Who's goin' with me, man?
I've changed venues to a hybrid of Twitter & Medium, both are linked below. Thanks.
@peterjamesbelly
https://medium.com/@PeterJamesBelly
"I'm Dorothy Gale from Kansas"
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art blog(derogatory)

❣ Chile in a Photography ❣
sheepfilms
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Product Placement
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Love Begins
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shark vs the universe
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@wanderingdiatribe
Who's goin' with me, man?
I've changed venues to a hybrid of Twitter & Medium, both are linked below. Thanks.
@peterjamesbelly
https://medium.com/@PeterJamesBelly

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Gimme Shelter dir. Albert & David Maysles and Charlotte Zwerin (1970)
—cocksucker blues might be better or more rock and roll but this is a more cogently put across story/end of the sixties fantastically captured/love the lawyer/when they watch the footage of the guy getting stabbed, mick’s face/hippies combing the hills at very end with the sun setting great expressive idea—
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These are my notes. What are yours? What are your thoughts or some aspects that you found memorable?
Eye Myth dir. Stan Brakhage (1967)
This nine second film took a year to make, wherein Brakhage painstakingly painted each image directly onto film cells creating an extremely condensed body of work of an epic size.
"In the eyes, constantly, the eyes are flaring with little... stories, little forms and shapes, some of which are quite disturbing, like the swastika... The little myth that's made up of bits and pieces of painted things onto a piece of film that’s called an Eye Myth. In other words, it’s not a word myth; myth means mouth, actually... but an Eye Myth is kind of beautifully oxymoronic". —Stan Brakhage
How to Survive a Plague dir. David France (2012)
—this was uplifting as hell/learned about from when peter staley and jim eigo came to Baruch College and was moved then as well/larry kramer breaking up the tumult at the meeting climax/events and footage that really need to be more widespread and understood/amazing how much occupy drew from ideas and organizational tools they set forth/Bob Rafsky and Spencer Cox’s deaths hurt now—
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These are my notes. What are yours? What are your thoughts or some aspects that you found memorable?
Rhythmus 21 dir. Hans Richter (1921)
This fun little silent film from Germany was one of the first abstract art films.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Hit dir. Stephen Frears (1984)
—Solid performances all around/hurt’s stoicism.../how stamp handles his capture is interestingly undermines the criminal’s motives and actions in great ways/spanish countryside/’the girl is a shitkicker with a great rack’/love when she eats hurt’s hand/scene with the austrailian in hurt’s Madrid apt/hurt get’s hunted down in a furniture store... that prosaic deth-awezome/roth is such a punk it’s great—
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These are my notes. What are yours? What are your thoughts or some aspects that you found memorable?
Meshes of the Afternoon dir. Maya Deren & Alexander Hammid (1943).
This amazing experimental film was written, directed, and acted by the husband and wife team of Maya Deren and Alexander Hammid.
J. Hoberman, formerly of The Village Voice, "This film is concerned with the interior experiences of an individual. It does not record an event which could be witnessed by other persons. Rather, it reproduces the way in which the subconscious of an individual will develop, interpret and elaborate an apparently simple and casual incident into a critical emotional experience."
if... dir. Lindsay Anderson (1968)
—saw at anthology film archives/the café scene where they first meet the girl/I love how the B&W and color change more or less indifferently while the tone or style of the film changes in a very mannered fashion/every surreal or stylized element is well done/stealing a motor cycle/school massacre is tastefully done as I’ve ever scene it, pretty amazing/the guy in the suit of armor/’you, bastards!’ old lady—
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These are my notes. What are yours? What are your thoughts or some aspects that you found memorable?
Scorpio Rising dir. Kenneth Anger (1963). This classic experimental film pits themes of the occult, biker culture, catholicism, nazism with queer overtones and all with a hot rock and roll soundtrack. In short, something for the whole family.
Hard Eight dir. Paul Thomas Anderson (1996)
—amazing debut/phillip baker hall has some great one-liners/Scorsese influence in the long tracking shots/Gwyneth is sexysexy/ Grounded in central metaphor of the ‘Hard Eight’/like the motel scene and it’s intensity and funniness/Jackson has one of his best performances here or maybe its good writing—
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These are my notes. What are yours? What are your thoughts or some aspects that you found memorable?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Freiheit dir. George Lucas (1966). Lucas' first film, made while he was a student a USC. The title is German for freedom.
Some Like It Hot dir. Billy Wilder (1959)
—Curtis and Lemmon got on better together than I had expected/wouldn’t be surprised if a queer theory thesis or two took up this film as its subject/a bit old fashioned but surprising in how far some of the drag queen stuff was taken and how risqué Marilyn was dressing/still not as good as some of wilder’s darker stuff but it zips along and is damn enjoyable comic romp/use of running gags like the blood type one are curious—
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These are my notes. What are yours? What are your thoughts or some aspects that you found memorable?
The Alphabet dir. David Lynch (1968)
Clue dir. Jonathan Lynn (1985)
—best board game to movie adaptation I think/Yvette good lord Yvette/taught and funny script that moves along at a nice pace/soup slurping/Michael McKean is particularly good here as is Tim Curry/great use of gesture to communicate comedy/multiple endings works despite being gimmicky because of source material and tone—
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These are my notes. What are yours? What are your thoughts or some aspects that you found memorable?
Emak-Bakia dir. Man Ray (1926) A "cinépoéme," this short film by avant garde old hand Man Ray is a sincere sensation.
According to Wikipedia, "When the film was first exhibited, a man in the audience stood up to complain it was giving him a headache and hurting his eyes. Another man told him to shut up, and they both started to fight. The theatre turned into a frenzy, the fighting end up out in the street, and the police were called in to stop the riot."

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Truman Show dir. Peter Weir (1998)
—(3rd time) didn’t know Peter Weir directed this one/haven’t seen since I was a kid/thought I was in for a nostalgia watch of a flawed film and ended up being much more interesting than I anticipated/morally dubious future entertainment dedicated to a gross obsession with an American fictional past/reinforcing of solipsism/interesting leaving the garden ending which is classic tragedy overcoming of moral isolationism/brings to mind how the only truly moral life is one that is more or less adaptable or exposed to a grayscale or free will based existence with the outside world/what brings the Truman experiment trouble as a utopia is it’s dedication to the aforementioned fictional past within a global world/the latter thrusts Truman into questioning the fabric of his life and its occurrences/although its topicality seems to have weened due to the decline of television and rise of the internet I think it survives as a very interesting relic given its context esp. because of how popular it was/DFW comparison—
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These are my notes. What are yours? What are your thoughts or some aspects that you found memorable?
Sam Cooke and Cassius Clay (Muhammad Ali) singing a preview of the record they did together, "The Gang's All Here." This clip was recorded in New York City on March 4, 1964 for the BBC program, "Grandstand." The interviewer is Harry Carpenter.