The shamisen died down to a barely audible twang as the curtain was drawn over the stage once more, and there was a great rustling as the audience rose to their feet, beginning the arduous process of filing out through the side entrances. What would have taken mere minutes was drawn out by the fact that absolutely nobody wished to be so rude as to sidestep another patron without first bowing and apologizing for the impending intrusion; of course, when they actually reached the doorways in question, they were bidden to mill about in great multicolored clusters as samurai stepped through one at a time or in pairs-- all the better to maintain a sense of serenity and order and, most importantly, to make sure there were no accidental touchings.
One perk of Takama’s impressive height and fearsome musculature was that this intricate and wholly aggravating process was made very, very swift. As he walked his way to the stairs the gathered samurai parted like pollen in rain, shooting him pleasant smiles and gentle nods of acknowledgement. Most of them, he knew, did so just to avoid a fight in case he happened to take offense: it was unwise to take chances with a Crab, after all, who were notorious for their foul tempers and healthy appetite for violence. A few, likely the more milquetoast courtiers, got out of his way out of genuine fear. The rest moved because their peers and friends moved and they wouldn’t dare be made to seem arrogant or impolite in the presence of company.
Whatever their reason for darting out of his path, Takama paid the gathered samurai little heed, for his mind was occupied on the play. It was a faithful adaptation, to be sure, with a skilled cast of musicians and excellent facepaint that went well to capture the spirit and hidden motivations of its cast. The actors knew their roles and made their signature gestures and poses with obvious expertise. But he felt that there was something amiss, something crucial, that he couldn’t quite place. It wasn’t that the tapestry that the performance had weaved was incomplete, but rather that it had been stitched in a way that the Crab found vexing.
He’d have loved to spend the entirety of the intermission pondering the question of what it was that nagged him, but Kiya had other ideas, and made them quite apparent as they climbed the stairs. She moved from behind him, where she had previously coasted through the crowds in the hulking warrior’s wake, to his side, looking up at him with the same placid expression she’d worn since the play began.
“I will admit, Hida-san, this ‘kabuki’ is less conducive to sleep as I first thought,” she said, hands neatly folded in front of her as she descended in perfect step with him. “The gestures and inflections that they make go a long way towards making it entertaining, if comedic, and I get the impression it is not a comedic piece.”
“Far from it,” said Takama, turning his head to peer down at her as they walked out onto the landing, filing in behind a pair of topknot-toting Lions and slowly making their way step by congested step closer to the fresher air of the lobby. Packed as it was with patrons, Takama’s imposing presence was of little use-- you couldn’t step out of the way without room, after all. “Many kabuki productions are the opposite of comedic. The gestures and vocal tricks are part of the art-- like certain notes on a flute, or strokes on a canvas.”
“If you say so. I would need to see a few more productions before I make a final judgment.” Kiya’s eyes shifted, moving to the front to scan the backs of the clustered samurai, and then raking around the side to do much the same, whereupon she gave a quiet hum of dissatisfaction. “Hida-san, if you could so kindly be a dear and tell me how close we are to the exit? If we’re not going to get out of this theatre before the intermission’s over we had might as well turn around.”
It took a considerable amount of restraint for Takama to avoid snorting; he turned his gaze up and raked his eyes over the heads of the playgoers, counting the topknots and white-dyed tresses in the crowd. “I have braved crowds thrice this size and been left with ample time for food and drink. As it is, we are almost at the exit, so you have nothing to fear.”
“Wonderful,” said Kiya, glancing over her shoulder and then looking back up to the Crab. “Speaking of food and drink, we’ve an hour to spare. What local cuisines would you care to try?”
“None of them have adequate fried tofu,” sniffed Takama, leaning forward just a tad in the hopes that the samurai in front of him might move a little faster, to no avail, “or else that would be my choice. Ramen should suffice... unless your heart is set on rice balls and mild sushi.”
“My heart is set on food,” said the Unicorn, “I have no real preference of my own.”
“As I would expect.” Takama squinted ever so slightly at the door-- just six more samurai and they would be home free. “You know how the saying goes.”
“No,” Kiya chirped, deadly sweet in her tone, “I certainly do not. Please enlighten me, Hida-san, as you know, I have such sparse knowledge of such things!”
Takama fought to keep a smug grin from blossoming across his face-- he succeeded, though he saw that Kiya caught the little twitch at the corner of his lips that accompanied his great struggle. “‘If it has four legs and it isn’t a table, if it flies and it isn’t a kite, if it swims through the water and isn’t a boat, a Unicorn will eat it.’“
The Unicorn woman just laughed, loud and high and to the samurai nearby, it was a laugh that obviously dripped with venom. Takama wasn’t too concerned-- after all, a man could happily drink venom, even bathe in it, as long as he had no cuts.