
roma★
2025 on Tumblr: Trends That Defined the Year
Alisa U Zemlji Chuda

Kaledo Art
cherry valley forever
Show & Tell
YOU ARE THE REASON
todays bird
occasionally subtle
sheepfilms

祝日 / Permanent Vacation

Origami Around

Janaina Medeiros
🪼

❣ Chile in a Photography ❣
RMH
Sweet Seals For You, Always
Monterey Bay Aquarium

Love Begins

PR's Tumblrdome
seen from Argentina

seen from Spain

seen from Nepal

seen from Brazil
seen from Philippines

seen from Costa Rica
seen from United Kingdom

seen from Canada
seen from Bangladesh

seen from Bangladesh
seen from Bangladesh
seen from Azerbaijan
seen from Pakistan
seen from United States

seen from Bangladesh

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seen from Netherlands
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seen from Chile
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@wizardwithnogoodspells

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The Memoirs of a Saint, 1960 (Les mémoires d'un saint) René Magritte, Belgian, 1898 - 1967 Oil on canvas 31 ½ × 39 ¼ in. (80 × 99.7 cm)
Found on the street
KFAX4 Logos of the Early Computer Software Scene
Planetluke.com, the graphic arts alter ego of Luca Lozano provides the fourth in Klasse Wrecks’ KFAX zine series. KFAX4 is a follow up to the record label logo collection of KFAX3 and is manifested via a 70 page, 10x14cm risograph printed, red glue bound booklet. For this collection, Planetluke.com has delved deep into the obscure and unlikely field of computer software company logos of the 70s and 80s. A burgeoning and undeveloped scene, the 300+ logos are often naive and amateurish in quality and look and provide the perfect follow up to the similar logos in the previous zine. Be sure to back-up that brain as halfway through the zine gets ‘hacked’ and overtaken by logos and graphics from the underground hacker and warez scene!! Measuring at 7x10cm and printed on 70 g/m² EOS bible print paper and with red glue binding.
The gothic ice house lost in the woods

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Working hard for merit or recognition is a fucking scam. It literally only depends on who you know and who are your friends. This shit is so fake.
Takashi Yamazaki, 1986
Rotting Dragon
Will you be seeing red after taking this quiz?
I can only read “dogs” and only see anything in one other. I see nothing in any other.
8/10 but fuck, OW.

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'Lakes become seas, and mountains become islands. Explosion of joy.', @thomas.merceron, 2024
the reaction of the century
yes my favorite mister Logmore
Since this very very much in progress fish plate has gotten some surprising fame, I would like to ask you a small favor:
How should I finish this? Which fish is obviously missing? Help me fishblr!
Dear comrades, I would like to inform you:
THE FISH PLATE IS READY!
@edderkopper
emperor kuzco was clearly gay
hes 19, with unlimited power, and he ain’t got a gf. the only time we see him interact with any women his own age is when he’s rejecting like 7 of them rapid fire. he pretends to date pacha in a gag that lasts like 10 solid minutes. listen to me god damnit
Okay, but just in case anyone is coming to tumblr dot com for my hot takes on 20+ year old kids' movies: Kuzco super WAS gay (or at least coded as such) and of course, I didn't get it until I watched it as a gay grownup.
He is played obviously camp and dramatic, for a start, and there is the aforementioned "hate your hair/not likely/yikes yikes yikes/let me guess you have a great personality" summary dismissal of all his potential brides. Then he spends dinner asking Yzma about Kronk ("so he seems nice? He's what, in his late twenties?") and otherwise being slightly obsessed with him.
Then there is the whole Adventure of Doom with Pacha, him being ever huffy about the Kiss of Life, and then the restaurant gag where Kuzco takes to playing Pacha's fake wife and dressing up in ladies' clothing with great gusto (reinforced by the waitress' "bless you for coming out in public" remark when Pacha says they're on their honeymoon). Then when he is finally de-llamafied, we don't see him paired off with the obligatory girl from the lineup earlier, as might otherwise be expected in a Disney movie. Instead he is still single, but goes to found family it up with Pacha, Chica, Kronk, etc, which dare we remark is a very queer trope.
In short, I have no idea how a Disney movie with no white people (all the characters are Indigenous/people of color), a gay king, cross-dressing jokes, and the most offbeat plot of all time actually ever got made (can you imagine the Family Friendly Mouse doing that today? Let us also talk about Kronk because he is a brilliant deconstruction of both toxic masculinity and the musclebound henchman stereotype.) Other than that this was the Chaos Hour of animated movies in the late 90s/early 2000s, and yes.
So yes. There you have it. I will not be taking criticism at this time.
In response to the question “How did a movie like this get made at all much less by fucking Disney?” there was a recent Vulture article that outlines the whole shit show of a history behind this film according to everyone (writers, directors, VAs, Stings) involved. The gist of the story is that they fucked up making a whole, true-to-form Disney musical that never came to see the light of day SO BADLY that Disney switched directors, locked the writer’s room, and didn’t review a single script until weeks after the film was in theaters.
Please, read this article if you have some time. This story is wild, and involves directors being pitted against each other Bake-Off style and a shockingly intimate documentary created by the wife of Sting who, himself was heartbroken by the decimation of the songs he wrote for the film including cutting a fantastic Yzma villain song sung by Eartha Kitt that is SO DAMN GOOD but would not ever have fit the more nailed-down Yzma we would eventually come to know and love. It’s so catchy though, I’m doubling up on calls to action but please listen now:
holy shit read the article. it’s worth it and completely batshit
This is fucking insane
I've never adequately appreciated the batshit brilliance of this joke, I've taken it for granted
World Heritage Post

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Each pea makes us closer to getting bigger
Eventually we get larger from eating them