Starting out Dracula season with my interpretations of the characters!
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@wendelltheiguana
Starting out Dracula season with my interpretations of the characters!

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I have a bonkers Dracula headcanon to offer all of you.
We're going to start in the realms of reasonable analysis before we get into the bonkers stuff.
So it's an established fact that standardised time - the idea that different local mean times should be synchronised to a single standard - was invented because it was needed for railway timetables. It was initially literally called railway time.
You can see this as a simple, practical adjustment that doesn't make much difference, or as a massive change in how people perceived one of the most central parts of their daily lives, the passage of time itself. Time used to be subordinate to the changing of the seasons or the rising and setting of the sun, but with industrialisation, the introduction of railway time, and the increased accessibility of artificial light, the natural world became subordinate instead.
Dracula is a novel of the medieval meeting the modern. Dracula himself exists on premodern time; his activities are governed by the rising and setting of the sun. The Crew of Light, meanwhile, exist on modern time: controlled, measured, and strongly associated with railway timetables. We can see the one giving way to the other when Jonathan observes that the trains literally run later the further east he goes, and the closer he gets to Castle Dracula.
Dracula also upsets everyone's notions of proper time. Pretty much everyone in this novel experiences disordered sleeping patterns, for instance. For various reasons they wake at night and sleep during the day. When Jonathan is in Castle Dracula, he is unable to keep his watch wound, which means he is deprived of the ability to track the passage of time in the way that he's used to.
OK. That was the reasonable bit.
Bram Stoker also messes up the dates in Dracula a lot. Today, Mina refers to "the man we saw yesterday", in events that happened two days ago. Jack loses a week in August. The dates on Van Helsing's travel and Lucy's letters are all over the place.
I suggest that none of these people make these mistakes until they, or the people close to them, come under the influence of Dracula. Mina, Lucy and Jack all get their dates right at the start of the novel. (As does Jonathan, admittedly... but we have no reference point for whether the dates he writes down in Castle Dracula are accurate). What I think is Mina's first error in recording dates happens about the day she first sees Dracula.
Coincidence? Well, yes, it is.
But wouldn't it be fun if it wasn't? If Dracula's influence was warping people's perception of the passage of time itself, so that Jack is very shaky on whether a week or a day has passed, Van Helsing loses track of when he last travelled to or from Amsterdam, and poor Lucy confidently writes entirely the wrong date on her letters? And Mina, when she compiles all of this, is fighting off Dracula in more ways than one?
And it lets Bram Stoker off the hook.
Mina Harker - a portrait for my series of Dracula characters
(and the Patreon print for this month)
I'm beginning to realize that Dracula is just as much a horror story for Dracula as it is for the others.
Made another Dracula video—this time in ✨️colour✨️
You can get a (free) pack of the frames here on my Ko-fi.
If you'd like to see more, I've another animatic that also covers the entire book here.
English subtitles done by myself and @ignitingthesky 's generous help.

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Mina's act of reversing the psychic link that was meant to dominate her and turning it into a weapon against the Count is fiendishly clever, but thematic, too. Earlier, Jonathan had asked, “Why should I not imitate him? ... Where his body has gone why may not another body go?” about scaling the walls, even though the sight of Dracula doing so had once filled him with horror. Yet, by imitating the monster's movements, Jonathan discovered the truth of his nature and found his way to freedom. Mina takes that same principle.
Jonathan imitates the monster's body; she mirrors the monster's mind.
She realizes that if he can enter her consciousness, she can enter his. What was meant as a chain becomes a channel. By asking Van Helsing to hypnotize her (Van Helsing imitating Dracula's own hypnotic powers), Mina hears what he hears, sees the darkness he sees, traces his movements across land and sea, as he meant to do to her. In his coffin, she purposely becomes one mind with the undead, "dying" each dawn and dusk.
"Why isn't Dracula using the door" he ain't opening that door ever again or his cat (Jonathan) will figure out how to slip away
But more seriously, Dracula has ever opened the door once, to let Jonathan in. And Jonathan noted right away that the door sounded like it has been not used in years.
Dracula has been crawling up and down the walls for centuries.
3-5th May - The curtain rises on a familiar play...
this is from an animatic which you can watch here (spoilers for whole book)
Actual things that happen in the 1897 Dracula novel, without context:
A character has ominous nightmares and attributes them to eating too much paprika
Dracula first appears wearing a fake beard
The person he was trying to fool with the fake beard immediately realizes Dracula and Beard Guy are the same man, due to both having really firm handshakes
We are told parrots are immortal unless fatally wounded
A Texan cowboy opens fire on a bat flitting around a window, and lodges a bullet in the wall of an occupied room
A woman is called a polyandrist for receiving blood transfusions from multiple men
An incorrectly addressed telegram leads to two deaths, multiple druggings, and several children being assaulted
Dracula, while trying to maintain a low profile, takes a lovely trip to the zoo and freaks out the animals so badly that he gets mentioned in a newspaper article
The one character who knows anything about vampires spends a good two-thirds of the book refusing to talk about vampires
Dracula went to Satan's Witchcraft Academy and somehow this is only brought up in two throwaway lines
A character gets stuck inside a circle of communion wafer crumbs
A major plot point of the book is Dracula (who was said to be a brilliant scholar and has the strength of twenty mortal men) realizing he can move boxes without human help
Someone is referred to as "manifestly a prig of the first water"
Two characters have a hobby of reading train schedules
A hospital lets a mental patient escape to see what will happen
A character starts vomiting up feathers from eating whole birds
A doctor refuses to give a medical diagnosis and instead makes a speech about growing corn
Dracula impersonates another character just by wearing the same clothes, despite being taller and visibly much older. This deception is successful.
A character "cleans" a room by eating all the insects in it
Suddenly: rats. Thousands of them.
The heroes progress in their efforts through "the wonderful power of money," i.e., bribery
Dracula has three other vampires in his castle. Their relation to him is never explained, nor are any of them named.
A character insists his salvation depends on having a pet cat
Dracula is thwarted by flowers on more than one occasion
A group of vampires stand in the hall outside a man's bedroom, talking loudly about their plans to eat him. When he comes to the door to confront them, they run away laughing
Dracula wears an unfashionable hat and gets roasted for it
A group of Romanians encounter a disheveled, shouting man and, "seeing from his violent demeanour that he was English, they [give] him a ticket for the furthest station on the way thither that the train reached."
A boat crashes due to Dracula having the munchies
A wolf is thrown through a window and immediately runs off, confused and covered in glass
Dracula makes a bed
September in Dracula

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dessins de fin d’été
snif
old stuff
Started a new vest project this week ! Test swatch + bottom section ⛪🌿
Happy to report that the vest is vesting chaps
Helloooo

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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My illustration for the poster of Paris Citypop 2026 !
I become you, Michael Seif