â Love and Deepspace fan! Here to post my fics and thoughts about the lads <3 (maybe other fandoms one day ???)
â My fandoms â
I'll update this list as and when needed!
âŕźş Love and Deepspace
âŕźş Our Life: Beginnings and Always
âŕźş A Date With Death
âŕźş She-Ra
âŕźş Criminal minds
âŕźş NCIS
âŕźş Bigtop Burger
âŕźş The Amazing Digital Circus
â Rules! â
âŕźş Be kind and respectul! This is a safe and welcome place for all! No bigotry or hate of any kind will be tolerated
âŕźş Feel free to send asks including requests, just be mindful that I write for fun in my (minimal) spare time and may not post something based on it unless I get particularly inspired!
â Masterlist â
Key: ⥠Fluff, ⧠Angst
Fics:
⥠Used to his sunshine / AO3
â§ Loving him, loving Her / AO3
â§ Hello My Old Heart / AO3
â§ Love what hurts / AO3
Rambles:
how i think the LADS men would react if you collapsed
boyfriend by dove cameron but it's mc and reader
how the LADS men would react if you threw up blood
â Tags! â
Here's a list of the tags I use so you can find my posts easier!
#BeaWrites - All my writing!
#Bea'sPhotobooth - Photobooth posts!
#BeaYaps - General talking/textposts!
#Bea's Polls - Polls I've posted!
#Bea's Luck - Talk about pulls!
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no bc what if i said i wanted to write a multi-chapter fic based on my last one.... (read here!) i've been thinking ab it for SO LONGGGG but idk if i have it in me to write a wholeeeee fic ab it, it just lives in my brain haunting me 24/7/365 i SWEAR!
if i did write one, do people prefer multi chapter fics to be completely written and have a fixed post schedule, or do people not mind long breaks between posts, like months at a time, as it's being written (comes with the risk of being abandoned tho)
what do you prefer for multichapter fics?
fully written and posted on a fixed schedule
don't mind long breaks, post as it's written (i will risk an unfinished fic)
i'd wait till it was completed and all of it posted either way
sylus x f!reader. so iâm obsessed with the birthday banner, and that fucking choker that i had to write something.
âIs that a collar youâre wearing, Sylus?â
His mouth curved before the rest of him did, slow with amusement, with that particular kind of patience he reserved for moments when he already knew he was being baited.
âItâs a choker.â
The correction came smooth. Mild. Almost elegant. As though the distinction mattered. As though it could save him from the direction your gaze had already taken.
You let your eyes linger there anyway.
Black against his throat. Sleek. Obscene in its restraint. It did something unfortunate to him, that narrow band at the base of his neck. Drew attention to the line of his pulse. To the proud column of his throat. To the dangerous impression that something so beautiful ought to be touched just to see whether it would make him lose control.
âStill,â you said, stepping closer, voice light enough to sound careless, âit looks pretty yankable.â
That got him.
Not much. Only a pause. Only the faintest stilling in his shoulders. But on Sylus even that felt enormous. A crack in lacquer. A flicker of heat beneath polished composure.
âYankable?â he repeated.
As though the word itself had never been spoken to him before. As though it offended him a little. As though it interested him far more than he intended to show.
You tilted your head, pretending to consider. âWell. You know.â
âNo,â he said, and now there was velvet in it, something lower, more dangerous. âI donât think I do. Explain it to me.â
That tone should have warned you. It would have warned anyone else.
But there was always something intoxicating in the moments before Sylus decided whether to indulge you or ruin you. Something that made caution feel like an ugly thing. Something that made you reckless.
So you smiled.
Then slipped two fingers beneath the choker.
The leather was warm from his skin. The intimacy of it struck first, then the thrill followed. Your knuckles brushed his throat. You felt him swallow. Once.
And then you pulled.
Not hard. You did not need to. Just enough to drag him down the few inches necessary, just enough to make that impossible man bend toward you, just enough to force his eyes level with yours.
For one exquisite second, Sylus looked almost stunned.
Not undone. Never that easily.
But surprised, yes. Caught off guard by the sheer audacity of it. By your hand at his throat. By the casual little cruelty of the gesture. By the fact that you had done it as if you fully expected him to let you.
His hands came to your hips on instinct. Broad and warm and suddenly very firm. Not quite restraining. No, not yet. Just settling there with a weight that reminded you exactly how quickly this could cease to be your game.
The air changed.
It always did, when one of you pushed too far and the other decided not to step back.
Your face was close enough now to feel the warmth of his breath. Close enough to see the shift in his expression as surprise melted into something darker. Something far more familiar. That smirk arrived slowly, one corner of his mouth lifting first. Then the rest.
There you are, it seemed to say. Thereâs the trouble.
âOh, kitten,â he murmured.
It wasnât a reprimand, nor affection either. No, it was something far worse. Something tender only in the way teeth were tender with flesh before breaking skin.
The name slid through you like heat.
His thumbs pressed into your hips. Just enough to remind you that however yankable his choker looked, you were still standing inside the circle of his patience, and patience on Sylus had always been a finite resource.
âYou should be careful,â he said softly.
But he did not move away. If anything, he let you keep the choker fisted around your fingers, let you hold him there as though indulging a fantasy he had not yet decided whether to punish or reward.
You raised your brows. âWhy? Afraid Iâll make a habit of it?â
A quiet laugh left him then. Rich. Low. Dangerous enough to make the room seem smaller.
âNo,â he said. âAfraid youâll enjoy what happens when you do.â
The answer landed somewhere low in your stomach and stayed there.
You should have let go. Anyone with a functioning instinct for self-preservation would have let go.
Instead your fingers tightened a little under the band at his throat.
Sylusâs eyes darkened.
It was almost imperceptible, that change. Just a slight narrowing of his gaze. A subtle parting of his lips. Yet suddenly everything about him felt sharpened. The hands at your hips no longer merely holding, but claiming. The space between your bodies no longer empty, but taut with the threat of being closed in an instant.
âAnd what,â you asked, because apparently you had already committed yourself to ruin, âhappens when I do?â
His smile deepened.
One of his hands slid from your hip to the small of your back, flattening there with possessive ease. The other rose, unhurried, until his fingers curled lightly around your wrist, not forcing, simply enclosing. A reminder. A promise. He could break this hold whenever he pleased. He simply found it more interesting not to.
Then he leaned in the last inch on his own.
His mouth brushed the corner of yours. Barely there. Cruel in its restraint.
âYou pull me down like that again,â he whispered, âand I forget how nice I was planning to be.â
Summary: One little phrase throws Sylus for a loop.
WC: 277
Pairing: Sylus x GN! Reader
Tags/Warnings: No use of Y/N. Pre-established relationship (sort of?) (he's so husband coded). Angst, pain and suffering (aka my favourite meal). Hurt no comfort. Soft until it's not anymore LOL. Not proofread (I haven't drank my coffee yet).
A/N: Cranked this out in like half an hour after making myself a pot of coffee. Walked into the kitchen and looked out the windows and hurt my eyes and all I could think of was Sylus and how he's sensitive to light.
Feedback is appreciated and comments/reblogs are welcome!
Read on AO3 here!
Do not repost, translate or use my work for training AI
Divider credit: @sweetmelodygraphics
Sylus was up in the kitchen to make your coffee just the way you like it, braving the early morning sun streaming through the windows making the whole kitchen glow a beautiful golden. He hears your soft footsteps pad down the stairs just as it finishes brewing, and as you walk into the kitchen to greet him, you wince and close your eyes.
"Sun hurting your eyes sweetie? And here I thought you loved the sun in the morning, I opened the curtains just for you."
"What can I say, I can't help loving what hurts me." You shrug with that little smirk of yours and make your way to the pot of coffee your perfect husband perfectly brewed for you.
And Sylus just stands there.
Thinking.
'Loving what hurts me.'
What did that mean? Does he hurt you? Does his love?
You'd been married for years, dated for even longer. You'd been together over a decade in domestic bliss.
And just as he was about to ask, you woke up. Love and Deepspace still open on your phone resting on the pillow next to you, Sylus fast asleep on the sleep function.
"I wish loving you was easier Sylus, I wish it didn't hurt to wake up."
Exiting out of the sleep function, you did your dailies, Sylus fast asleep in Destiny Cafe as the sun streamed golden through the windows. Fingers hovering over the home button on your phone, you whisper "I love you Sylus, I'll see you tonight." and you closed the game.
And as Sylus watched from the other side of the screen, he realised, and he understood.
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⼠pairing: sugar daddy/ceo!sylus qin x assistant!reader
⼠summary: âShe has spent three years loving a man she cannot have. He has spent three years wanting a woman he wonât allow himself to reach for â until the day he decides, quietly and without hesitation, to reach anyway. What neither of them realises is that theyâve been finding each other all along. She just doesnât know heâs the one on the other side of the screen yet.â
⼠genre: fluff + angst + smut (18+ mdni)
⼠word count: 50K+??? (I am insane and not normal about sylus <3)
⼠status: COMPLETED - 1st of April
⼠warnings/tags: sugar daddy!sylus, alternative universe, ceo!sylus, yearning/longing, sylus is 39 in this, assistant!reader, sugar baby!reader, power imbalance, eventual boss/employee relationship, idiots in love, mild hurt/comfort, emotional/sensitive!reader, very long fic, banter, sylus the rage baiter. mutual masturbation, sexting, size difference. reader is shorter than sylus. reader is always audhd coded in my writing but anyone can read it. sylus is soft for reader, flirting/teasing, inexperienced/virgin!reader. dry humping, grinding, loss of virginity, unprotected sex, piv sex, soft!dom sylus, just in overall soft!sylus. sub!reader, vaginal fingering, oral (f!receiving), multiple orgasms, creampie, overstimulation, size kink, full on daddy kink⌠I mean⌠itâs a sugar daddy au. so⌠<3, oral fixation, breeding kink, praise kink, pet names (kitten. sweetie. sweetheart etc.), multiple sex positions, pleasure dom!sylus, aftercare. mc loves the color pink a lot.
âś a/n: HIIIIII here I am with a new fic. as of the moment I am writing this it's still a wip. this fic is probably gonna be over 60k words. either way I still wanted to share the post on tumblr already. I always wanted to write a sugar daddy au BUT didn't find inspiration until RECENTLY. so in the lads server I'm in they are currently doing a 'kink bingo'. it's a little event that writers can participate and write a story around a certain trope. I went with sugar daddy đ¤đ I said I wasn't gonna write for a while but what can I say⌠sylus brainrot. he's literally my muse. EITHER way. I hope you enjoy this story. đĽşđ for anyone wondering⌠this is how I imagine sylus his build. either way I never know how to write fic in a short format so enjoy another lengthy fic from me again! also because I donât wanna post it in parts youâll have a sneakpeek on tumblr but to read the story in its full length youâll have to head to ao3. thank you and I hope y'all love it as much as I loved writing it! đ title inspired by the song 'provider' by sleep token. (I don't normally listen to that type of music but my bestie leah recommended me this song for the fic) đđđ
ps: for anyone wondering⌠this is how I imagine sylus his build. (without the blood and scratches) đ¤đđ¤¤đĽľđĽ´đŤ đľâđŤ
this goes without saying, but if you donât like it donât read it <3
AO3 ⢠masterlist
New York City does not care about your feelings.
This is something youâve made your peace with over the years â the way it moves around you without slowing down, all noise and glass and cold wind off the Hudson in the early mornings when youâre walking the four blocks from the subway to Linkon Tower, coffee cup in hand, trying to remember if you forwarded that document last night or only dreamed that you did. The city asks nothing of you emotionally. It simply expects you to keep moving.
You are, in this way, well-suited to New York.
What you are less well-suited to â what you have been quietly, privately, catastrophically less well-suited to for approximately three years now â is being in love with your boss.
The elevator opens on the fifty-third floor.
You are fine.
âGood morning.â
His voice reaches you before youâve fully stepped through the glass doors of the executive suite â low and unhurried, carrying the particular warmth he reserves for very few people, and you are, for reasons that keep you awake sometimes, one of them. Sylus is already at his desk, as he always is, as he has always been every single morning in the three years youâve worked for him, because the man apparently does not sleep like a normal person. The Manhattan skyline stretches silver and pale behind him through the floor-to-ceiling windows. In the early light, he looks almost painterly â silver hair, dark suit, those red eyes lifting from the document in his hand to find you the moment you walk in, the way they always do, like he has a sense for you specifically.
Like he was waiting.
âGood morning,â you say, and you are very proud of how normal your voice sounds.
âHow was the commute?â He asks it with genuine interest, setting his document down, which is one of the things that got you in trouble in the first place. The way he actually listens. The way Sylus, who runs a multi-billion dollar enterprise from this office and commands rooms full of people who are intimidated just by his posture, always has time to ask how your commute was.
âCold,â you say, unwinding your scarf. âThe L train decided this morning was a good time to have an existential crisis.â
âThe L train always does that.â He tilts his head slightly. âYou should have taken the car.â
âIâm not taking your car to work, Sylus.â
âYou could.â
âI know I could. Iâm choosing not to.â You drop your bag at your desk and pull out your tablet, already scrolling to his schedule. âIt makes me feel like a kept woman.â
The silence that follows is approximately one beat too long.
You look up. Sylus is watching you with an expression you canât fully decode â something that passed through his eyes too quickly, smoothed back over by the composed, unreadable surface he wears most of the time. The corner of his mouth curves.
âHeaven forbid,â he says mildly, and goes back to his document.
You turn back to your tablet and breathe.
Three years, you remind yourself. You have survived three years of this. You will survive today.
・ â°༺â¤ď¸ŕźťÂ°â ・
Here is what three years has taught you about Sylus:
He takes his coffee black, no sugar, too hot for comfort, and he drinks it while standing at the window with Manhattan spread out below him like something heâs quietly fond of. He is pathologically early to everything and has zero patience for people who arenât, with the single exception of you â for you, he simply comes to find you, appearing at your workspace door with that unhurried patience, as though waiting for you specifically is a different category than waiting in general.
He reads physical documents even though everything could be digital because he thinks better with paper in his hands. He keeps the office two degrees warmer than the building standard because he noticed, in your first winter working for him, that you were always cold. He has never once mentioned this to you directly. You figured it out yourself, six months in, when you checked the buildingâs climate control records out of sheer curiosity, and you had to sit with that knowledge quietly for a long time afterward.
He is privately, genuinely funny â not the performative wit he turns on in meetings, but something dryer and warmer that surfaces only in the quiet moments, usually aimed at you. He reads in at least four languages. He grew up far from here, far from any of this, and there are moments when something in his expression goes distant and careful and you sense the geography of everything heâs built between himself and whatever came before.
He has never raised his voice at you. Not once. In three years of high-pressure deadlines and impossible situations and the particular chaos that seems to follow a man of his ambition, he has never directed anything at you that wasnât measured, and considered, and â underneath its careful composure â surprisingly kind.
He is also tall â unreasonably, almost absurdly tall, the kind of tall that means the rest of the world simply exists lower than him â broad-shouldered, white-haired, and red-eyed, and standing next to him, which requires you to tilt your head back at an angle youâve gotten quietly used to, makes you feel both very small and, inexplicably, very safe.
This is the problem.
This is the entire problem.
・ â°༺â¤ď¸ŕźťÂ°â ・
âYou have the Meridian Capital call at nine,â you say, following him into his office with your tablet. This is another part of the choreography â the morning briefing, where you trail after him and he listens without looking at you directly, which you have learned means heâs paying the most attention. âBoard review at eleven. You have a lunch blockââ
âClear it.â
You glance up. âYou specifically asked for that block last week.â
âI know what I asked for last week.â He settles into his chair, leaning back in that easy way of his, long legs stretched under the desk. Even seated, the man is an unfair amount of presence. âBook somewhere for lunch instead. Somewhere quiet â not the Meridian district, Iâll have been on a call with those people for an hour and Iâll want a change of air.â His eyes come to you, and theyâre soft in the way they sometimes are when itâs just the two of you and the morning is still early. âSomewhere youâd like. You choose.â
You pause. âYou want me to choose.â
âIs that not what I said?â
âYouâre very particular about restaurants, Sylus.â
âIâm particular in general,â he concedes. âBut I trust your taste.â A brief pause. The softness in his expression doesnât waver. âLunch for two, somewhere youâd like. Thatâs all.â
You look at him for a moment too long â which you do sometimes, which youâve been doing for three years, and he always holds the look, always lets you, like he has nothing to hide and all the time in the world, which is terrifying because it makes you feel seen â and then you nod and look back at your tablet.
âIâll find somewhere,â you say.
âI know you will.â He picks up his pen. âYou always do.â
・ â°༺â¤ď¸ŕźťÂ°â ・
The Meridian call runs long, as you predicted, and you have reorganized two schedules and soothed one very anxious junior analyst by the time it wraps. Sylus emerges from his office at eleven-oh-three, jacket on, expression still and composed from the professional armor he wears in those spaces, and crosses directly to your desk.
He sets a cup of tea down at your elbow.
Your tea â your specific order, the one youâd mentioned offhandedly to him eight months ago and apparently never needed to mention again â brewed at the temperature you like, with the little paper sleeve because the cup gets hot.
âYour eleven oâclock moved to eleven-fifteen,â you tell him, not trusting yourself to acknowledge the tea directly, âwhich means you have twelve minutes, and also I found a restaurant â itâs on the Upper West Side, French-American, supposed to be very quiet on weekdaysââ
âPerfect.â Heâs reading something on his phone, already walking, and he pauses at the edge of your workspace and glances back.
âYou barely ate this morning.â
You blink. âI ate some cereal. How could you possiblyââ
âYou have the look,â he says, simply, like this is a perfectly reasonable thing to say. âThe one that means you ate something that technically qualified as food and decided it counted.â The faintest curve of his mouth. âIt doesnât count.â
âIt absolutelyââ
âBook a table for twelve-thirty.â Heâs already moving again, unhurried, like the conversation is entirely settled. âIâm not signing a single thing until I know youâve had a real meal.â
Then heâs gone, moving down the hallway toward the boardroom, and youâre left staring at the empty doorway with your mouth still open and the faint, traitorous warmth of being known so precisely by someone spreading all the way up to your ears.
You close your mouth.
You book the table and then pick up your tea.
It is perfect.
You are in so much trouble.
・ â°༺â¤ď¸ŕźťÂ°â ・
The restaurant he lets you choose is a small place tucked between a bookshop and a dry cleaner on West 74th â French in its bones but soft around the edges, the kind of room that smells like butter and old wood and feels completely removed from the city outside. Youâre not sure how it stays so quiet in Manhattan. Maybe it exists slightly outside of time.
Sylus ducks slightly to come through the door.
He does this â accommodates the worldâs architectures with a patient, practiced ease, as though he accepted a long time ago that most spaces werenât built for him and has made his peace with it. You notice this more than you should. You notice the way he instinctively adjusts when heâs close to you too â angles himself, shortens his step, never makes you feel like the difference in your heights is anything other than simply the way things are.
The host seats you at a corner table. The light is golden and low.
âThis is nice,â Sylus says, and he means it. Youâve gotten good at knowing when he means things.
âI thought youâd like it.â You unfold your menu. âIt feels like somewhere youâd eat if you didnât have to perform anything.â
He goes still for just a moment. Then, quietly: âThatâs a very accurate read.â
âThree years,â you say simply.
Something in his expression moves â warm and careful at once, like heâs handling something he doesnât want to drop. He looks at you across the small table, and in the golden light of this room outside of time he looks different than he does in the office. Younger, almost. Softer. Like the thing he usually holds back with both hands is closer to the surface.
âYouâre distracted this week,â he says eventually. Not an accusation â an observation, offered gently, the way he offers you most things. âYou hide it well. But I know your face.â
Your heart catches.
I know your face. Said like itâs simply a fact, something true and uncontested, filed away somewhere in him.
âI found something,â you say, because you can never not tell him things, in the end. He does something to your defenses â doesnât dismantle them, exactly, just makes you feel like theyâre not necessary with him, which might be worse. âAn apartment. A loft.â You look at your water glass. âIâve been dreaming about my own place for years. You know how New York is â Iâve been in the same sublet since I moved here, and itâs fine, itâs always been fine, but itâs not mine. Nothing in it is mine.â You smile, self-deprecating. âI walked past a listing last weekend. A loft in the West Village â high ceilings, big windows, exposed brick. Thereâs a little terrace that looks out over the rooftops and I just â I stood on the sidewalk and looked at it for a long time.â
Sylus is watching you with his full attention â the specific quality of stillness he gets when youâre saying something he wants to remember. His hands are folded on the table. Heâs not eating. Heâs just listening.
âIt needs renovation,â you continue, quieter now. âA lot of it, still. Which is part of why the price isââ You exhale. âThe price is a lot. More than a lot. My savings are good, Iâve been careful, but between the listing and the renovation costs itâs justââ You shake your head. âItâs not realistic right now.â
A long pause.
âTell me about it,â Sylus says.
You blink. âI justââ
âNot the numbers.â His voice is gentle. âThe place. Tell me about the loft.â
Oh.
Oh.
You look at him. He looks back, patient and entirely serious, and something in your chest aches in a way you donât have good language for.
And so you tell him â the arched windows and the way the afternoon light would fall across the floors, the exposed brick that runs the whole length of the far wall, the little wrought-iron terrace barely big enough for two chairs and a plant but somehow perfect, the ceiling height, the bones of it. The way youâd stood on that sidewalk and seen, with a clarity that surprised you, exactly what it could become. What it could be. You tell him all of it, more than you meant to, more than is probably professional over a two-person lunch that youâre already trying not to read too much into.
Sylus listens to every word.
When you finish, heâs quiet for a moment. Thereâs something in his expression thatâs gone a little careful.
âWhatâs the address?â he says.
You study him. âWhy?â
âBecause youâve just described the place you want most in the world,â he says, very simply, âand Iâm interested in things that matter to you.â
The ache in your chest deepens. You look at him for a long moment â this man who runs a company from the fifty-third floor of a Midtown tower, who is a decade older than you and a foot taller than you and should by any reasonable accounting be the most intimidating person in your life, and who instead feels, in moments like this, like the safest one.
You give him the address.
You donât know what heâll do with it.
You just know, the way you know most things about Sylus, that heâll do something.
・ â°༺â¤ď¸ŕźťÂ°â ・
The afternoon passes the way good afternoons in the office do â with a steady rhythm of tasks and small exchanges, the comfortable back-and-forth that youâve built between you over three years like a language that only the two of you speak fluently. He stops by your desk at three to ask if you want anything from the coffee cart downstairs, which he would never do for anyone else, and brings you back a hot chocolate without commenting on it. You catch him at five-forty-five standing in the doorway of his office watching you finish up for the day with an expression you arenât supposed to have seen â unguarded, quiet, something in it that sits low and warm in your stomach for the whole subway ride home.
It doesnât mean what you want it to mean, you tell yourself, earbuds in, Manhattan rushing past outside the windows.
Heâs just kind. Heâs kind to you because you work for him and youâve earned it and thatâs all it is.
Forty-three blocks uptown, Sylus stands at his office window with your address on a notepad in his hand and thinks, for a very long time.
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SYPNOSIS: caleb x non!mc, except x is a bit of a stretch. snippet of a much larger fic to come
âIs your wife always soâŚuptight?â You heard MC mumble, her voice suddenly sultry.
You donât know how you found it to stay out of Calebâs business until now. Perhaps it was the blinding trust you had for this man, the strong, reliable colonel who had graciously married you, who had signed your marriage certificate with empty eyes. But deep down, you always knew.
From the day you came home from the courthouse, there has always been three in the spaces you occupied with your husband, three at the alter (you wondered if Caleb had imagined it was MC standing in your place on your wedding day), three in the bed (you could even imagine MC lying in empty space inbetween you and Caleb as you slept, and three at the table (at first before Caleb had learnt more about you, the dishes he served were all reminecent of MCâs favourites). You knew MC haunted, haunts, your marriage. But like any good wife, you looked the other way and hoped for the best.
That is, until now.
With your back pressed against the cold marble wall, you listened on to the conversation that Caleb was holding with MC in your living room, after an awkward dinner party to which Caleb had invited MC and her husband, Zayne, to attend.
âNo, sheâs justâŚâ You heard your husband began, an awkward silence stretching over the expanse of MCâs living room.
Iâm just what, Caleb?
ââŚsheâs just emotional, thatâs all.â
You heard MC snort. âEmotional? Hardly. I seem to remember that at your wedding, she was ever so meek and crittery, so nervous, so deferent, so grateful to marry the big strong colonelâŚâ She sighed, âAnd I thought that, yâknow, hey! She might do a lot of good for you. Sheâs like a squeaky mouse, just like another version of me, how I was your âpipsqueakââŚâ Her voice suddenly dropped to a whine.Â
âI thought maybe you found a better replacement.â
You heard sounds that indicated that Caleb stepped forwards to hug her.Â
âMCâŚnothing and nobody could ever replace you.â Caleb said gently.
They were silent for a long time. Tears had began to bead in your eyes.
âWellâŚon that happy noteâŚâ MC mumbled, her lips splitting into a wide smile, one hand coming to rest on her stomach, the other intertwining with Calebâs.
the witnessing council (or, how to claim an empress)
â. â aka rafayelâs public consummation ritual with his beloved empress (based on this request)
â. â cw: mature + possessive raf + body worship and praise kink (if you squint)
â. â word count: 1.5k
The witnessing council is not merely a cold political entity; it represents the disparate factions of Lemuriaâs remaining bloodlines, many of whom doubted whether their prince would ever take a Queen, let alone fall so spectacularly in love. Rafayel told you privately that he insisted on this tradition not to humiliate you, but to force every doubter to confront the reality.Â
His heart is no longer his own, and his Empireâs future is bound unequivocally to your pleasure. If he can make you shatter in front of them, he can make anything bend.
The air in the throne room is thick with candle smoke, heavy with the musk of crushed blossoms scattered across the marble floor. You are poised on Rafayelâs lap upon the coral throne, your wedding silks pooled around your hips, and his mouth is mapping a wet, unhurried path down the column of your throat.Â
Every suckle, every greedy swirl of his tongue against your pulse, sends shimmering embers through your limbs. His elegant fingers are already buried knuckle-deep inside you, stroking deliberately slowly as if you are his most precious canvas and he intends to prime every inch of you before the final masterpiece.
He draws back just enough to let the entire crescent of council members see the glossy string of saliva connecting his lips to your skin.
Rafayelâs obsession with public claim began long before you wore his crown. As the last Lemurian prince, he grew up surrounded by murmurs about extinguished bloodlines and fragile alliances. The first time he touched you in private, he whispered, âOne day, Iâm going to show them all exactly who owns my heart.âÂ
To Rafayel, having witnesses isnât about political necessity. Itâs about etching the truth into their memories so no one can ever pretend you do not belong to him.
You feel the familiar drag of his fangs over the tender spot beneath your ear, and you keen softly. The council murmurs, but Rafayel silences them with a glance sharper than a tridentâs edge.
âShh, my Queen.â his voice rumbles against your throat. âThey need to hear you, not their own empty gossip.â
His fingers curl forward, finding that secret spot that turns your vision to sea foam. You gasp, hips jerking, and he rewards you with a low, satisfied hum. The sound vibrates straight through his chest and into yours. He works you with the same devotion he pours into breathing life onto canvas, swirling and circling, pausing only to trace wet designs across the plushness of your inner thigh with the pad of his thumb.
Rafayel sees intimacy as the ultimate art form. Before the consummation ceremony, he painted your body with phosphorescent ink himself, murmuring about âpainting his devotion where everyone can see.â The shimmering patterns still ghost your skinâtendrils of sea mist, the crescent of his kingdom, the exact secret spot where you first confessed you loved himâand they glow brighter the nearer you are to ecstasy. He chose them specifically so the council cannot mistake your pleasure.
âLet them look at you,â he breathes, withdrawing his fingers only to bring them to his mouth. He licks them clean, lashes fluttering shut in exaggerated reverence, before fixing his gaze on the hooded figures encircling the dais. âSee how sweet my Empress is? None of you will ever taste anything half as divine.â
One of the elders clears his throat, intending some ritualistic remark, but Rafayel ignores him completely. He is already guiding your thighs further apart, settling you more firmly across his lap. The heavy ceremonial robes he still wears are undone just enough to free his length, the proof of his own ache for you. He drags the flushed tip through your slickness, painting you with himself, deliberately drawing out the moment. Your forehead drops against his, breaths intermingling.
âYouâre doing so well, my pearl,â he praises, and the tenderness beneath the possession undoes you more than anything else. âNow let them see you fall apart before I even take you.â
His mouth descends on your breast, tongue tracing a glowing whorl of bioluminescence around your nipple. The ink ignites, soft coral light pulsing in time with your heartbeat. The council collectively shifts; even the most stoic among them cannot hide the flicker of awe. Rafayel suckles hard enough to make you cry out, his name tearing from your throat like a prayer. He grins against your skin, one hand splayed across the small of your back to keep you arched, the other guiding himself just barely inside your aching warmth.
Rafayelâs tongue is not merely talented; itâs reverent in its pursuit. He once told you that every time he puts his mouth on you, heâs composing a love letter no brush could ever replicate. He can recite the exact taste of your want, compare it to the sweetness of moon jelly nectar, and he insists on spending at least one hour a day learning your body with his lips. The councilâs presence changes nothing; if anything, it sharpens his need to demonstrate that you are the most worshipped creature in any realm.Â
He nudges his cock deeper, just a fraction, and stops. Your whimper echoes off the vaulted ceiling, and he shushes you with a kissâdeep, demanding, his tongue sweeping past your lips the same way he is about to fill you. He tastes of the sweet bombons you had shared earlier, and incense and a heady possessiveness that leaves you dizzy.
âTheyâre watching,â he murmurs into your mouth, withdrawing just enough to stare into your blown pupils. âEvery single one of them. And theyâre going to witness exactly how thoroughly I please my Empress. How beautifully she takes what belongs to her.â
Then he thrusts up, full and deep, burying himself to the hilt in one slow, unstoppable stroke. The moan that escapes you is half-sob, half-symphony. Rafayelâs composure fractures for exactly one heartbeatâhis hips stutter, his forehead drops to your shoulder, an almost wounded sound escaping his throatâbefore he regathers himself with a wicked curve of his lips.
âPerfection,â he announces loudly, so the council cannot mistake the word. âAbsolutely perfect, she is.â
He moves inside you with rolling patience, each stroke focused to drag against every sensitive inch of your body he has spent months memorizing. His fingers find your clit again, tracing spirals of cool pressure that counterpoint the heat of his possession inside you. He coos instructions that are meant as much for the audience as for you, âGood girl, just like that,â; âLet go for me, I want to feel you lose yourself to me,â; âThey need to know, donât they? How well I take care of my Empress.â
When your climax crests, itâs a tidal wave. Your vision whites out, your nails rake the exposed skin of his neck, and your cry shatters against the throne roomâs stained-glass windows. Rafayel doesnât slow. He rides the convulsions of your body with single-minded focus, his tongue tracing the shell of your ear as he whispers filth-edged devotion.
Only after your body goes pliant and trembling does he allow himself to chase his own release. His rhythm turns ragged, the artistry giving way to raw need. He buries his face in your hair, inhaling deeply as his hips piston upward. When he finishes, he groans your nameânot your title, not âmy Queen,â but the intimate syllables youâd almost forgotten existed beneath all the formality. He fills you with thick pulses of heat, and you feel the glow of the phosphorescent ink on your skin spike brilliantly, illuminating the entire dais in a private aurora.
The council is utterly silent. Then, one by one, they lower their heads in a bow deeper than any you have ever received.
Rafayel doesnât pull out immediately. He keeps himself tucked inside you, softening but still claiming, one arm wrapped around your waist while the other hand cups your cheek. He studies your flushed face with an artistâs greed, making silent note of each blown pupil, each kiss-swollen lip.
âTheyâll remember this, my darling Empress,â he says softly, but his voice carries so much tenderness, as much as possessiveness. âEvery time they lay eyes on you, theyâll see you draped across my throne, falling apart on my fingers, taking my cock like you were forged for it. Theyâll never doubt again, that you are mine, and I am yours. That you shall take me as I take you, yearn for me as I yearn for you.â
He presses a reverent kiss to your forehead. His thumb traces your cheekbone, leaving a shimmer of your own wetness behind.
âMy masterpiece,â he breathes, just for you. âMy beloved bride. My love.â
The council begins to file out in ceremonial silence, but Rafayel doesnât spare them a glance. He is already using the hem of his robe to tenderly clean the inside of your thighs, pressing soft, apologetic kisses to every spot where his grip bruised.
Later, you know he will carry you to the royal baths and spend an hour just holding you, murmuring about all the paintings he wants to make of tonightâs tableau. But for now, before the empty throne room, he lets you curl against his chest, still intimately joined, and hums the lullaby of the deep that only Lemurian royalty ever learn.
And you, his Queen, his Empress, the sole keeper of his fathomless heart, drift in a pleasure so complete it feels like the tides themselves are cradling you home.
Š zaynessbeloved 2026. please donât copy, repost or translate my works. thank you!
I know this is a silly question but I literally don't know anything about describing environments in writing as in weather or surroundings etc. When do you think it is most relevant to mention them?
I'm asking this as someone who has HARDLY EVER written anything before
HELLOOO!!! THIS ISNT A SILLY QUESTION AT ALL this actually one of the first things my lecturer taught us when i started my uni course!
Describing environments, weather and outfits is one of the trickiest things in a novel/fic because if done at the wrong moment it can take the reader out of the story and break the flow that a paragraph has, SO HERE ARE MY TIPS FOR WRITING SCENERY:
One of the most important things to think about when writing is that a reader is going to be entering a story with pre-conceived ideas and images of everything that will be mentioned inside it. E.g., if the author writes about a 'house' and its innards, the reader will often put in its place an image of a house from their own memories, because of this when an author goes out of their way to describe anything inside that house it will break the flow and immersion that the reader had.
To stop this, you want to describe as little as possible while retaining as much of your concept as you can. What this means, is you need to describe the "vibe" of a room and any important objects inside it.
Examples of this: "The room was cold, damp where rotten wallpaper sagged astray from each wall." Here, we know that the room has been abandoned/is in a state of disrepair, but the readers imagination is not hindered - they are still able to insert their own furniture and layout. The exception to this rule is as I mentioned previously, when an important object lies within the room.
Let's say that a messy room is important to a characters personality, or, that a character needs to pick up an item from a table, or interact with any kind of furniture (as most characters do.) Continue to use this rule, but add to it.
Example: "The room was cold, damp where rotten wallpaper sagged astray from each wall. It's contents, a sofa and a small coffee table, lay rotten with disuse; littered with scraps of old trash and food wrappings. 'Character-A' took a small, cautionary step forward and grabbed at a half melted piece of chocolate from atop of a couch cushion, a grimace settling across her face." Instead of bombarding the reader with a full paragraph description of the room at once, you are slowly feeding objects to them and telling them how they are supposed to feel about the environment. Without hindering the readers imagination too much, you guide them into seeing the version of the room that you want them to.
A key thing to note is that you should always mention how light or dark a room is, as it sets the tone for an entire scene.
When it comes to outdoor environments, there is a lot more freedom to describe and explore your surroundings. Since being outdoors means a character is going to be in a much larger space with less semantic connotations, a reader is going to have a harder time inserting their own images into this environment.
There are two approaches you can take to describing an outdoor environment: The worldbuilding approach or the pathetic fallacy approach:
Example of worldbuilding: "I took a sharp breath, a cloud of condensation forming before my face. A crisp chill filled the air, carried along by dry, orange leaves that rattled across the pavement and stuck to the wet concrete." This scene suggests the story takes place in late autumn/fall or perhaps early winter, it has no relation to the main characters emotion and merely serves as an environmental tool to help the reader understand the time and place in which the story takes place.
Example of pathetic fallacy: "My nostrils flared as I let out a sharp breath, the air before my face fanning out into a sodden cloud. A crisp chill filled the air and sunk itself deep into my bones, it bit at the swollen skin beneath my eyes; delicate from tears freshly shed, and carried along with it dry, brown leaves that rattled across the pavement and stuck to the wet concrete." By connecting the weather to the main character, there is an inherent connection between it and their emotions. Pathetic fallacy uses the weather as a tool to set the mood for the main character. E.g., if it is storming then the reader will understand the main character is upset, if it is sunny the reader will understand that the main character is happy.
SOME IMPORTANT THINGS TO NOTE:
It is always relevant to describe the characters surroundings. There should be a description every time they enter a new room; how in-depth this description is should be dependent on how important the room/environment is to the story - if the room only appears once, then it isn't necessary to give it too much thought, but if it is a room that the character will enter multiple times then you want to be as descriptive as possible so that they can remember it when the character returns.
With creative writing, there are no rules; what I've said in this post isn't definitive and does not need to be followed, if you believe that your work would be best understood if you offered your audience an in-depth description of the environment (something that should most commonly be done if the surroundings are not 'common', i.e., a fantasy world or something wildly specific) then you shouldn't stop yourself from doing that! Writing is all about experimenting and figuring out what works best for you.
Environments shift dependent on the perspective in which the fic is being written in, 1st POV often creates a biased narrative that follows the strict memories of the main character which allows an author to be more creative with the psychology of an environment (an example of this would be the 'Red Room' from Jane Eyre and how Jane's memories of the room paint it differently from how the room really is), while 3rd POV allows a more realistic and direct description.
I KNOW YOU ONLY ASKED about the relevance of describing environments but i lowk went off on one... I JUST LOVE TALKING ABOUT LITERARY TECHNIQUES i get excited, i hope this helps! if you plan on writing anything, you should share it with me i would love to read đ
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the best fanfiction you've ever read was written by a woman in her 40s before she made dinner for her kids. it was written by a teenager after school when they should've been studying for a history test. and a barista came up with the idea while they cleaned the espresso machine and busser fact-checked it on their break and the post-doc edited between writing grant proposals and the nurse apologized for typos in the notes after a long shift and behind every drabble and one-shot and multi-chapter fic there is a person with a wonderful and interesting and chaotic life and it is such a privilege that we get to be apart of it because they decided to do this thing we all share, for fun.