Sigmar polke at Bourse, Pinault Collection
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Sigmar polke at Bourse, Pinault Collection

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Mario Sironi (Sassari 1885 - Milan 1961) - Composition with figure, rock and tree, 1953 ca.
26.8 cm x 34.1
Tempera, fat pencil and pencil on paper applied on canvas
Finarte
Pisces constellations for my 5 placements sun moon mercury venus south node
George Bellows: Splinter Beach (2013). Lithography
Henri Rousseau A Corner of the Park at Bellevue, Autumn Sunset (Un Coin du Château de Bellevue en Automne au Soleil Couchant) 1901 Oil on canvas 61.6 x 50.8 cm (24 1/4 x 20 inches) ; Frame: 80 x 69.9 x 6.4 cm (31 1/2 x 27 1/2 x 2 1/2 inches)

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After balthus
i shot myself
Fumiko Imano, 2015
huile sur lin 73 x 100 cm
2026
For all organisms, then, opposing and obliterating power is evil—it threatens to stop experience. But men are truly sorry creatures because they have made death conscious. They can see evil in anything that wounds them, causes ill health, or even deprives them of pleasure. Consciousness means too that they have to be preoccupied with evil even in the absence of any immediate danger; their lives become a meditation on evil and a planned venture for controlling it and forestalling it. The result is one of the great tragedies of human existence, what we might call the need to "fetishize" evil," to locate the threat to life in some special places where it can be placated and controlled. It is tragic precisely because it is sometimes very arbitrary: men make fantasies about evil, see it in the wrong places, and destroy themselves and others by uselessly thrashing about.
Ernest Becker, Escape from Evil
Joseph Beuys
When You Cut Your Finger, Bandage the Knife, 1962

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Polar bear weighed down with by its whipped cream chargers
4 captive demons
Enrique Martínez Celaya
John Minton (British, 1917-1957), Spencer Churchill, 1952. Oil on canvas, 36 x 28 in.
Spencer Churchill (1929-2023) was a British bodybuilder and wrestler
Clemens Gröszer

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Jannis Kounellis Il Fiore, 1960s
Natee Utarit (Thai, b. 1970), Last Description of The Old Romantic. 2006. Oil and wood stain on canvas, 60 x 50 cm.