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Remedios Varo (1908-1963) — El Otro Reloj (The Other Clock) [gouache on cardboard, 1957]
I DIDN'T EVEN HAVE TO UNMUTE,
Captions:
Gaston: "Everyone knows her father's a lunatic. He was in there tonight, raving-"
Fast placed music plays as the scene changes.
Gaston: "Whoa! Slow down Maurice."
LEGEND (1985) : dir. Ridley Scott
Errol Le Cain

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me whenever i eat a crisp granny smith apple: we are cursed men miss turner
there is something perfectly intentional in the way flike managan does his adaptations. it's not like he's careless or stupid or just wants to cash in on name brand recognition. shirley jackson does not have name brand recognition, at least not among his target demographic. he's genuinely in conversation with the texts he adapts, and is making very specific choices, except these choices all live in service of redeeming the name of the nuclear biological family and making sad little tut tut noises at the big mean bigots.
sometimes if you're lucky he'll chuckle and say well yes my dear old mother is a bit racist. but really she's a loving wife so why does it matter. also people of colour are never depicted in his #1 artistic priority (loving marriages with children) but whoops don't look to closely into that!! isn't rahul kohli a smokeshow?
anyway this is why it pisses me off when people say "it's good if you watch his shows divorced from the original book!" because. well because they're still soppy, spineless, and only good for the vfx artists to flex their skills. but also it's not just an unrelated story. his adaptation work is bad because he specifically set out to remedy the paranoia of the source material with the power of church weddings and group therapy.
he has not sanded the edges off just for marketability's sake! i really believe that he has a keen and sincere artistic vision which is repelled by the disgusting shit that made henry james and shirley jackson's work so good. his work does not agree that there is violence in a caretaker's total authority. it does not tolerate ambiguity. it is obsessed with innocence and righteous suffering. incidentally, this taming of the screw makes his junk more marketable. but that's just a side effect! he is just a symptom! maybe i hate the environment that let him be successful and not the man himself! and also the monologues fucking suck.
OLD IRONSIDES!!! The oldest commissioned warship still afloat!!
"Starlight"
from howl's moving castle! <3
process and stuff on patreon
prints
"but physical media is worse quality and will break with time" I DON'T CARE! I WANT TO OWN THINGS I LIKE! I WANT SHELVES FULL OF DVDS, CDS, AND A LIBRARY!

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Hummingbird nesting on cactus, Living Desert Gardens in Palm Desert, California.
reading the collected letters of shirley jackson and this is from a letter to her agent while she was working on the haunting of hill house
The tall girls have come.
-- Ted Chiang, from "Why A.I. Isn't Going to Make Art"
I'm so glad they got Ted Chiang -- a wonderful writer of science fiction and thinker about technology, in my opinion -- to write this essay. My favorite line was this:
Generative A.I. appeals to people who think they can express themselves in a medium without actually working in that medium.
the (lumpy) boys are back in town!
shop 🗡 patreon 🗡 ko-fi 🗡 threadless

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precious adams photographed backstage during balanchine's theme and variations by isabella turolla
i’m posting this here because i’m high and it’s making me feel indescribable emotions
[VD: a tik tok captioned "I'm the DJ at your friend's Off-Broadway show cast party and I'm really bad at it." It features a person pretending to do a DJ set in their living room, coloured with blue light. The song they play is a chaotic mix of musical cast recordings from Broadway shows, modern musical films and occasional mid 2000's pop songs. It is set to a generic dubstep/pop beat. The person dances and lip syncs very energetically to the song. It is by user @/kevin t porter. /end VD]