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one thing that absolutely murdered me reading phm was how after grace n rocky separate and head towards to their respective planets, for ages afterwards grace sets aside a brief period each day where he kills the engines on the hail mary so he can fire up the petrovascope and look back at the IR light from rocky's ship. and he does this so consistently that after the taumoeba-burrowing-through-xenonite crisis, he still knows roughly where Rocky's at and that his ship was still functional up until pretty recently, because he's been checking on him every day 😭
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“I want you to do this with me for one month. One month. Write 10 observations a week and by the end of four weeks, you will have an answer. Because when someone writes about the rustic gutter and the water pouring through it onto the muddy grass, the real pours into the room. And it’s thrilling. We’re all enlivened by it. We don’t have to find more than the rustic gutter and the muddy grass and the pouring cold water.”
— Marie Howe, Boston University’s 2016 Theopoetics Conference (via mothersofmyheart)
I ask my students every week to write 10 observations of the actual world. It’s very hard for them.
Ms. Tippett:
Really?
Ms. Howe:
They really find it hard.
Ms. Tippett:
What do you mean? What is the assignment? 10 observations of their actual world?
Ms. Howe:
Just tell me what you saw this morning like in two lines. I saw a water glass on a brown tablecloth, and the light came through it in three places. No metaphor. And to resist metaphor is very difficult because you have to actually endure the thing itself, which hurts us for some reason.
Ms. Tippett:
It does.
Ms. Howe:
It hurts us.
Ms. Tippett:
You naming something.
Ms. Howe:
We want to say, “It was like this; it was like that.” We want to look away. And to be with a glass of water or to be with anything — and then they say, “Well, there’s nothing important enough.” And that’s whole thing. It’s the point.
Ms. Howe:
It’s the this, right?
Ms. Howe:
Right, the this, whatever. And then they say, “Oh, I saw a lot of people who really want” — and, “No, no, no. No abstractions, no interpretations.” But then this amazing thing happens, Krista. The fourth week or so, they come in and clinkety, clank, clank, clank, onto the table pours all this stuff. And it so thrilling. I mean, it is thrilling. Everybody can feel it. Everyone is just like, “Wow.” The slice of apple, and then that gleam of the knife, and the sound of the trashcan closing, and the maple tree outside, and the blue jay. I mean, it almost comes clanking into the room. And it’s just amazing.
Ms. Tippett:
In some basic level, what they’ve done is just engage with their senses.
Ms. Howe:
Yeah, and have been present out of their minds and just noticing what’s around them, which is — we don’t do. And again, not to compare it to anything. They’re not allowed. And that’s very hard for them. And then on the fifth or sixth week, I say, “OK, use metaphors.” And they don’t want to. They don’t know how. They’re like, “Why would I? Why would I compare that to anything when it’s itself?” Exactly. Good question.
So then you think, why the necessity of a metaphor? Why do you have to use a metaphor now? Not just to do it to avoid it, but to do it to make it more there. And it’s very interesting.
The words and silences we live by. The rituals that sustain us. The poetry of ordinary time.
I'm scrolling Tumblr. I pause to watch a video of Amaury Guichon. He pours chocolate into a mold, then carefully removes the shape of a human head. There are time lapse clips of chocolate being formed into a body, limbs, and hair. As the final detail is finished, he steps back to reveal the figure of a beautiful woman, uncannily lifelike. He steps forward and places a delicate kiss on her lips. The figure, now a living human woman, stirs and looks around in wonder. Amaury Guichon looks into the camera with a wide smile and holds out his arms in presentation.
"Fucking chocolate guy," I mutter to myself before scrolling to the next post.
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still caring about internet friends you lost touch with years ago is so embarrassing. yeah i had a deam we met up irl recently. the last time we spoke was maybe 7-8 years ago. i still wear the laces we randomly decided was a sign of our friendship. i dont know what any of your socials are or if youre even active on any. sometimes i see someones art resemble yours and i wonder for hours. do you still go by that name you chose? whenever i see it i wonder if its you. we couldve passed each other in this vastness a thousand times and not have a clue.
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