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Louise Bourgeois To unravel a torment you must begin somewhere letterpress color lithograph 1999

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pristinescarlett

Victorian Valentine cards, 1870-1880

mandymovie

lisa swerling’s miniature diorama for the truman show (from her glass cathedral collection)

olreid

“I also find the stern distinction between fiction and nonfiction odd. It’s not at all a natural way of splitting up narrated experience, just as we don’t go around the museum looking for fictional or nonfictional paintings. Painters know that everything is a combination of what’s observed, what’s imagined, what’s overheard, and what’s been done before. Is Monet a nonfiction painter and Ingres a fiction painter? It’s the least illuminating thing we could ask about their works.”

— Teju Cole, interviewed by Aleksandar Hemon for Bomb Magazine. (via letterful)

polkadotmotmot

Vivien McDermid - Swan Silence, 2022

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urgetocreate

Julian Cushing, Mom’s Garden, Oil on canvas, 2015

matzomeal

the power of napping

digitised-celluloid

tenderstems

various sacred hearts (damien hirst; tim tate; antique ex-voto; 19th c. french religious card; 19th c. french reliquary; repousee antique; carved wood frame c. 1890-1920; unknown painting)

videoclubs

ART MEETS CINEMA

part 1 / part 2

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gnossienne

James Baldwin in Istanbul (1966)

koredzas

Piero di Cosimo - Venus, Mars and Cupid. Detail. 1490

lovingpaintings

Felipe Santiago Gutiérrez, Indian Woman with Marigold, 1876 (details) 🎨

gwengold

worldexperience

Daphne Christoforou

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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chubachus

Hand-colored tintype portrait of three unidentified African American women, c. 1856.

Source: Harvard Library.

robert-hadley

The ex-apartment of Luca Guadagnino, in the town of Crema, Northern Italy.

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