Annie/Annabel. This is where I scream about the cowboy vampire movie and self promote the fics to a dead fandom. I follow back as @annabellioncourt, and my A03 is Annabel7.
NO MINORS. I'm an adult: probably older than you but not as old as this movie.
need That character absolutely delirious with fear. recoiling from everything. unable to parse what's happening around them, their mind stuck in fight or flight. shaking and hyperventilating. completely unconsolable even as they're wrapped in a crushing hug.
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there needs to be an ask game where you ask a person whether or not they think their blorbo has a particular kink and they have to answer yes/no, and why/why not.
You will never understand the mental torture of being 12 years old and having a debilitating crush on Hugo Weaving Elrond & having to lie to ur friends and say you like Legolas Orlando bloom like all the other girls so you don’t get fucking bullied
Now I’m 35 and I have a live sized cardboard Elrond who lives on my stairwell & I kiss him every time I go upstairs so anyway the moral of the story is never kill yourself
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Once i finish the gift exhange fics i do have a Very Soft one of the clan after they got fucked up:
A close call, too close, the first close call since they narrowly survived events of the movie, and they all pile into a motel room, all of them snapping at eachother, bitchy out of stress and exhaustion. Arguments arise over who gets the shower first because everyone is burned and bloody, save for Homer who ended up accidentally saving the day by having a bad mood and not being present when shit started to go down.
Diamondback, not sure how she can have such a headache while dead and rubbing her temples practically barks at them, mae goes first, then severen ["fuck it, im washin' at the sink" "ok fine, caleb next], "and jesse goes with me,"
Severen, already shirtless at the kitchenette sink and no matter how tired and shaken, he isnt too tired to mumble something about them needing to keep it down bc the kids wont want to hear that. [Even though severen knows Di and Jess enough to realize why she said that]
Its not sexy, the second the water is on and jesse has plausible deniability to claim he isn't crying, he's teared up, about to lose his mind because they almost died, *again*, and whats the point of being immortal, having damned her to this existence with him, this....shallow mockery of life if they can still die, if they can still suffer? And Di's just sunk down next to him on the shower floor because she knows he needs to express this or he'll implode, and knows he believes that the others cannot see how close he is to falling apart some nights, and regardless of her fears, of the fact she chose forever with him sure but if she said no? Would he have let her go, let her live? Or turn her anyway or simply leave her dead? Doesn't matter.
Diamondback doesn't mind, she knew what he was, always did. She doesn't see him for less for having a panic attack in the shower, if anything she's impressed he made it this far instead of having this breakdown weeks ago.
Dry off, clean misfitting clothes stolen off of lines on the way there, mismatched with their least bloody articles, and its almost cozy then, bodies warmed by hot water almost feel alive. Jesse asleep at Di's shoulder, able to imagine for a moment she's still human, and steals a nip at her neck and a few drops of blood in the middle of the day while the others sleep.
Theres a whole b-plot of severen stressing that he really needs to start looking out for everything more than he does since jesse is Not Doing Well; and another of of caleb and mae realizing that holy shit, they are NOT cut out for going it on their own like they'd been planning to try.
:) my favorite thing in fanfic (one of them anyway) is trying to come up with situations where the usually stoic character (or at least the character who wants us to think they're stoic) has a mental/emotional breakdown and ends up in tears.
sometimes you gotta wonder how much of the clan’s individual dispositions are actually part of who they are and what part did they start to make up to get over the fact that they have to spend the rest of their unlives killing people, some innocent, some not
of course their personality beforehand probably shaped how they see killing now
you go diamondback. turn the horrors into whimsy.
also I think in terms of whether or not you’re “part of us now” her jurisdiction is equaled to jesse’s.
DO YA KNOW HOW MUCH I SMILED WHEN SHE TOLD CALEB HE DID GOOD
Diamondback is the one that like.....if you take word-of-god canon??? She is the only one who was turned with consent. She chose this. She decided that forever with the stray she found on the side of the road (LITERALLY) was worth more than the lives she'd need to take, than the lives her kids might need (more word-of-god canon: she wanted kids when she was turned...so either jesse didnt know that couldnt happen, or he didnt tell her)
Like?!??!?! Okay fine the others have thair survival methods but Diamondback actively chose to become a requisite serial killer because she believed this "impossible life" was her "destiny" (to quote one of the writers).
Once i finish the gift exhange fics i do have a Very Soft one of the clan after they got fucked up:
A close call, too close, the first close call since they narrowly survived events of the movie, and they all pile into a motel room, all of them snapping at eachother, bitchy out of stress and exhaustion. Arguments arise over who gets the shower first because everyone is burned and bloody, save for Homer who ended up accidentally saving the day by having a bad mood and not being present when shit started to go down.
Diamondback, not sure how she can have such a headache while dead and rubbing her temples practically barks at them, mae goes first, then severen ["fuck it, im washin' at the sink" "ok fine, caleb next], "and jesse goes with me,"
Severen, already shirtless at the kitchenette sink and no matter how tired and shaken, he isnt too tired to mumble something about them needing to keep it down bc the kids wont want to hear that. [Even though severen knows Di and Jess enough to realize why she said that]
Its not sexy, the second the water is on and jesse has plausible deniability to claim he isn't crying, he's teared up, about to lose his mind because they almost died, *again*, and whats the point of being immortal, having damned her to this existence with him, this....shallow mockery of life if they can still die, if they can still suffer? And Di's just sunk down next to him on the shower floor because she knows he needs to express this or he'll implode, and knows he believes that the others cannot see how close he is to falling apart some nights, and regardless of her fears, of the fact she chose forever with him sure but if she said no? Would he have let her go, let her live? Or turn her anyway or simply leave her dead? Doesn't matter.
Diamondback doesn't mind, she knew what he was, always did. She doesn't see him for less for having a panic attack in the shower, if anything she's impressed he made it this far instead of having this breakdown weeks ago.
Dry off, clean misfitting clothes stolen off of lines on the way there, mismatched with their least bloody articles, and its almost cozy then, bodies warmed by hot water almost feel alive. Jesse asleep at Di's shoulder, able to imagine for a moment she's still human, and steals a nip at her neck and a few drops of blood in the middle of the day while the others sleep.
Theres a whole b-plot of severen stressing that he really needs to start looking out for everything more than he does since jesse is Not Doing Well; and another of of caleb and mae realizing that holy shit, they are NOT cut out for going it on their own like they'd been planning to try.
MORE book recs for those who watched 1987's Near Dark and said "It could be that deep" or "I love this and it would be so good if it was good."
More information and links for each below the cut.
The Country Under Heaven by Frederic S. Durbin: Weird Western, told through the eyes of a Civil War vet, (a UNION vet, believe it or not) as he travels the American west after the war, encountering common tropes of the genre applied to scenarios more commonly found in Weird Fiction than then Weird Western shoot off.
Wild Blood by Nancy A. Collins: if you thought the pack from Jones's Mongrels wasn't rough enough, or if you found the vampires in Near Dark too family oriented, Collins has the blood-thirsty, violent, sadistic werewolves you're looking for. This one might have the most triggers out of the list, Collins is like that.
Stainless by Todd Grimson: Neo-noir set in Los Angeles in the 1990s, following an ex-rockstar turned vampire's servant, and the vampire woman who bit him. Gnarly and pitch-black, a (thankfully) newly reprinted classic both in vampire fiction and gothic fiction (as in the subculture, not Gothic fiction as in Radcliff, Lewis, Wollstonecraft-Shelly, Poe, et al.)
The Vampire Tapestry by Suzy McKee Charnas: vampirism as a biological condition but at least it makes an iota of fucking sense (opposed to the insta-cure in Near Dark). Professor Weyland (I know) attempts to live and work amongst humans, his semi-sympathetic nature is one familiar to horror readers yet subtly unique.
Red Rabbit by Alex Grecian: another Weird Western, this one is technically billed as 'Folk Horror' and I can see where that comes from. A growing cast of misfit bounty hunters going after a witch who's wanted dead. Set in the midwest after the Civil War, but populated by all sorts of monsters and magic.
West of Sundown by Tim Seely : This is The League of Extraordinary Gentlemen set in the old west. It's pulpy, over the top, and unfortunately this delightful hot mess is only two collected volumes. I wouldn't trade any body parts for a third installment, because...it's not good exactly, but I enjoyed the whole experience.
Maria the Wanted by V. Castro: Yes, this is another vampire origin story, but it wastes little time in the title character realizing what she's become. Castro has become a fixture in horror in the past ten years, her work delving into cultural and generational trauma, the physical pain of grief, and using the genre to engage audiences with the realities of the violence and atrocities visited on the bodies and souls of immigrants and women.
Dead Man's Hand by Nancy A. Collins: Yes, she's here three times. Two Weird Western horror novellas and three short stories.
A Whisper of Blood edited by Ellen Datlow: technically this is two books in one and just named for one of them: Blood is Not Enough and A Whisper of Blood are the two vampire-specific horror collections by genre mainstay editor Ellen Datlow. One volume collects atypical vampire stories by a wide cast of horror and sf&f writers, the other volume does as well but specifically about vampires who consume something other than blood.
Sunglasses At Night by Nancy A. Collins: the first of the Sonja Blue series, a punk-goth classic, a crossover eventually with the TTRPG Vampire: the Masquerade, and one of the foundational works of urban fantasy. Vicious, nasty, violent, concepts that seem tired now were first introduced here. Without Sonja there's no Anita Blake, no Sookie Stackhouse, no Mercy Thompson, and no Buffy Summers.
HONORABLE MENTION:
The Postman Always Rings Twice by James Cain: okay, hear me out, here's a story with a slow start that then descends into hell with a wild ending where it feels like the criminals die because the narrative declared they couldn't live. Our killers could survive by other means, but they choose violence, they feel entitled to it. Diamondback's actress cited the story as how she envisioned her character's origins--I might write that version at some point. .
As always, these are all adult horror titles, please research any triggers. Of this lot, I own all titles, and have read all but 2.5 of them. I purposefully avoided giving personal opinions on titles because taste varies. Please support authors and independent bookstores: some of these titles are out of print, and that's what libraries are for. Authors do no make enough money to live on unless they're Stephen King, and if you ever wonder why an author you adored never wrote more, odds are they were dropped from their contract for bad sales, or else literally could not afford the time to write another book and also support themselves financially, and the industry is only getting worse.
US WRITERS MAKE MORE MONEY FROM LIBRARIES THAN WE DO FROM AMAZON, TARGET, WALMART, OR ANY BIG BOX STORE. Buy from an indie book seller, buy from any book-specific store (B&N, BAM, Waterstones, 2nd & Charles, etc), and if you can't purchase then BORROW IT FROM THE LIBRARY.
Books are not multi-million dollar movies, or tv shows that Netflix refuses to put out on physical. End rant.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
MORE book recs for those who watched 1987's Near Dark and said "It could be that deep" or "I love this and it would be so good if it was good."
More information and links for each below the cut.
The Country Under Heaven by Frederic S. Durbin: Weird Western, told through the eyes of a Civil War vet, (a UNION vet, believe it or not) as he travels the American west after the war, encountering common tropes of the genre applied to scenarios more commonly found in Weird Fiction than then Weird Western shoot off.
Wild Blood by Nancy A. Collins: if you thought the pack from Jones's Mongrels wasn't rough enough, or if you found the vampires in Near Dark too family oriented, Collins has the blood-thirsty, violent, sadistic werewolves you're looking for. This one might have the most triggers out of the list, Collins is like that.
Stainless by Todd Grimson: Neo-noir set in Los Angeles in the 1990s, following an ex-rockstar turned vampire's servant, and the vampire woman who bit him. Gnarly and pitch-black, a (thankfully) newly reprinted classic both in vampire fiction and gothic fiction (as in the subculture, not Gothic fiction as in Radcliff, Lewis, Wollstonecraft-Shelly, Poe, et al.)
The Vampire Tapestry by Suzy McKee Charnas: vampirism as a biological condition but at least it makes an iota of fucking sense (opposed to the insta-cure in Near Dark). Professor Weyland (I know) attempts to live and work amongst humans, his semi-sympathetic nature is one familiar to horror readers yet subtly unique.
Red Rabbit by Alex Grecian: another Weird Western, this one is technically billed as 'Folk Horror' and I can see where that comes from. A growing cast of misfit bounty hunters going after a witch who's wanted dead. Set in the midwest after the Civil War, but populated by all sorts of monsters and magic.
West of Sundown by Tim Seely : This is The League of Extraordinary Gentlemen set in the old west. It's pulpy, over the top, and unfortunately this delightful hot mess is only two collected volumes. I wouldn't trade any body parts for a third installment, because...it's not good exactly, but I enjoyed the whole experience.
Maria the Wanted by V. Castro: Yes, this is another vampire origin story, but it wastes little time in the title character realizing what she's become. Castro has become a fixture in horror in the past ten years, her work delving into cultural and generational trauma, the physical pain of grief, and using the genre to engage audiences with the realities of the violence and atrocities visited on the bodies and souls of immigrants and women.
Dead Man's Hand by Nancy A. Collins: Yes, she's here three times. Two Weird Western horror novellas and three short stories.
A Whisper of Blood edited by Ellen Datlow: technically this is two books in one and just named for one of them: Blood is Not Enough and A Whisper of Blood are the two vampire-specific horror collections by genre mainstay editor Ellen Datlow. One volume collects atypical vampire stories by a wide cast of horror and sf&f writers, the other volume does as well but specifically about vampires who consume something other than blood.
Sunglasses At Night by Nancy A. Collins: the first of the Sonja Blue series, a punk-goth classic, a crossover eventually with the TTRPG Vampire: the Masquerade, and one of the foundational works of urban fantasy. Vicious, nasty, violent, concepts that seem tired now were first introduced here. Without Sonja there's no Anita Blake, no Sookie Stackhouse, no Mercy Thompson, and no Buffy Summers.
HONORABLE MENTION:
The Postman Always Rings Twice by James Cain: okay, hear me out, here's a story with a slow start that then descends into hell with a wild ending where it feels like the criminals die because the narrative declared they couldn't live. Our killers could survive by other means, but they choose violence, they feel entitled to it. Diamondback's actress cited the story as how she envisioned her character's origins--I might write that version at some point. .
As always, these are all adult horror titles, please research any triggers. Of this lot, I own all titles, and have read all but 2.5 of them. I purposefully avoided giving personal opinions on titles because taste varies. Please support authors and independent bookstores: some of these titles are out of print, and that's what libraries are for. Authors do no make enough money to live on unless they're Stephen King, and if you ever wonder why an author you adored never wrote more, odds are they were dropped from their contract for bad sales, or else literally could not afford the time to write another book and also support themselves financially, and the industry is only getting worse.
US WRITERS MAKE MORE MONEY FROM LIBRARIES THAN WE DO FROM AMAZON, TARGET, WALMART, OR ANY BIG BOX STORE. Buy from an indie book seller, buy from any book-specific store (B&N, BAM, Waterstones, 2nd & Charles, etc), and if you can't purchase then BORROW IT FROM THE LIBRARY.
Books are not multi-million dollar movies, or tv shows that Netflix refuses to put out on physical. End rant.
i’ve only known these three for like two weeks but i’ve decided sev is aroace, jesse is demisexual, and diamondback got a kick out of beating up her schoolmates (or other kids in her town) when she was a little girl
Severen is always aro to me, ace or not. He (kind of) canonically (per the writer and director at least) is the only member of the family with no regrets about vampirism, the only one who doesn't see a downside to it. He is having a great time! He loves setting fires and stealing cards and eating people and putting on a show and doing stupid and/or violent things* with his friends/family!!!!
We don't know enough about jesse for me to have any kind of hard opinion but funny enough given the backstory he got in my long fic...i guess thats kind of where I went with him too? Spoiler free being he just....didnt care much? He had a family as a human and a couple women who had already been turned when he met them, maybe prey once or twice that he thought twice on but ultimately killed, then Diamondback who we canonically know was human when he met, and [per writer, director, and iirc the actors] he then turned. Fine enough on his own but has this one exception who is somehow wildly different than him but also exactly the same.
Diamondback might not have been a bully but she strikes me as having demanded not only respect, but to be the authority amongst a group and taken offense when that wasn't followed. All the boys in her class were afraid of her until they were teenagers and she was suddenly shorter than all of them. Thats when she started carrying a knife. Before the knife though she fought dirty and probably had a penchant for biting as a small child.
*severen and jesse in the pre-diamondback years wouldve been nonstop insane, the worst ideas, batshit schemes, many explosions and only some on purpose. Jackass: Vampire Edition.
NO BECAUSE I feel like you’ve added a whole lot of analysis to my ridiculous ideas every time you’ve reblogged and it’s always so cool to see where you go with this
i just kind of came up with the diamondback hc solely on her conversation with jesse on how they first met, i felt like she’s lived through dealing with a ton of men that would heckle her and just think they can push her around, with the “i saw you and knew you were trouble” line
i actually think she just helped him and let him on his way and that the only reason jesse turned her was that she coincidentally happened to be at the bar/motel/other building he decided to choose to go hunt for the night
but I can also see her carrying a knife around at a younger age. hey wait. SHE STILL DOES
Diamondback was driving alone is what always gets me. She had to be a woman who knew how to take care of herself, to be driving at night, alone, and feel secure enough in her abilities to pull over to help a stranded driver.
.....if Jesse really was stranded. It kills me that we don't know if he actually needed a ride/help with the tire or if it was a hunting strategy. I LOVE the idea that he just happened to run in to her a second time!
Yeah she has a butterfly knife and a larger one she keeps in a back holster, and possibly a third (I THINK the knife she's playing with when she introduces herself in the RV is a different one than the butterfly, and that's the one she keeps in the sheath on her wrist. Waltzing around the desert in a vintage army jacket over a back-lacing corset-style* bustier with jean harlow hair and more knives than anyone can even see.....I both want her and want to be her.
and PLEASE. like I am obsessed with their dynamic and extremely bisexual about the fact that the actors who played the characters I was bisexual about in Aliens play a married couple AND they're evil vampires but .....Nobody talks about Diamondback?
She's such a fascinating character and full of contradictions---she's a femme fatale, she's also the maternal presence in the group; she's the first to scream in fear when the sun's coming in near the end, but she's also right up against the window without goggles on**. She's a background character in a 40 year old movie written by people who aren't known for their nuanced female characters, she gets the least lines out of the vampire cast, but while so many female characters are stuck even in modern movies as "mom" "hot wife" "dead wife" "daughter" "cold badass" "eye candy", as maid or mother or crone, she was able to be her own person???? She's Homer's mom, she's a cut-throat (LITERALLY) killer, she's a no-nonsense take charge leader (again, snapping at Jesse before the motel shoot out, also threatening Caleb on the train), AND she gets to be soft and have her little date night, AND gets to be silly too, laughing with Severen as they burn the bar down. Hell, her first words in the film are ''let the good times roll'' and her last are ''fun times"--truly, here for a good time for however long that will last.
NOT TO MENTION....nobody FUCKIN' NOBODY. Not even the hijacker who threatens to assault her before (we can safely assume) the vampires ripped his face off, made one single comment about her outfit. The hijacker made a remark about her appearance (though he's meant for the viewer to see as gross***), but no one else is making a fuss over it. Hottest woman alive walking around in a corset and a leather harness/holster throwing knives and yet she still isn't treated like a "sexy lamp." She's still a character, and within the story world she's respected by her little family--Severen backs her up, and she's the only character Jesse interacts with that he doesn't give an order to.****
*the fact that she wears a back-lacing top and is sleeping with a guy who's old enough to definitely have learned how to lace up and lace down a woman's corset is [big eyes emoji]
**I don't think they did it on purpose, but looking at the damage that the vampires take, it almost looks like the longer you've been a vampire the faster the sun will kill you. Homer fucking explodes--Jesse was on fire even mostly covered (while Diamondback was nearly in full light and only smoking) the car exploded because the fire hit the gas, meanwhile Homer just did that. Then Mae presumably made it with only hers and Caleb's jackets covering her.
***I am FASCINATED by the writers' decision to make this kill seem less-bad than the others, seem like it could reasonably be seen as self defense, where we are a little less skeeved than by Homer preying on a good samaritan, Severen on the two young women, or Caleb and Mae on the truck driver who thought he was helping two kids run away from a "bad" home.
****Jesse does give Diamondback one order in the movie technically: near the end of the motel shoot out, it's something like "over here" or "under here" trying to get her under a blanket or his coat and away from the sunlight, but she ignores him. I love her.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
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