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Nott (Sam Riegel): I know everyone else makes fun of your smell, BUT I donât smell nothing.
Caleb (Liam OâBrien): Thatâs what I like about you.
chocolate mermaid
Greek Gods.
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Inktober - round 2
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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2018. Inktober/1
Why do artists refuse to use references why why why.
Itâs not a contest to see who can get by without them. Itâs not cheating to look at a thing in order to know what the thing looks like.
You donât get stronger or better by pretending. Nobody is impressed by the awkward whatever-it-is you just drew. Use references.
I donât think a lot of people know that itâs not cheating. I recall seeing so many piece of art called out because they referenced a pose, someone recognized it, and then proceeded to shame them for it. Thereâs this belief, both by creators and the audience, that artists should just be able to translate the ideas from their head to paper, and if they donât, itâs plagiarism, or not true originality (spoiler alert: thereâs no such thing).
I myself didnât start using references until very recently, because even I was under the impression that it was frowned upon. And that belief has seriously crippled and stalled my ability to improve as an artist.
As a restarting artist, I can confirm. I just never knew. I thought you were just supposed to know how to draw the body correctly and if you didnât you had no talent.
(( I am going to say this again, loud and clear for everyone:
USING REFERENCES FOR ART IS NOT âCHEATINGâ!!!
If you can draw/paint without references, great! But if you need to use them, and feel that your art can be bettered by using references, please, use them! This is one of the biggest tips I can give to artists, is USE REFERENCES!Â
Anyone who would dare to attack someone for using references after ârecognizing a poseâ is a dipshit, who doesnât know a thing about art.
Do you know who else used references for their art?
Norman Rockwell
Alphonse Mucha
Gustav Klimt
Toulouse Lautrec
Vincent Van Gogh
Paul Gauguin
Edgar Degas
Gil Elvgren
Frida Kahlo
Pablo Picasso
Disney Studios
And thousands of others! So, artists! Go forth, and use references!!! ))
Reblogging as a constant reminder to my followers: You will never get better if you donât use REFERENCES from life!! References are your friend I use them all the time and have nearly one terabyte for poses alone.
You can even use other artists work, itâs just a matter of respecting the artist. Just be very careful and ASK (if you can) before posting any art you made that directly references an artists work. If you cannot contact them, let people know or link to the reference you used. Do not claim the work is your own or let people assume it by not saying anything at all-thatâs where the call out culture is. Emulating master works was REQUIRED for half my undergrad classes in painting- and my original work was so much better because I studied someone with more experience and knowledge of the craft.
Unless you have a very good grasp on your subject matter trying to draw everything from memory is just going to hinder and frustrate you.
Study the masters.
Study real life.
Practice. Practice. Practice.
Your work will thank you for it.
I donât add to reblogs ever, but Iâm gonna mention for a hot minute that in my studio art classes I took before uni and during high school when I still thought I may have been going into art for college collecting references was a REQUIREMENT or else you wouldnât be allowed to carry on with the project at all. They actually counted towards a small part of grade in fact. Yea proving that you were not just winging it counted for something. They wanted to know that you knew what you were doing so you werenât just somehow guessing and pulling it out of nowhere⊠Anyone who says looking at references is cheating clearly doesnât know what tf they are talking about. Thatâs just ridiculous.
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Do you have any tips for drawing round ladies? :D
Hiya anon!
Well, Iâm still learning myself, but hereâs a few tips I usually keep in mind!
1.) âFatâ is not just a big belly!
Fat distributes everywhere, but not necessarily equally! Like at any weight, every body is different and has an unique shape! Some keep a hourglass shape, some become more pear-like, some are shaped like teardrops or apples⊠but the basic thing is, fat doesnât just choose one place where it WONâT gather. It may not be as visible in some area compared to another, but in real life, itâs reeeeaaaaalllllyyyy rare to just find a person whose fat only stores in their bum, thighs and tits, leaving their waist, arms, neck and etc slim. Keep the body pleasant and thick all around, not just in the places where the weight-gain is the most imminent!
Keep the round shapes in mind!
2.) Rolls! Folds! What are they?
What are they? Not something to be afraid of, thatâs for sure!
Basically, donât hesitate to give your characters fat rolls. Skin folds, stretches and moves along with the body, and so does the fat under it! However, a lot of people who draw rolls tend to give the character many super small ones â this is not how rolls work! Usually, the thicker the person, the thicker the rolls â they increase in size, not necessarily in number.
Rolls are the most preminent in places where the body moves the most, AKA the joints. Fat folds over itself and creates creases and ârollsâ.
3.) HOWEVERâŠ.
(No references here, sorry!!!)
When we age, our skin loses its elasticity and it canât keep the rolls and folds thick and perky. In our youth, our weight can be held up way better than in our elderly days due to the stength and adaptivity of our skin which disappears as we age. Thus, fat tends to droop lower with older people, and the rolls appear thinner. This can also happen if someone who has had a LOT of weight packed up suddenly losing a big chunk of it â the skin canât adapt and will begin to âdroopâ down and lower. Make sure to keep such factors in mind when drawing and planning how the weight of your characters should be carried!
And then, a lil tip that;
4.) Study references and real life!
If you yourself pack some weight or have access to internet, libraries or just life on the street, you will see how bodies at different weights and shapes work and move. Use references, see for yourself â try to find how fat distributes and especially, HOW IT FOLDS! Folds and rolls seem to be one of the biggest problems many have while drawing thicker characters, and thatâs ok â weâre taught as a society that fatrolls are inherently bad and disgusting, therefore there are not many situations where weâd find ourselves just⊠staring and studying how the fat in our bodies works and moves. Youâll learn quickly, though!
Iâm still learning myself, but especially since every body is different and the weight we pack acts in unique ways, it can be really challenging to find the âabsoluteâ right way to draw thicker characters. Donât give up! Youâll get the hang of it eventually!!
The Pearls - 2018

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First Krita project!!! This program is really pure, but awesome!
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