Häxan (1922)
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Häxan (1922)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Häxan (1922)
kehlani
Bridget Riley, Dark Green and Blue with Red added, Diagonal Plane, 1979
gouache
65.5 x 91cm.; 25¾ x 35¾in
more

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“No fundo, todos temos necessidade de dizer quem somos e o que é que estamos a fazer e a necessidade de deixar algo feito, porque esta vida não é eterna e deixar coisas feitas pode ser uma forma de eternidade.”
— José Saramago
Kirby’s Drug Shame (1994 - Gameboy)
A concept: eating fresh fruit on a balcony in Greece during the golden hour with little or no clothing on, hair tied in a bun, wine in my glass, the beach close by

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“Two ways of killing ourselves: suicide or detachment. To kill by our thought everything we love: the only way to die.”
— Simone Weil (1909-1943), from “Detachment” in “Simone Weil. An Anthology”, edited and Introduced by Sian Miles (via finita–la–commedia)
at this point in time everyone, especially on social media, is obsessed with perfection. your face should be perfect, your celebrities, characters, media, your opinions, your clothes, diet, aesthetic, instagram feed- everything. it’s exhausting, toxic and inhumane. no one is perfect. and to put ppl, and things on this pedestal of flawlessness is utterly ridiculous. it’s just not how the world works.
A Bronx Tale (1993)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Who Framed Roger Rabbit (1988) dir. Robert Zemeckis.
“Ir até ao rio e ficar como um barco, entre a saudade e o mar.”
— Nuno Artur Silva, ONDE O OLHAR, ed. Indício