUHHHH GGGHHHHBSNSNDF)

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Wonβt you please die for me?
I like him an atrocious amount You have no idea
What if Belle's mother was the enchantress that cursed The Beast?
Disney Publishing Worldwide debuted a new "A Twisted Tale" animation to promote the novel "Beauty And The Beast: As Told As Time".
Just finished watching a playthrough of Li Zhiβs route in Road to Empress II, and I gotta sayβ¦ Li Yifu IS π MY π GUY! πΊ
I love his smarmy little face so much. So whimsical in his bad behaviour.
Thatβs a lover of womanβs rights and wrongs right there, your honour.

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boy said "it's so hot how you'd kill a guy for using his daughter as a political pawn."
I donβt mean to be rude; but I donβt think Iβve ever seen this, does anyone have any examples?
Supernatural
Doctor Who (Steven Moffat specifically)
Sherlock (Steven Moffat specifically)
Actually Steven Moffat is basically just this sentiment given human form.
A version of this happened with The Magicians, tbh. Though instead of expectation: men, reality: women it was expectation: smug nihilists, reality: mentally ill queer folks.
Arguably Game of Thrones.
If we broaden it outside of televisionβ¦I think Star Wars falls into this, at least the sequel trilogy. Maybe the MCU as well. And I canβt help but think of every band thatβs ever complained that their fanbase is mostly women. 5 Seconds of Summer comes immediately to mind.
In general, most white male creators seem to have this massively entitled mindset where they wantβand think they deserveβthe time, attention, and enthusiasm that creative fandom (i.e. the side of fandom more dominated by women) is known for.
They want our eyes for ratings, our word-of-mouth for free publicity, our metas for social media buzz, and our spending power for merch and cons. But they donβt want us. And they donβt really want the responsibility of telling a story to a thoughtful, engaged audience, regardless of that audienceβs demographic makeup. They just want to be praised for whatever schlock they cough up.
And like any other spoiled brat, they will break their toys before they share them.
It goes all the way to the top for kids shows. Toy sales will crash a show. Makes sense, but if those toys are gendered for boys instead of the female viewers, they wonβt usually switch up the marketing and move them to the girl aisle. They cancel the show outright.
Mind you it is perfectly possible to make the switch in marketing, but execs would rather throw it all out than have something that doesnβt perform well with male viewers. For example the Rey merch was not expected to be popular, for some reason, there had to be public outcry to get merch of one of the main 3 protagonists. A PROTAGONIST. The fact that she wasnβt a huge part of the 1st launch says a lot already.
And what happened when female fans got too invested in the Sequel Trilogy? The entire writers room didnβt necessarily lash out, but they sure forgot how to behave.
Young Justice
Paul Dini: Superhero cartoon execs donβt want largely female audiences
#WhereIsRey (initial)
#WhereIsRey (ongoing)
The older, male generation of 'Star Wars' fans may be losing interest in the franchise, but female fans are stepping up.
Star Wars: The Rise of Skywalker was designed to be the opposite of The Last Jedi
Youβre all sitting on the hot take of the decade tbh
And yet when they fond out that boys were watching MLP:FIM in droves, they had NO PROBLEM with it.
#SONS OF ANARCHY!!!!!!!!!!!!!#LITERALLY SONS OF ANARCHY IS THE BIGGEST EXAMPLE OF THIS LIKE EVER#kurt sutter wrote that show for MEN and ended up with an overwhelmingly female audience#because heβs actually a good writer and knows how to develop characters well and wrote excellent female characters#but once he realized that his audience was almost entirely women he literally took it out on tara and gemma in the show#but like tara specifically#he resented her character for being a huge draw for female viewers so he tore her development to shreds and killed her#in the most brutal gut wrenching way possible#kurt sutter you will pay for your crimes#i actually wrote a manifesto about this on one of my old blogs i should try to find it sldkjsldfjsdljf#long post (via@m-oonknight)
OMG YES. I LOVED Sons of Anarchy, especially the women and then I got to season 6 and it was like - everything was just tossed in the trash? And like, why did Sutter hate that Tara drew tons of attention? That should have been a good thing! He should have been like βHey folks, this girlβs getting us more viewers, letβs put her in more scenes!β It just doesnβt make sense to me. MEN donβt make sense to me.
The 100 too. Iβll never forget how Jason Rothenberg would attacked female fans on Twitter and mock them in interviews, and then post links to male fan discussions on Reddit to praise and thank them. In his goodbye letter to the show he SPECIFICALLY thanked Reddit and it was so disgusting.
Star Trek from TNG on was also a boyβs club, even though the TOS fans were mostly women. Women, in fact, who literally created modern fandom with their zines. But after TNG it was all, βWomen donβt understand Star Trek, only smart men hur dur.β
I think it would be harder for us to find examples of when this DIDNT happen than when it did. It happens all the time.
Doesnβt stop it from boggling the mind
(though it could probably start to make some sense if you follow the money past audience bases to maybe a couple of investors or like a rich patron β¦ π€)
Stooooop I just wrote a masters thesis on this shit. Media creation and distribution is a means by which dominant power structures consolidate their hegemony. Dominantly situated creators get upset when the audience they attract isnβt the audience they wanted, because they view the whole creation and sharing of the fiction as an exercise to sustain kyriarchal conditions that benefit themselves. When the audience is Other, they see it as a failure of those efforts and lash out.
Simply, theyβre trying to assert a particular worldview via fiction, and upon getting confronted with something else, begin foot stamping. Itβs not just men wanting male attention and gatekeeping. Itβs that the fiction in the first place was an attempt to curate dominance and whoopsie! they miscalculated.
(anyway if anyone wants to read 35k words of philosophy about this, hmu)
Hey folks, for anyone that was interested in the thesis (firstly thank you so much for reaching out I really appreciate the interest) the following is an open access link to download it. Please let me know if it doesnβt work for some reason. Comments are now restricted so canβt put it there, but I hope you see this if you were interested!
Iβd also love to hear your thoughts, as I literally wrote it for communities like ours to read, so, thanks.
Fictions are a cornerstone of human cultures: they are created, shared, discussed, modified, and valued. Yet, philosophical accounts which p
Sharing because this is one side of a much larger type of deeply embedded misogyny both in creative spaces and in academia. Always glad to see academia wade into these discussions, so bravo!
commission π₯°
hey yall,, fucking hell persona 4 brainrot hit me hard........
anyways enjoy ya filthy shuadders

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03.20
the show must go on
More p4...
Pick one: Latin or Greek...
ARGH. For the third time in about a month I have seen somebody (not necessarily on Tumblr) write:
Alexandros and Hephaestion.
NONONONO....
I blame that damn recent novel (by a Greek no less!) Young Conquerors, which put the two mis-matched in the title.
Alexandros and Hephaistion (Greek transliteration)
OR
Alexander and Hephaestion (Latinization)
Do not mix and match. For the love of God, please.
Well, itβs just fine to use the super common (Anglicized) Alexander with Hephaistion. But going the OTHER way with the (very uncommon) Alexandros with the Latinized Hephaestion is just...weird.
Deciding what form and spelling to use is a bit of a cobra nest in Classics--why a lot of publishers try to push us all to (Anglicized) Latinized forms...to increasing resistance. It doesn't help that other European countries have different forms. Germans like their Greek. :-)
In the novel, I used entirely Greek precisely because I wanted to divorce the characters from popular "historicized" perceptions of them. But (as you've seen in my posts here), otherwise I tend to use the Anglicized forms for the most common: Alexander, Philip, Ptolemy, Aristotle, Plato, etc.
In my academic work, I do the same, although there I also often use the spelling found in the Loeb for extant (still-existing) authors, but the Greek for now-missing authors. So here, I often write it Herodotos and Diodoros, but in the monograph, it's Herodotus and Diodorus...but Kallisthenes and Kleitarchos. I may change my mind about that, however, when it comes to publishing. Not sure.
I also tend to maintain the /ch/ instead of /kh/, but not necessarily the /y/ for /u/. No, I don't really have a rhyme or reason behind this.
Although I'll admit that Thoukudides will always look weird to me. LOL
Btw, if you're not sure how the actual Greek is spelled, Wikipedia often includes the Greek characters, so you can check there. Sometimes you can guess: /c/ in Latin is always /k/ in Greek because there is no /c/ in Greek and no /k/ in Latin. -us is usually -os (except if it's -eus as in Perseus), and /ae/ is /ai/. But sometimes it's less clear: Posidonius is Poseidonios. That simple /i/ might be /ei/ in Greek...or it might not.
And yes, there are about a million copies of the Greek alphabet to be found on the internet, so you can do a simple cypher translation. ;-)
Just please, if you see "Alexandros and Hephaestion"... stabbity-stabbity-stab! That is truly some kind of Classical hybrid monster! π
The one who I can play dress up with

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Rory Nite Spider Lily
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