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Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
*a breathtakingly powerful statement even today, three quarters of a century later
Being an adult will have you unironically craving a vegetable
Being an adult will have you unironically sad about a parasite outbreak in fresh vegetables.
meows loud as fuck shattering all glass within 3 miles no survivors

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If you remember being a teenager you're a creep because you straight up saw yourself naked back then. The only way to be righteous is to obliterate your mind with drugs until you can't remember anything
“If you deny any affinity with another person or kind of person, if you declare it to be wholly different from yourself—as men have done to women, and class has done to class, and nation has done to nation—you may hate it, or deify it, but in either case you have denied its spiritual equality, and its human reality. You have made it into a thing, to which the only possible relationship is a power relationship. And thus you have fatally impoverished your own reality.” Ursula K. Le Guin "American SF and The Other" in Science-Fiction Studies 7, 1975.
it's good that I will never be a dog breeder, bc I would make the elephant dog. long borzoi snout, chunky pitbull body, ears of a papillon
why aren't we doing this?
you 🫵 you can join the breeding project.
Dogs do not show pain. There are dead in nature if they show it. One way to know if your dog is suffering. Muscels in his back are strained and his biting his teeth
actually if you look into its eyes you’ll see that my dog loves existing. it isn’t biting its teeth, it’s saying “Thank you Creator” and “Creator, I could take more. Go further.” the reason I know this is because I understand dog medicine better than you. but that’s not a reason to be embarrassed.
“Do dishes” and “take out trash” both require the use of a spell slot, vs “use phone” is a cantrip, and brother, I am a level one wizard

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Putting the term "Catholic guilt" on a high shelf where fandom can't reach it until everyone learns how to identify characters who are very very clearly coded as Protestant.
t-shirt that says ‘I’D RATHER BE DEBASING A CHASTE AND VIRTUOUS KNIGHT RIGHT NOW.’
Christians when they die and go to science instead of heaven
Spaghetti night with my wife

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you literally have to unironically listen to some shit like party rock anthem so you don’t kill yourself