Millipede, Woodlouse/Isopod (?), Silkworm & Slug
Cambridge University Library, MS Kk.4.25 c. 1230, folio 98v.

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Millipede, Woodlouse/Isopod (?), Silkworm & Slug
Cambridge University Library, MS Kk.4.25 c. 1230, folio 98v.

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Tiny creature writing things, Switzerland, 16th century
C. 1550
Parchment holes in manuscript repaired using embroidery circa 1417, currently in University Library Uppsala, Sweden
What wait WHAT
I love seeing parchment / vellum mended with stitching! Here are some more.
Anthony van Dyck, Man in Armor, undated. 40.5 x 24 cm.

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Leech
Bibliotheque Municipale de Valenciennes, MS 320 [Liber de natura rerum], folio 147v.
Paul Klee
The Goldfish (1925)
Georges Joubin - Jessy and her little one (1925)
Helpless (2012)
i do think we should normalise being like. platonically enamoured with someone. perhaps i love and admire you dearly and there's nothing romantic about it

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a week of getting caught in downpours
This article examines the Gerona Beatus by Ende, the first female illuminator recorded in Spain, and manuscript illumination in medieval art
"As far as we know, Ende was a Spanish illustrator who lived in the late 10th century and is regarded as the first female European artist to be recorded. She spent a portion of her life at San Salvador de Tábara Monastery in Tábara, Kingdom of León in Medieval Spain. According to the research of John Williams, one of the most eminent experts in Spanish medieval art, Ende may not have been a nun but rather belonged to a group of noble women from León who, during those years, rejected both convent life and instead managed their wealth and in a sense decided to go their way.
The Tabara scriptorium, which generated some of the Spanish Middle Ages’ most significant codices, was a cultural lighthouse at the time. Ende felt tremendously at ease working and living at Tábara Monastery, according to her illuminated manuscripts. Above all, it brought Ende closer to the dominant cultural movement of the day, recognizing the need to preserve sacred passages and everlasting images, working for her faith and herself."
Forde Abbey Gardens, 2019
Sandhill Cranes in the fog
Rocks of Ladakh, 1932, Nicholas Roerich

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