Whole Internet Catalog

Tracklist

Joe Hisaishi-Gasshou Kimi O Nosete (Castles in the Sky)

Joe Hisaishi-Gondoa No Omoide (Castles in the Sky)

Joe Hisaishi-Mei To Susuwatari (My Neighbour Totoro)

Joe Hisaishi-Totoro (My Neighbour Totoro)

Joe Hisaishi-Maigo (My Neighbour Totoro)

Joe Hisaishi-Tsukamori No Taiju (My Neighbour Totoro)

Michio Mamiya-hotaru (Grave of the fireflies)

Michio Mamiya-hotaru no haka (Grave of the fireflies)

Michio Mamiya-Setsuko to Seita ~ mein taitoru (Grave of the fireflies)

Joe Hisaishi-オソノさんのたのみ事 (Kikis Delivery Service)

Joe Hisaishi-パーティに間に合わない (Kikis Delivery Service)

Harumi Miyako-ai wa hana, kimi wa sono tane (only yesterday)

Katsu Hoshi-mein teema (only yesterday)

Katsu Hoshi-omoide poroporo (only yesterday)

Katsu Hoshi-ohanahan (only yesterday)

Joe Hisaishi-Zubunure Obake (my neighbour totoro)

Márta Sebestyén Muzsikas-FUVOM AZÉNEKEM (only yesterday)

Joe Hisaishi-Doom - Kumo No Wana (Porco Rosso)

Joe hisaishi-神秘なる絵 (kikis delivery service)

Italie Eternelle-STORNELLI (only yesterday)

Joe Hisaishi-Suraggu Keikoku No Asa (castles in the sky)

joe hisaishi-Toki Ni Wa Mukashi No Hanashi Wo (porco rosso)

joe hisaishi-Mei Ga Inai (my neighbour totoro)

joe hisaishi-Yuugure No Kaze (my neighbour totoro)

Michio Mamiya-doroppusu (grave of the fireflies)

William Onyeabor, the Nigerian musician who died in his sleep on Monday at the age of 70, was the recluse’s recluse. For someone like Sixto Rodriguez, subject of the documentary Searching for Sugarman, belated cult stardom was both a vindication and a second chance. But for Onyeabor, growing interest in the music he released during the 70s and 80s cut little ice. Requiring neither money nor attention, he declined to promote Who is William Onyeabor?, the 2013 compilation released on the Luaka Bop label. It says a great deal about his popularity with musicians that the mutating supergroup that toured in his place featured the likes of David Byrne, Damon Albarn, Blood Orange and Hot Chip. Thanks to fans like these, Onyeabor achieved the almost impossible: he experienced a successful comeback with his enigma intact, and without lifting a finger.

The uncertainty surrounding Onyeabor’s precise methods and motivations makes his music all the more fascinating. His audacious use of synthesizers, which verged on proto-techno, was without precedent in Nigeria, where such equipment was as hard to find as it was to afford. He shunned attention yet presented himself, in lyrics and on record sleeves, as a star. His records were confident, expansive and frequently political, as if he were addressing fans across the world rather than a few people in Enugu. Defying their time and place, they have no context that makes sense, except that of Onyeabor’s own peculiar imagination. At the time of his death he was more popular and influential than he had ever been but he remained to the end one of music’s most insoluble puzzles.

RIP Fantastic Man

This is your planet and its moon as seen from Mars, some 127 million miles away.

This composite image, which was released by NASA on Friday, was created using a special camera aboard the agency’s Mars Reconnaissance Orbiter, which is a spacecraft orbiting about 180 miles above the red planet. The camera is called the High Resolution Imaging Science Experiment.

A Logo for America features the words “This is not America” emblazoned across the flag and outline of the United States; Jaar thereby denounces the erroneous application of the name America to just one part of the American continent.

My Life in the Bush of Ghosts is a 1981 album by Brian Eno and David Byrne, titled after Amos Tutuola's 1954 novel of the same name.

Critic John Bush describes it as a "pioneering work for countless styles connected to electronics, ambience, and Third World music". The extensive use of sampling on the album is widely considered ground-breaking—it was one of the first to do so—but its actual influence on the sample-based music genres that later emerged continues to be debated.

Every day at 3 o'clock, Bergman would enjoy a movie in his private cinema. Before screenings started, Bergman would tell his guests "I take no responsibility whatsoever for this film – you are here at your own risk"  

Bergman's three irreverent "rules of engagement":

1. Punctuality "Everyone is familiar with Ingmar’s penchant for punctuality."

2. Continuity "Going to the movies on rainy days alone, or just watching especially interesting films, was out of the question. So was spending sunny days on the beach, or choosing to skip the more challenging films. What you needed, in short, was obsessive cinematic dedication."

The Bechdel Test, sometimes called the Mo Movie Measure is a simple test which names the following three criteria:

(1) it has to have at least two women in it,

who (2) who talk to each other,

about (3) something besides a man.

The test was popularized by Alison Bechdel's comic Dykes to Watch Out For, in a 1985 strip called The Rule.

Check the Bechdel Movie List for a complete list of movies and whether they pass or fail the Bechdel Test.

Musical Table by kyouei design

The musical table installed 504 volumes on the top plate, and there are 504 musical box movements which play only a single sound in the point of the 5-m electric line extended from there.