I made it through the year!!
Art vs. artist 2025

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@vonnebenan
I made it through the year!!
Art vs. artist 2025

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going insane about haymitch the rebellion’s sacrificial lamb. they saw a kid honor the dead and make a mockery of snow in a public setting and knew he’d earned himself a death sentence. so they recruit him. ask him to do something that will only increase the target on his back. maybe it’s heartless but it’s for the greater good. they can achieve their aims of rebellion and let him make his death mean something in the process. it’s the best they can make of an unbearable situation
but then it doesn’t work. the arena doesn’t break and haymitch doesn’t die and the world and the games go on. and the personal consequences are dire.
fast forward twenty four years and now haymitch is the adult and he’s got the same kind of teenager on his hands and the same heartless choices in his lap. how much do you think it killed him to feed her to the same machine, when he knows intimately exactly how high the cost of failure can be?
Mein kleiner Bruder kauft ein Haus. Währenddessen in meinem Leben: Ich prelle mir den Fuß, weil ich mich aus Langeweile zu schnell mit dem Bürostuhl drehe und gegen die Tür knalle.
they were never going to be free to love each other
I think part of why the S3 ending works for me, despite how painful it is, is that Aziraphale and Crowley never actually had free will in the original universe.
Not really.
We, as the audience, experienced their relationship through a very human lens, so we kept imagining they could eventually just “run away together” and finally be happy as an angel and demon. But the finale reveals something much darker: their entire existence existed inside an authored system.
God admits She kept putting them together because their love amused Her. Crowley was “given” to Aziraphale. Their meetings across history were not random. Their longing was observed, nudged, cultivated, but never actually allowed to fully resolve.
That’s horrific.
Not because their love wasn’t real. Their love was probably the most real thing in the universe. But the framework surrounding it was fundamentally manipulative.
They were never safe. Never free. Never truly allowed to choose each other completely.
Which is why the ending ultimately requires a new universe.
Not because Aziraphale and Crowley “failed” to make it work. Because the original cosmology itself was abusive.
The tragedy is not that they loved each other and lost. The tragedy is that they finally realized the game itself was rigged.
And once they understood that, there was no ethical way to continue existing inside it.
Uhura

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we're going home
watercolour + coloured pencils
something about santos having a history of self harm but having enough self preservation skills to get herself someone to spend the evening with. something about her knowing she might hurt herself if she's alone so she invites someone with her. something about santos making friends when she's had the worst day ever because that's when she needs it most. something about santos making both whitaker and mel feel less alone without realising it. something about her caring for others when she doesn't have the energy to care for herself anymore
Ok yeah I'm unilaterally deciding to think that the reason they were not in the Book of Life and they kept existing after everything else was un-existed is that their pages had been hidden in the bookshop by the only other person besides them who knew the bookshop and all its books - and who knew how petty and cruel Heaven could be: Gabriel.
My HC is that right before going wherever they were going, Gabriel and Beelzebub made a quick stop in Heaven to take Aziraphale's and Crowley's pages and left them in the bookshop, "where would you hide a paperclip" style, as a way of thanking them for protecting Jim during s2.
At this point I feel justified to fill any plot hole with any explanation.
The fact that, after that blow up, Whitaker still went out of his way to defend Langdon in this conversation, when the only other person he did that for was Trinity, is really meaningful
in honor of may the 4th, thought i'd post one of my favorite pieces i've ever made! padmé amidala, drawn in colored pencils. summer 2019.

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I’m thinking a lot about Crowley and (un)conditional love, and I have this whole meta post in drafts with solid examples and everything but– I just need Aziraphale to notice that Crowley thinks he has to earn love, that it’s transactional. Crowley’s love language is acts of service, but he does it because he thinks that’s how love works: he Fell, he’s unworthy by definition, he has to make up the slack. God’s love is conditional, and he’s lost it, and if his creator’s love is conditional then so must everything else be.
And I just need Aziraphale to see that and say, oh, my dear, that’s not true, that’s not how this works, I’m not counting points or keeping score, there are no conditions, you don’t have to do anything, you are, and that’s enough. You exist, and you are worthy, and I love you without reservation, and take Crowley’s face in his hands and pour love into him in a way that no one but an angel can.
Adrian is happy happy happy about the new addition to the family.
(the original quote is from b99, of course; i'm sure this has been done before, but who cares. full picture below the cut)
is it just me or have people really stopped writing tags under art reblogs
WE'RE ON TUMBLR! BLEED YOUR HEART OUT!
it's been too long since i last drew him
i still love him <3
Grace, how much astrophage you need, question? Two million kilograms. I can give. I go home six years slower. Rocky watched crew die. Could not fix. Grace say Grace will die. Rocky fix.

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Reposting and hoping for more notes.
Please contact me via inbox I will do commissions.
This is traditional painting of McCoy done in acrylics.