O thou of eyes that have the colour of smoke, I bow to thee.

Japanese matchbox label

Acrylic on canvas , 61 x 76 cm.

Franz Von Stuck (1863-1928), ‘Salomé’, ''Meister der farbe'', #2, 1922 Source

“The Garden Room” by Nitin Barchha & Disney Davis: A Curved Oasis in Mumbai 🌿

Bouzov Castle in Moravia, Czech Republic

HALLOWEEN MARATHON 2024 ↳ day 23 🎃 THE LOST BOYS (1987) | dir. joel schumacher

I think as activists, we sometimes need to stop and ask ourselves whether we're acting like those missionaries. I think this type of behavior is a little more ingrained into our society than some of us realize, and some of us have internalized it without realizing what it's actually meant to do.

– Rebecca Solnit, Hope in the Dark

(by Shinichiro Saka)

Pieter Bruegel the Elder - Dulle Griet. Detail. 1561

Reinhard Gorner - Alte Nationalgalerie, Berlin

Scott Radke - Hands

text: [ “Some of you have forgotten that only three years ago you were perfectly capable of writing an essay, writing a eulogy, telling a bedtime story to a child, and it should worry you that powerful companies have convinced us we can’t do things we’ve been doing for 5000 years.” ]

AI companies are heavily invested in making themselves relevant. They want people to believe they can't do the things they have done unaided before and to make them become reliant on the AI models, so the AI models' existence is artificially justified.

The Mask | 1961 | dir. Julian Roffman

Ange de Carbone by Cahetel Rosier