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devil’s minion as Orpheus and Eurydice

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loustat laughing together. if you even care
This needs to be said.
So many people seem to be loudly subscribing to this tribalistic "us vs them" version of identity politics that has them projecting a whole lot of their own issues onto media. There's an awareness of how political TV shows are despite the fact that media literacy is at an all time low. So many people are assigning moral value onto media works and so many people have been conditioned into thinking that portrayal somehow equals endorsement.
And because portrayal equals endorsement to certain types of people, portrayal always ends up getting the short end of the stick, whether or not its endorsement. You know, censorship, moralism, fascist thinking and all that stuff.
So yeah, I expected the backlash because this is the bullshit one always has to deal with if you like your shows with a bit of complexity to them.
But it pisses me off that the Claudia seance is being cheapened into another political soundbite about how "the writers just wanted an excuse to be racist."
Do I think people are allowed to be hurt by portrayals of racism in a show? Of course I do. I've been hurt by it since I was old enough to understand what race was. I'll probably be hurt by it until the day I die. It's valid to be upset by something and never want to watch it again. There are plenty of shows I haven't finished because they were too triggering for me.
Do I think that being upset by something gives me the right to assign values onto writers I know nothing about for simply doing their jobs and telling a story? No, the fuck I don't.
Writing about racism doesn't make you racist any more than writing about murder makes you killer. And the fact that lately, so many people can't grasp that is scary to me.
You tell a story about race, you tell a story about racism. Because racism is alive and well. And even if we manage to create a post-racism society, racism will have been alive and well. They're a package deal.
I want people to be able to tell stories about race. I want every kind of depiction about race there is. The good, the bad and the messy. We've been invisible for too long.
And if you think thoughtful media portrayals of racism are just a writer's excuse to be racist and not a portrayal of issues and inequalities that can and have played out in the real world because of the systems of oppression that underpin them, you're clearly unable to separate a fictional story from your own personal baggage and I have nothing to say to you.
These terrible takes about Claudia are extra irritating to me as someone from an African country, who grew up on multiracial and multicultural shows and studied post-apartheid and postcolonial literature at university, media that had racism as a recurring theme, because the narratives, like IWTV and TVL, were about racist structures and the people who lived in them.
It's so fucking painful to realize that the majority of these would be lumped under "generic racist propaganda" on this stupid US-centric website because for some reason people think that a piece of media having racism in it makes it politically incorrect propaganda, unfit to be enjoyed, studied or consumed. Without realizing what an oppressive, imperialistic, white standard that is.
"I'm a good person who only consumes media that is 100% non-racist, non-sexist and politically correct."
Congratulations. I can't go a week without experiencing some form of oppression, from other marginalized people even, because internalized marginalization is a thing and my parents and grandparents grew up in systems where racism was valued. In fact, racism is valued to this day in certain places, but I'm overjoyed to hear that I'd get punished by Western audiences if I were to write about it. I'd be nothing without your erasure.
The scene where Claudia finally gave Louis a piece of her mind could've been a wonderful opportunity for the fandom to talk about how racism is a structural context that marginalized people cannot separate themselves from or how traumatized people can and do weaponize each others' internalized racism against each other.
It could've been a wonderful opportunity to discuss how Claudia was misrepresented because of Louis' guilt and love for her or how female characters, black women in particular, are rarely allowed to show their ugly sides in media, especially when the narrative is told through a male lens. A male lens that's been well established as someone who puts himself and the people he loves on pedestals and continues to view her through rose-colored glasses to this day.
It could've been a wonderful opportunity to talk about the myth of the perfect victim or how her being trapped in a young girl's body means people have "no idea of her strength."
It could've been a wonderful opportunity to discuss how much of that scene was Claudia finally being honest and letting out all that pent up resentment she never got to share with Louis while losing him was at stake (but now she has nothing to lose) or how much was cruel lies motivated by the pain of being ripped from her resting place, seeing Louis and Lestat there together (Louis choosing Lestat over her AGAIN) while she's stuck having to exist without Madeleine.
Some people did speak about that which is awesome. Thank you for existing.
But mostly, it became all about "My morals have been violated" (fine, don't watch it then) and "what Claudia said was inexcusable, how dare she" (you're policing a traumatized black female character, EXCUSE YOU) and "the writers are such racist and sexist meanies for no longer portraying Claudia as Louis' most special manic pixie throw pillow" (??? make it make sense ???). It mostly boiled down to the fact that Claudia was cruel to Louis out of anger.
"This isn't Claudia."
There's literally an episode titled "The Ruthless Pursuit of Blood with All a Child's Demanding". Describing Claudia. From Louis' perspective. The person who has an admittedly rosy view of her.
She's ruthless. She's bloodthirsty. She's cruel.
She's every bit as ruthless as Lestat, whose blood flows through her veins. She's every bit as bloodthirsty as the coven that took her out. That's why they had to team up in order to do it. And she's every bit as cruel as Louis, who we've seen do this type of thing to multiple characters at multiple times. Lestat taught her how to hunt, but if there's one thing Claudia would have learned from Louis, it would be being cruel to people out of anger.
Racism is one of Louis' core wounds and triggers. We see it throughout season 1. Lestat uses the racially neutral term "fledgling" to address him, and he assigns racial meaning onto it, after which Lestat never uses the term again. Claudia uses "slaves" as a buzzword to manipulate him. Daniel uses racial terminology to get him to open up in the interviews. His favorite human meal is Jim Crow racists. Every time he acts on impulse, it's triggered by someone else's racism or perceived racism. It's a core wound so it's the best way to be cruel to Louis. Claudia is a predator and she went straight for the jugular.
Did you expect her not to?
Claudia was summoned to once again assuage the guilt of the two people who were complicit in both her deaths. She was immediately confronted with the image of the two of them together again after decades of searching for and not finding her companion, Madeleine.
Before she died she literally called them out for the self-absorbed bastards that they were, the fact that they constantly used her as a pawn in their drama and the fact that her being made a vampire was never about her, but about them.
She died because Louis refused to listen to her warnings about Armand. And then Louis still stayed with Armand for years after that, the very years she was stuck in purgatory without Madeleine, showed her private diaries to everyone, because her words were published in a fucking international bestseller, read out her most vulnerable thoughts about getting assaulted to her abuser to fuel his own sanctimonious hero complex and then paid a sex worker to act like her.
Of course, she's harder on Louis and easier on Lestat. Louis was supposed to be better than this. As unfair as it is, she always held him to a higher standard. Lestat was always the scumbag she detested (and father she loved in secret) and she never let him forget that. Louis was the father she was open about loving (and scumbag she detested in secret, because she could not afford to push him away when he always had one foot out the door anyways). Louis was the person she had the most faith in and trusted not to fail and betray her. And then he went and did all that. Lestat was just acting like Lestat, but Louis broke her heart.
She is allowed to be pissed and to say whatever the fuck she wants to in order to get that message across. She is allowed to say things that she knows will hurt them, Louis in particular, whether or not those things are true. She's allowed to be in enough anguish to lash out about it where it'll hurt most. Because they'll always have each other anyways.
If your compassion for Claudia stops when she's no longer fitting your standards of behavior, then you're the one discriminating and you're the one with the damn problem. Black women (and men for that matter) should be able to show their ugly sides in media, just like white men without everybody freaking out whenever it happens. Characters should be allowed to be human beings, not paragons of virtue.
ROMEO + JULIET (1996) Costume design by Kym Barrett
Harrow the Ninth by Tamsyn Muir // Severance (2022-)

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[ID in alt text]
Romance disease 😔
codependent 🐰🦊
insta • twt • bsky
Time to Pay the Price…🚪🚪🚪
An ultimate cost is reckoned with in #UNEND S3, Episode 17 - “Journeys”, now available on YouTube and your favorite podcast platforms! 🧡
LISTEN ON YouTube ⬇️
https://bit.ly/4wsSlwm
FIND THE PODCAST ⬇️
http://bit.ly/4nfd6c2
(Art by @erewile)
HUSBANDS
Normal ship: I am an unlovable monster and you are the only one who sees past that to the tenderness I hide.
The Devil’s Minion: You might look like a beautiful innocent boy but I see past that to the freaky giant man eating insect you hide and I deeply and sincerely understand praying mantises. Please bite my head off.

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imo the most significant DM crumb in TVL, and the part we should be most excited about (and yet I think we blew past too quickly) is not the love declaration. It's not the past-DM confirmation. It's not daywalking. It's not companionship or "I'm seeing someone".
It's Daniel getting turned on that plane.
Almost everyone assumed Dubai. And Dubai lined up with spite, and revenge, and Assad's "a moment of savage madness".
Some of us really wanted that book-canon private jet turning, though we had no idea how the show was going to pull it off given the changes. Most of us doubted that they'd keep it to the private jet. We hoped, but we'd kind of left it up to fics.
But then they fucking did it.
And they made it so it happened weeks after the interview. Now there's this whole mystery surrounding it, and yeah they keep calling it murder, and Louis said spite... blah blah blah
Because that's what they want us to think.
But imo if they've given us the plane as his turning location, his BOOK CANON TURNING LOCATION, then I really think they're going to go all in, and the rest of his turning will be book accurate too.
THAT should be the DM hopecore we take away from TVL.
what if you had a cunty little bob and a fun knife collection and then your best friend died and you bring him back inside your head and somehow you become a mother and a father and a sister at once to a child who MIGHT be two of your dead friends and then you become nonbinary and find out that child is actually the soul of the earth. happened to my good friend paul.
I told Nicky that I loved him. From the first seconds I saw him in Paris. That I was drunk with his love. I was engulfed by it. Your maker would tell you I was being kind, but... In the moment, the words were true. I think.
Interview with the Vampire, 3.03 The Vampire Lestat — “Toronto”
Talk more about the issues non-binary people face, I am no longer asking.
Talk about how most of us can never legally transition because even if legal transition is an option it's typically restricted to the binary.
Talk about how even non-binary gender markers which seem like the solution actually force us into a double bind of either misgendering ourselves constantly or outing ourselves constantly.
Talk about how there is no way to "pass" as non-binary and that the only way to be stealth is to be closeted one way or the other.
Talk about how "non-binary" as a term was meant to be an umbrella term for a myriad of gender identities but was forcibly homogenized into one "third gender" by others.
Talk about how the MOGAI movement which sought to give names to the wide breadth of gender identity and experience was relentlessly mocked both by transphobes and other trans people alike, abandoned by our own communities because our identities were "too weird."
Talk about the slur "theyfab" and its misogynistic and transmisogynistic usage. Talk about how it contributes to the rampant erasure of amab non-binary people and treats all non-binary people as "whiny little wome- i mean afabs."
Talk about exorsexism. Talk about oppositional sexism. Talk about how they hurt us, how they hurt all trans people.
"The fog of vampiric love, is that a thing for you, Louis?"

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Human Lestat in THE VAMPIRE LESTAT
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