Capri and a room of their own

here is all the reasons why you should use comicfury (if you aren't already) :

pretty much full control over your custom site design. if you're an HTML/CSS nerd you can go as crazy as you want with it. but for those who aren't so code-savvy, there are also simplified built-in design tools so you can create a unique site for yourself and your work. reject homogeneous minimalism design of bigger platforms, embrace tradition of mid-2000's kitchen sink site design (if that's what you want, that is).

the site demonstrates its own philosophies through its extremely charming vintage 2000's-era site design. it ain't broke so it doesn't need fixing. if it's too 'ugly' for you and wards you off from using the site, then it's succeeding at what it was designed to do.

forums! remember those??? CF sure does!

full view of your comic statistics over the past month, shown as delicious daily line graphs, separated by unique visitors, web page view, and scroll view.

hosting is free. don't want that pesky 'thecomicseries' or 'comicfury' add-on? all you gotta do is purchase your own domain name. contact kyo and they'll take care of the rest.

you can categorize your pages per chapter, making for an easier reading experience

you can include page transcripts for screen-readers as well as mouseover text

you can enable comments per upload and even manage them so that all comments have to be approved by you before they're shared publicly

archive tagging!!! i.e. you can tag uploads with relevant characters / locations / etc. so people can find specific pages easier on your site.

you can run a goddang BLOG on your comic site so that people can read what you've been up to! or don't, it's your choice!

clear filters for NSFW content. the filters do what they must to inform your audience as intended, outside of that, your comic will not be taken down, flagged, or suppressed in search results just because it contains violence or boobies.

they are strictly anti-AI

they do not make licensing deals with third-party companies, so the only 'competition' you have are other indie creators like you, no Marvel or DC nonsense

you're free to embed ads and/or donation buttons on your site and CF will not take off a single cent of it for themselves.

the front page goes to Recently Updated by default, all the other tabs are simply Popular Now and Popular Overall. there's also a Random button if you want to be surprised with something new. while this might seem like a bad thing for people who prefer custom filtering, this unbiased layout prevents the common visibility issues / favoritism / etc. that happen on other platforms.

but if you DO want to find something new that fits your specific tastes? just use their search bar, unlike on Webtoons it actually does what search bars are supposed to do! within the search page you can pick and choose whatever genre tags you want, and you can filter out major NSFW flags you're not comfortable with seeing.

COMICFURY HAS A SCROLL VIEW SETTING THAT YOU CAN ADJUST IN YOUR SETTINGS. THE PLATFORM IS ALREADY DESIGNED TO BE CONSUMABLE ON YOUR PHONE. IT DOESN'T NEED AN APP.

ugh man i'm so sorry for popping off on this very innocent and well-meaning bystander but what did i JUST say

when i say it's a webcomic platform that knows it's a webcomic platform

that's it. no asterisk. that's the POINT OF THE MEME.

it is a website for reading and hosting webcomics. there is no app. and that is why it works.

i realize this might just be a consequence of me being Old™️ compared to the average webcomic consumer / artist, but do y'all know how destructive phone apps have been and still are to webcomic culture? because not only is developing a phone app EXPENSIVE AND TIME-CONSUMING, but it's pretty much impossible to have phone apps now that aren't managed and funnelled through Google and Apple.

that means CENSORSHIP. and CORPORATE INTERFERENCE. and FINANCIAL INVOLVEMENT. which is entirely opposing to WHAT WEBCOMICS ARE.

as soon as indie sites based around free content develop apps, there's a very clear shift in how that site continues to operate, prioritizing corporate standards and profit over usability and community. because otherwise, they can't justify the creation of the app in the first place, and they can't very well maintain that app on account of how expensive it is to do so.

in fact, i can even attest to this from experience! y'know Tapas? the friendly competitor to Webtoons?

this platform used to FUCKING SLAP and then guess what? they released their phone app. and in doing so, they immediately lost the entire fucking plot. their ad revenue program turned to shit, they started prioritizing their advertising and growth towards paywalled comics over the free to read ones, they started restricting the content that was allowed on the platform for the sake of 'brand friendliness' and most of all, they started caring more about what INVESTORS saw rather than what the average user experienced.

and i'm sure that's a heavily biased opinion in which i'm choosing to cast blame on one specific thing instead of all the various things that led to the downfall of this fuckass platform (and i could talk about all those things at length too) but guess what? i don't give a fuck if it IS biased, because i've been there and back and lived to tell the tale and the common denominator in the enshittification of all these major platforms i'm goddamn MEME'ING ON was the phone apps. and most of all, the normalization of corporate involvement which happens the MOMENT you build an app for the Google and/or Apple store.

modern phone apps are NOT about accessibility, they're about money and metrics. that's it.

again, big apologies to the person who left these tags in the reblogs because i know they didn't mean any ill will of it.

but EVERY FUCKING DAY i see y'all complaining that webtoons and tapas are garbage, that they don't let you consume NSFW content without censoring the fuck out of it or removing titles entirely from their platforms, how they progressively tighten paywalls and increase ads to force every last cent out of you, but never ONCE do y'all realize THE CALLS ARE COMING FROM INSIDE THE HOUSE.

comicfury doesn't have or need a phone app for the same reason that AO3 doesn't have or need a phone app. to put it simply - because it's pointless, a waste of money and effort, and it would just destroy everything that's great about the thing that i'm trying to promote to you in the first place.

Long comic: “The hero I need”

Someone who makes you laugh, makes you feel safe, remembers the little things, and would do anything to make you happy.

I wonder who that could describe!

[prev]

Exactly in a month from now, RIVAGES LOINTAINS - Adam will release in France, by Dargaud 🩵

I am so excited and terrified and extatic that his story will finally hit the shelves.

Maybe it is time to reveal a bit of the plot:

In 1922, Adam Czar arrives in America.

By 1963, Adam Czar is one of the owners of the successful Bettin'Blitz casino, alongside his best friend Peter Hetman. He lives in Las Vegas, with his wife Madeline Kaye-Czar, an art afficionado, with whom he seems to have a strange pact. The shadows of the past are simply shadows. Finally, all is well.

Success comes at the expanse of many, and success is a loop, and a loop means you'll always hit rock bottom again.

When an unexpected news hit in 1965, Adam is forced to reflect on his life, and what it costs to keep on going. Keep on dancing, play the game. For how long?

I hope you'll enjoy this story. I don't know how much to reveal, as I hope you'll be a bit surprised.

If you want, you can read the first 19 pages on Dargaud's website, just here !! 👁️

Because, like, okay. It's 2026. There's rising queerphobia of all stripes--which is undeniably one reason I'm thinking about the lateral violence of it all, and we'll circle back to that--but the media environment of today does still makes it more possible than ever before to find and enjoy queer fiction. And this is critical to what I'm about to say next, so I hope those of us that grew up in times where that was not true can sort of table our thoughts on what things were like when we were kids.

My point it, if I'm an adult who isn't in the closet (and even if I am in the closet, plausible deniability is higher than it was pre-2010 or so!), I can go see a gay movie. I can go buy a gay book. There are members of the community, like kids/teens or people in unsafe situations that might not have that freedom, but at the very least, finding the gay media isn't the hard part for anyone. Heated Rivalry is one of the biggest TV shows of the year (and the books that it's based off have since seen a huge jump in popularity, too), queer romantasy is flourishing, and even classic queer media is getting revamped (pun intended) in series like the Interview With the Vampire TV series. And if, for whatever reason, none of the current professional stuff is doing it for you, Ao3 has approximately 8.4 million M/M stories and 1.7 F/F stories--which isn't the greatest ratio for the femslash fans, but is still nothing to sneeze at. And that's not even getting into the many gay podcasts and audio dramas, self-published books, comics (indie and otherwise), and other, nicher options. Long story short, if you only want to watch, read, or listen to media with prominent gay characters in it, you can establish a very healthy media diet, with everything from fun, trashy romance to acclaimed TV miniseries to weird podcasts to RPG actual plays, and everything in-between. This has very much not always been the case, so it's really cool we're here!

As an aro/ace person I... can't do that with stories about people like me. Like I really, seriously can't do that. I guess if I was content to enjoy less media, maybe, but I love stories, which I'm sure a lot of people on this website can relate to. And I love participating in fandom, too, so sometimes I do want to be into something that's big enough for me to chat about it with other people, or get more than a handful of kudos on my fanfic. So at the end of the day I don't limit myself, and that's honestly a good thing! It's great to be into things about characters who don't exactly share your identities, too.

But like. This year I've bought* exactly one book with an actual, canonically aro and/or ace character in it--the short story collection Tales From the Folly, which is a part of the Rivers of London series and features the aro/ace character Thomas Nightingale. (*I say bought, because I'm yet to actually read it--I'm sorry, Thomas!). That's it. I've enjoyed various other stories, but as far as ones with people like me go, I've gotten my hands on exactly one. And it's not for a lack of trying! There just... hasn't been much on my radar. This is a huge reason I've gotten so excited about Project Hail Mary recently--it doesn't have any canonically queer characters, and the original author definitely didn't intend to write the main character in a way that resonated with so many aro/aces. But it's a story without any canonical romance of any kind, where as a result, I can watch a fun movie and pretend for a little bit that Ryland Grace is like me. There are so few aro/ace characters that most of what we get. Playing pretend.

This is where I think some of the wires are getting crossed. When people hear someone like me say "I'm really exhausted by all the emphasis on romance and shipping in fandom," I think what some of you are hearing--because it's historically been true, and we're at a scary time in the world where it feels more and more like it's threatening to become true again--is "I want there to be fewer gay stories." When what I'm really saying is "I want there to be more aro/ace stories--or at least stories where I can pretend the main character is like me." And to even further hamper understanding, when aro and/or ace folks say we want stories about people like us and we hear other, allo queers object, what we aspecs often hear is "I think people like you aren't worth telling stories about"--even though many of you have valid reasons for liking the stories that you do, too.

I think that those of us who belong to older generations (especially millennials and above) can all probably relate to what aspecs are experiencing here on some level. There was a point in time where gay books were extremely limited, and gay characters in TV and movies were unheard of. Even as things crept in a more progressive direction, the Bury Your Gays tropes meant not everyone could enjoy the stories those characters showed up in. That was really hard for a lot of people, and I never, ever want us to go back to that. But I do think it's important to acknowledge that gay media just isn't at that point right now. Media with actual aro/ace characters in it.... kind of still is. It's different, because society is in a very different place, and also cishet people have historically demonized aromantic and asexual people with very different tropes--the heartless villain incapable of love, the cold lover that the protagonist abandons to be happy with someone else, the boring stuck-up prude, etc. And there are people, especially in the indie sphere, who are making some good stuff. But at the end of the day, I have a lot fewer choices than you do. Which is why it really hurts to get told that my headcanons and readings of canon--which are most of what I have--are actually problematic.

Anyway. None of this is groundbreaking. It's been said before, by people more eloquent and more persuasive than me, and it'll probably be said again. It just feels worth reiterating, considering some of the blowback I've been getting to expressing this sentiment. Because I really do think a lot of us want the same thing--for everyone to be able to enjoy whatever kind of stories they like most about people like them. (Without losing sight of the fact that media can be a great way to understand the experiences of people of other experiences, of course). When the scales are so unequally weighted, however, it gets really messy to talk about.

Like, you mentioned PHM as an example of a story that doesn't have romance or sex in it, not because the characters are canonically aroace but because those just weren't parts of the story, and said that it was better than nothing because you could at least pretend that the characters were aspec.

And I think a lot of allo people tend to think that an aro story is just a story that doesn't have romance in it, and an ace story is a story that doesn't have sex in it, and from that viewpoint it seems like you're advocating for taking things away from stories.

But--I'm assuming--a story with actual aro or ace representation is a story that adds something, namely a character who is canonically aro or ace. And--again, I'm assuming--it would not have to be a story about Aroace Alice and Her Aroace Struggle, although it could be that; but it could equally well be just be about Alice and reflect the ways in which being aroace affects her life an an international spy or dinosaur hunter or college professor having a midlife crisis or whatever Alice's story is about. But either way, it's not a story-without, it's a story-with.

I guess the simplest way to put it is like. A story like Ursula K le Guin's The Left Hand of Darkness doesn't exactly have trans "representation" (in that transness is a social and cultural phenomenon separate from the speculative gender system she explores in the novel), but it does nonetheless have a lot to say about gender, in a way that definitely resonates with some trans/gnc people. Specifically, it shines a light on gender in a way that is of interest to people who want to have important conversations about the topic, and that makes it important and/or interesting to many queer folks. And in the same way, stories without explicit aromantic representation can absolutely say some very important things about relationships, particularly platonic relationships, especially when they show characters choosing to prioritize and value explicitly or even implied-to-be platonic connections.

So to return to my example above, I liked Project Hail Mary in part because I felt like I could pretend the protagonist was like me. But while the movie doesn't actually have anything explicit to say about aromanticism or the experience of being aro, it does ask another really interesting question -- namely "What if you were someone who was always sort of isolated and didn't have a lot of connections, and then you made a friend (who, it should be noted, already had a bond with a romantic/reproductive partner) who cared about you so deeply that they made it clear they valued you just as much as their partner?"

That's aromantic catnip! And not just because it's sort of a fun wish fulfillment fantasy, but because it raises super important questions about who gets to be significant to you and what it looks like to have friends who also have romantic partners that still value you. And so even though it's not a story with explicit aromantic representation, it's chock full of aromantic resonances.

And this is exactly where things get snarly with fandom. Because aro and/or ace people are in a weird position where there are very, very few characters that represent us, but there are still some stories that feel important to us all the same. So we don't really get to "claim" them as ours, but it still hurts when all the fandom wants to do is to seemingly erase the themes that feel so significant to us by making those stories romantic or sexual after all. To other queer people, it looks like we're getting upset over nothing -- that's not that character's canon identity, so why do we feel like we get to lay claim to them? But what we're really struggling with is watching stories that genuinely have interesting things to say about relationships get interpreted in a way that erases that -- and especially in the absence of actual canon aromantic and asexual characters, that really hurts.

I don't know what the answer to all this is. Obviously it's not particularly kind (or feasible) to tell other queer people they're never allowed to insert queer romance into stories that don't have any. But when the ratios are so skewed in favor of the people who do want to do that, and so skewed against those of us who would rather we talk about the stories as-is, it really starts to feel like nobody cares about us, and that our narratives aren't seen as important, or valid, or even queer -- not just in fiction, but in real life, too.

Highlights include:

For your first two years (when you were small) you lived in a foster home with people who raised you into a very polite young man. Two is like you plus me, that's what two is.

Some people adopted you before me and they called you Timmy (which is a stupid name) and they returned your ass almost immediately because you were so annoying at that age.

Like think about how annoying you are right now at seven years old, but way worse.

I'm better than them though, I don't call you Timmy and I wore earplugs to bed for three years because you love to scream at bedtime. Earplugs are like when I roll over and go back to sleep even when you are yelling so so so loud.

I got you at a time in my life when I was really sick (being sick is like when I'm up late because I'm throwing up and you are a very handsome good boy who sits with me) and they had to put me asleep for a procedure. A procedure is like what happened to you when they put you asleep and took your balls away.

Long comic: “The hero I need”