Mighty Nein - Part 2 > Done for Critical Role and most recently featured in their 10th anniversary trading card collector's box.

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@warriorpuffin
Mighty Nein - Part 2 > Done for Critical Role and most recently featured in their 10th anniversary trading card collector's box.

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Just a bunch of useful websites
12ft â Hate paywalls? Try this site out.
My Fridge Food â No idea what to make? Tell this site what ingredients you have on hand and it will give you recipes to cook.
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via indiarosecrawford
Frog Paints a Water Lily Pond đŞˇđ¨đ¸
đâᾣ â˛áľ˘đđ âđđ đâđĄđĄâđâ
Ok, I adore the Frogs to begin with, but the sheer finesse and dedication of this one boggles my mind.
me: this is cute and precious
my brain: 45 years ago this person could've made a public access television show that ran for half a decade on the strength of this concept with the right framing device and it would've been paid for with federal arts grants and maybe even national syndication rights. now they're begging for a single minute of engagement on tiktok in the hopes that maybe someday the abstract metrics of digital media platforms will translate into a tangible career
me: yeah me: cute frog though
my brain: it is a cute frog
Mythology AU master post
Starts here
ALL
Parts
1 // 2 // 3 // 4 // 5 // 6 // 7 // 8 // 9 // 10 // 11 // 12 // 13 // 14 // 15 // 16 // 17 // 18 // 19 // 20 // 21 // 22 // 23 // 24 // 25 // 26 // 27 // 28 // 29 // 30 // 31 // 32 // 33 // 34 // 35 // 36 // 37 // 38 // 39 // 40 // 41 // 42 // 43 // 44 // 45 // 46 // 47 // 48 // 49 // 50 // 51 // 52 // 53 // 54 // 55 // 56 // 57 // 58 // 59 // 60 // 61 // 62 // 63 // 64 // 65 // 66 // 67 // 68 // 69 // 70
More:
71 // 72 // 73 // 74 // 75 // 76 // 77 // 78 // 79 // 80 // 81 // 82 // 83 // 84 // 85 // 86 // 87 // 88 // 89 // 90 // 91 // 92 // 93 // 94 // 95 // 96 // 97 // 98
99 // 100
Huntlow Lounge singer/ Bartender AU part 2 is here. Part 1 is here. Hope yâall like it. Based on soldrawâs AU. K byeÂ
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Willow made a habit of staying late. Sheâd sit in the back, reading or repairing costumes until close when she could have Hunter all to herself. Sometimes Luz stayed to close with him and the three of them would chat but Luz always found a reason to leave them alone. Despite her best efforts and her patience, Willow could never stay longer than Hunter. She longed to walk him home, see him in a setting other than behind the bar, but he always found an excuse to linger. She didnât press him about it but found it impossible to see him anywhere but work.Â
Luz said he was just shy, but Willow saw a different side of Hunter. He was hardly timid, no, he was cautious. He was thorough and prepared and determined. Beyond that he was smart and funny and dorky. He was such a dork she could hardly stand it. He was handsome, but that was obvious. He was different around her, like he was nervous and calm at the same time. She suspected his heart raced when they were near just as hers did. She had been burned before, but he didnât know that. Neither of them spoke much about their past and it wasnât because they didnât trust each other, but it was nice to have someone know the version of herself she liked the most.
 So maybe there was something in his past that made him hesitant to return her advances (they were returned, but she had to lay it on thick sometimes for him to register them as flirting).
But she really liked him, so sheâd take what she could.

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One more for a chuckle
Skintones for POC companions in Dragon Age
Whitewashing is a huge problem in every fandom, and DA is no exception. All of the characters above are whitewashed and have their skin lightened on a daily basis.Â
There is no excuse when someone whitewashes a character. Take your appropriate swatches if you must, and make sure you are staying true to the characters actual skin tone. Use these colours if youâd like - they were more meant to prove a point. You are certainly welcome to use them as a base.
Stop whitewashing POC. Stop lightening skin, stop slimming down features, and stop blaming whitewashing on lighting. You know better than that. You can do better than that.
Do not take swatches from the lightest part of the face - all the light colours shown here are meant for highlighting purposes. They are the highlights of the face, to be used to display light bouncing off the surface of oneâs skin.
Every image of the characters except Josephine was taken from the dragon age wiki site and was only altered to fit and blend with the pictures. All other graphics are mine.Â
OkayâŚso if you know me you know that whitewashing is a HUGE pet peeve of mine. And normally Iâd be all up on this post screaming âYES, THIS!â  Because I agree with a lot of points in this, mostly the â Do not take swatches from the lightest part of the face - all the light colours shown here are meant for highlighting purposes. â  howeverâŚitâs not this cut and dry. I want to make it perfectly clear that I agree with the majority of this post and while Iâm not excusing this I would like to sit down and explain why people blame this on lighting.
Skintones are HARD to replicate accurately. Especially if you havenât put a lot of study into it. Color theory takes a long time to learn and most fan artists havenât spent that kind of time trying to master it. Hell, even most professionals canât do it perfectly. Most arenât intentionally whitewashing. In fact, most are probably swatching from game stills to make sure they donât whitewash and yet they still get called out for it. Why? For several reasons. 1) Photoshop tends to desaturate swatched colors. Darker skintones are pigmented therefore usually more saturated, therefore if the artist doesnât realize this is happening they donât realize the color has changed so they donât consciously boost the saturation or shift the value. 2) Monitor discrepancy. For example my Dorian pic is significantly lighter on my pc than on my phone. Different monitor settings have a tendency to change color. Some of us like bright displays and some of us canât handle that kind of light. Mine is turned down therefore sometimes when I paint things look TOO dark when in reality theyâre not so what the artist sees on their computer and what you see on yours might be different. Digital art makes it hard to get colors perfect across the board. But lighting does factor in a great deal.
The examples shown in the post above are all shown in similar lighting, but what happens when an artist wants a non-neutral light? Maybe they want a super bright sunlight or cool toned white light. What then?
I took a few POC models in xna lara and lined them up. Notice how the skintones change. (In reality theyâd shift a little more than this because xna lara is terrible at lighting) The âflat neutralâ is the most accurate with their base textures.
Can I just point out how light Fenris actually is in comparison to everyone else? Yet people get absolutely pissed if you paint him lighter than Zevran who is actually several shades darker. Â And if I had painted Fenris ANY of the colors in any one of those pictures I would have gotten called out for whitewashing. In fact when I painted him (and as a rule in general) I took him at least two or three tones down from his actual color and boosted his saturation and still had a few comments about it.
Now, this is all relative, but Iâm just trying to illustrate why this is a complicated matter and why you can still follow all the rules and still get called out on whitewashing. The lighting and color scheme WILL completely shift color.
To better illustrate this, may I invite professor Idris Elba.
Same man, four skintone shifts. Four different lighting scenarios. Different swatches.Â
This is a problem because when finding references we think âWhich screen should I should I try to match? Well, letâs say my lighting is similar to the second picture. Okay, great, I have my reference and Iâve swatched and compensated for the discrepancy. Fantastic, but WAIT, I still get called out because heâs not as dark as he is in 3 or 4 even though he wouldnât be because my lighting isnât neutral or dark, and the ambient color is different. I think âwell fuck, I did the best I could and I matched my reference.â But the person criticizing thinks âheâs darker than that so you didnât make him dark enoughâ and while, yes, that point is valid, itâs also not applicable in this particular situation.So you do another picture, this time in darker lighting, replicated picture number 3. Another person says âheâs more the color of number 4, you made him too light and too red.â Eventually you just donât know how to approach without criticism anymore and what happens? A lot of artist then give up on learning dark skin tones. Which is the complete opposite of what we want, isnât it? Thatâs not progress.
In closingâŚwhile Iâm sure there are some people out there intentionally whitewashing and they SHOULD be fucking called out for it because I canât think of many things that piss me off more than that I absolutely have to point out that probably a ton of artists who get constant hate about this are probably just victims of lack of color theory knowledge and swatching from screens without realizing how inaccurate it can be sometimes. And that may be giving some of them too much leeway, but is that better or worst than automatically assuming the worst? This is why a lot of professionals tell you that itâs better to mix colors yourself,but can I reiterate again that SKINTONES ARE FUCKING HARD AS A BOG FISHERâS BALLS!  Most of those artists are already kicking themselves because they donât know how to do everything perfectly, tearing them down over something as complicated as this only makes them feel like absolute shit. Educate them, by all means, but make sure your information covers all, not just one aspect.This kind of thing takes years and years to learn, (I donât even know it well and Iâve been doing it for more than 10 years) itâs unrealistic to expect a set of swatches to have much effect when color and light come into play.Â
EDUCATION goes farther than CRITICISM. Please, if you have a problem with the way an artist is painting skintones educate them, donât just assume theyâre purposefully whitewashing unless you know for a fact theyâre a complete bigoty douche. I realize Iâll probably get a lot of hate for this, butâŚas an artist I canât get behind âlighting doesnât actually change anythingâ when I know for a fact that it does. Does it always change things as drastically as people paint them? No. Does it excuse turning a brown person into a white person. Fuck no. But it is not some bullshit excuse artists use to hide racism. That idea is just as dangerous a misconception as the people who purposefully whitewash and just breeds contempt across the board.
This was really cool, really thorough @mrnicholas. Thanks for this!
As a POC who is thoroughly fed up of people in this shitty fandom being bullied over supposed âwhitewashingâ that isnât even whitewashing (including, and maybe especially, other POC fanartists who get bullied over that shit) â THANK YOU SO MUCH @mrnicholas for actual sensible commentary on this issue.
(Fun fact: I myself come out vastly different skin colours in my photos, depending on the lighting. Even more so, sometimes, than Idris Elba above.)Â
OP:Â âdirectly color-pick from these dark ass photos of characters in candlelit taverns, caves, or a dark castle, or literal nighttime and do not stray from these colors everâ
An actual artist: âUh⌠no?â
TLDR: Thereâs just a difference between âthis drawing is on the lighter end of what is a reasonable spectrum for this characterâs skintone in this lightingâ and actual whitewashing.
Youâre a daycare worker, watching over toddlers, when the imminent end of the world is announced. It becomes increasingly clear none of the kidsâ parents are going to show up as the end inches nearer.
[Audio starts]
âMom has been texting me for the last twenty minutes. She wants me to come home. Itâs a four hour drive, when the roads are clear, and from what I hear everybody is trying to get somewhere right now. Thereâs no telling if Iâd even-â
âEverybody else has left. All the other kids were picked up, the other staff left. They gave me all the keys. I promised to stay and wait for as long as- well. Even if some of the parents show up, I guess some of them wonât, so Iâm just waiting. Until.â
[Clears throat.]
âA couple of people came after everybody left. Peter, one of Aidanâs fathers, gave me three hundred dollars for staying. What am I going to do with money? Itâs- anyway. I kind of get it. He wanted to give me something.â
[Audio ends]
[Audio starts]
âTheyâre all between 2 and 4.â Sniff. âTheyâre so little. Too little to really- maybe if they were older, Iâd have to tell them something. But um. Iâm just- trying to stay calm and keep them happy and occupied. I think thatâs the best thing, right now.â
[Heaving breaths.]
âI normally use this recorder to help me remember stuff. Itâs just, uh, habit to talk to it. I donât know. Theyâre napping, right now. Iâve got the baby monitor, they know that if they talk into it, Iâll come, so-â
[Sobbing.]
[Audio ends]
[Audio starts]
âMom keeps texting, so I blocked her. I sent her a text telling her goodbye, first, but. I do. But these kids need me.â
[Sniff.]
âI tried calling their parents again, but I canât get anybody. Itâs just busy signals. I called the firefighter station, 911. I canât get through to anybody.â
[Shaky breath.]
âI went out into the yard. Um, I think they can play. Itâs nice out, and you canât really see it yet. Little bit of a glimmer, if they ask Iâll just tell them itâs a plane, but itâs nice out and weâve got hours before-â
[Murmuring childâs voice, indistinguishable.]
[Audio ends]
Seguir leyendo
Tiny griffons for all of your animal companion or obscure-mob-attacking-the-party-in-the-forest needs.
Artwork by Sandara, the first piece is here and the second is here. The swarm was inspired by another piece of hers.
and as I drop my defenses, you start to crack a smile.

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New comic: A Guide to Bird Photography.
Hey guys! So I wanna share with you a project that Iâm very passionate about!
For the past two years, my friends and I have been working on the production of a short film called âLucĂa desde el espacioâ (Lucia from space) a beautiful short-film that talks about a deep-rooted issue in Mexican society: violence against women.Â
The story, however, focuses on this through a lens of pain, love, and innocence. Itâs sad and touching and a story that needs to be told.Â
Two weeks ago, after two weeks of pre-production and scrapping for every penny we could get, we finally shot the short-film. It was an amazing and exhausting experience.Â
(there was a point, when shooting a specific scene, where half the crew was moved to tears)
I am dying to share this project with you (subtitles will definitely be added) but before that, I need your help!
We only have 19 days left in our Kickstarter campaign to finance post-production. This includes sound-mixing, musicalization and inscription fees to send the film to festivals where it can be screened to a wider audience.
Any little bit you could donate would make a huge difference for us. Consider, with coin exchange rates, any dollars or euros you could donate âno matter how seemingly smallâ are a big step forward for us!
If you really canât help support the project, at least a reblog or share would be of huge help. Time is of the essence and the more people we can reach, the better.Â
Also, under the cut are some pictures of the production. We are all young, passionate and in love with this film. With your help, we can make walk the last stretch to make this story justice!
Keep reading
Well, I finally finished the whole M9 in Art/Pastiche series. I thought you might be interested in seeing the side to side with some of my inspirations. A quick rundown-
Caleb- Van Gogh Beau- Roy Lichtenstein Molly- Byzantine Mosaics Jester- Klimt Matt- Hans Holbein Yasha- 15th Century Illuminated Manuscripts/Gerard Horenbout Fjord- Adventure Pulp Covers Nott- Playing Card Design Caduceus- Mucha
In case anyone was curious- Caleb was the easiest, Jester was the hardest, Iâm most pleased with Matt, Iâm least pleased with Nott, and Molly took the longest.
Thanks for all your interest! Please feel free to shoot me any questions or comments or suggestions or cheesy jokes anytime you feel like it.
This is amazing in so many levels
(source)
Unsplash -Â photography, illustration, and art
Pixabay - same as unsplash
Pexels - stock photos and videos
Stockvault.net - stock photos
Veceezy - vectors and clipart
Getdrawings - simplistic images and drawing tutorials
Gumroad - photoshop brushes (and more)
Canva - needs login but has lots of templates
Library of Congress - historical posters and photos
NASA - you guessed it
Creative Commons - all kinds of stuff, homie
Even Adobe has some free images
There are so many ways to make moodboards, bookcovers, and icons without infringing copyright! As artists, authors, and other creatives, we need to be especially careful not to use someone elseâs work and pass it off as our own.Â
Please add on if you know any more sites for free images <3
For future reference
This moment hit me so hard I legitimately paused the stream and wrote it down before listening to the rest. Thank you Cad (and Taliesin, by proxy) for showing true faith in a D&D game âĽ
This is sooo beautiful

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
âTrial of Heartsâ Get enough hearts or else you wonât be able to survive Ganondorfâs hotness, which is also a good reminder to stay hydrated ;3Â
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my lovely patrons requested episode 69 yasha! if you too would like the chance to compel me to draw heartbreaking content, im on patreon at /ruushes đđ