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I call this one "what if salmon just kept getting worse"
By Japanese artist Shunsuke Ochi
Today I learned 3D animation is a horror show outside the camera's field of view.
Just to add context, the director wanted the scene to use an 85mm lens which is slightly telephoto. Telephoto lenses give a very intimate feel because they compress the scene. Background and foreground objects can appear larger at longer focal lengths.
But that compression can also make objects look the wrong size in context with the subject depending on the framing.
This is done in live action as well using another person's hands in front of the camera.
This is also something that 3d artists do
they should do emmys for gifs
if i may:

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Gustav Klimt, The Kiss // Robert Winthrop Chanler, Leopard and Deer
Bruce and Damian
Got the adults too
28 today and 66 tomorrow... when will the madness end
mimic
Source: Delicious in Dungeon Danjon Meshi ダンジョン飯
by Ryōko Kui

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i hate that every time i look for color studies and tips to improve my art and make it more dynamic and interesting all that comes up are rudimentary explanations of the color wheel that explain it to me like im in 1st grade and just now discovering my primary colors
“red and green are opposites 🥰” cool now how do i paint a tree with pinks and blues without it looking like a child’s finger painting or incongruous blobs of rainbow vomit
ok i can’t explain it very well but im looking for tips and techniques for rendering art like
with specifically the highlights and colors being hues that compliment each other, don’t distract from the scene, and make it more interesting/visually appealing
is it too much to ask
gonna drop some sources I have saved on Pinterest! I don't know if these all link back to the original sources so apologies for that
cohesive but still contrasting
This kind of talks about color and composition
This is a bit about landscape specifically
Values & composition
Contrast in composition
Balance in colors & values
This one's more for palette building but I think it's useful and can be applied to the other ones
Cohesion within compositions/lighting
"Chromatic fringe" - I also see people using this with shading, they bring in a transition color that is a different hue than the base color or shadow, it makes it so that less vibrancy is lost and it doesn't get muddy!
This one specifically has a lot of process behind the style of painting you're looking for!
Also one of my favorite artists who makes bright and colorful art like this is Not Sorry Art on TikTok & YouTube, her website is here and it's<3 my fav. She has some videos where you can see her process
With the oranges painting you put as an example, I noticed they painted the lighter values more toward yellow - they also exaggerated the hues of the undertones of the photo, so I'm guessing they either did it in their head or bumped the saturation up to get a closer look! I really love these paintings you shared and I definitely share your desire to paint/draw like that :)
thanks this is super helpful! /gen
So what is the Appaloosa horse pattern (you know the one, with the speckled rumps) called?
Ah, I presume this is about my comments on Appaloosa being a breed not a colour? So, collectively, the spotted patterns are called 'spotted' or 'leopard complex'.
This first horse shown is a varnish roan - which is also called leopard complex. ALL spotted horses are also varnish roan - whether they look like this or like the other patterns shown below depends on their patn gene.
With varnish roan, the horse is born a solid colour and slowly gain white hairs as their grow older, i.e. roaning. Sometimes, they'll have small white spots called 'snowflakes'. Varnishing might also reveal hidden spots on their coat (like you can see over this horse's hip.) They often have mottled skin, striped hooves and wall eyes (where the white of their eye is, well, white)
Some leopard complex horses also 'bronze' - black hairs become a sort of rusty colour.
Homogeneous leopard complex (Lp/Lp) causes nightblindness - where the horse cannot see in low light conditions.
Varnish roan
Blanket on the left and snowcap on the right. Horses with a particularly large white patch might be called extended blanket/snowcap but that's subjective (I generally call them extended if the white reaches their withers (the ridge at the base of their neck, above their shoulders))
Blanket is heterozygous leopard complex (Lp/lp) with unknown patn genes (I do believe there's a theorised PATN2 which is dominant but is masked by PATN1 but my info could very well be out of date on this.) Snowflake is homozygous leopard complex (Lp/Lp), same patn genes as blanket.
Left is leopard, right is fewspot. Horses for which the white doesn't cover their head and/or legs are called near leopard/fewspot. Leopard is heterozygous Lp/lp and fewspot is homozygous, caused by PATN1.
I feel I should also add: not all Appaloosa's have spots
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so shocked was I that I could not find an existing side-by-side that the lord compelled me