welcome to my interpretation of the events. feel free to grab an umbrella.
almost home
I'd rather be in outer space 🛸
🪼
Misplaced Lens Cap

⁂
Cosimo Galluzzi

Product Placement

❣ Chile in a Photography ❣
will byers stan first human second
Claire Keane
occasionally subtle

izzy's playlists!

tannertan36

Origami Around
styofa doing anything
Lint Roller? I Barely Know Her
Mike Driver
Cosmic Funnies
One Nice Bug Per Day
TVSTRANGERTHINGS

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@wahnstimmung
welcome to my interpretation of the events. feel free to grab an umbrella.

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Soseki Komori
Lee Krasner (1908–1984) [USA] — ‘Untitled’, 1965. Ink and crayon on paper (43.1 x 35.5 cm).
Over the River, Project for the Arkansas River, State of Colorado, Christo and Jeanne-Claude, 1999
ab. 1922 Evening dress by unknown maker
(Palais Galliera, musée de la Mode de la Ville de Paris)

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Michael Whelan - The Abyss
*making small talk on a date* yeah tumblr has been really into the word ontological recently
*continuing the topic despite all social cues* it’s usually as a denomination of “evil”, but there are other things that are ontological
*remembering it’s polite to ask the date questions about themself* do you have any favorite things that are ontological?
Hotel Amanauz, Dombai, Karachay-Cherkessia, Russia (Caucasus).
A late-1980s Soviet brutalist project designed with that wild honeycomb facade of modular balconies. It was planned as a huge resort hotel (~480 rooms, cinema for 630) and even had a rumored rotating base to follow the sun.
Construction halted mid-project due to foundation cracks and funding collapse as the USSR fell.
It’s stood abandoned ever since - a concrete monument to ambitious dreams that never finished.
Credit: Kerala Student

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John Stark (British, 1979) - Watermelon on a Forest Floor (2025)
John Stark (British, 1979), Watermelon on a Forest Floor, 2025. Oil on wood panel, 75 x 100 cm.
Ribwort plantain and grasses - Paula von Goeschen-Rösler
German , 1875-1941
Opaque paints on cardboard , 39.7 x 34 cm.
Kenneth Martin Composition 1949 - 1950 Oil on canvas 40.7 × 35.5 cm
Kenneth Martin (British, 1905-1984)
Max Ernst. La mer aux oiseaux. 1925/1926
Max Ernst (German, 1891-1976), La mer aux oiseaux [The Sea Birds], 1925-26. Oil on board, 49 x 33.5 cm.
Stoneware bowl in the form of a drum with three legs with kintsugi a gold lacquer repair technique originated in Japan.
China, 12th-14th century, repairs 19th century.
Unknown maker
Now housed at Museum Folkwang in Essen, Germany.
Photographer: Hans Hansen

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Lost in the Mountains by Sergey Kuznetsov
silly doodle