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$LAYYYTER
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@virtualtyrant69
NON-freaks dni. This is a freaks only zone

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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oh yeah, you're daddy's little bunny, right? you like chewing on some lettuce? you like fuckin' chomping on some of daddy's lettuce? it's romaine, you know i don't buy that scrub iceberg shit. it's good romaine lettuce for my bunny. i get that organic shit, you know that, bunny. now get down here and suck on daddy's clit
Happy Pride
resurrected dead wife watching her own montage: wow I looked so hot in that
āyou could have been more selfish, asshole.ā
au where years have passed and colt never got answers about why ryland abandoned him to play hero for everyone else - when colt needed his brother the most.

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I'm a twin
humiliating to be attracted to a conventionally attractive person. I thought I was a more sensitive and refined pervert than this
Will no one rid me of this turbulent Filoni?
Hey there!
The yaoi du jour

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my contribution to the bloodymary fandom
yes i made a tumblr account just for this
Blood in the sea.
teamwork makes the dream work
now that i've graduated i can say that my professor was a contestant on rupaul's drag race
someone made a website where you can declare your favorite pokemon & why. let's all see if every pokemon is someone's favorite... Together

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Any ship can be problematic if you just give me a second-
This is a comment someone appended to a photo of two men apparently having sex in a very fancy room, but itās also kind of an amazing two-line poem? āHis Wife has filled his house with chintzā is a really elegant and beautiful counterbalancing of h, f, and s sounds, and āchintzā is a perfect word choice hereāsonically pleasing and good at evoking nouveau riche tackiness. And then āto keep it real I fuck him on the floorā collapses that whole mood with short percussive soundsābut itās still a perfect iambic pentameter line, robust and a lovely obscene contrast with the chintz in the first line. Well done, tumblr user jjbang8
I hate that my aesthetic sense agrees with this but everything you just said was correct
I went back to dig up this post because I was thinking about poetry.
This is one of those non-poem things that are among my favorite poems.
As the OP stated, the use of alliterative consonants is aesthetically just great, especially the placement of the strongest use at the end: āfuck him on the floor.ā The use of āchintzā is indeed great word choice.
Because Iām insane, decided to scan the poem:
Not only is the second sentence, indeed, perfect iambic pentameter, the entire poem is perfectly metered, though the first sentence has four iambs rather than five.
There are further things I love about this poem, though: I like the casual connotations of ākeep it realā juxtaposed with āchintz.ā It causes me to interpret the āchintzā more strongly as meaning something fake, a facade. There is also of course the coarseness of āfuck,ā which is a contrast with āchintzā but a different kind of contrast, gutsy and carnal where āchintzā is flimsy and inanimate.
And then there is the storytelling: there is SO MUCH storytelling in just these two lines. To break it down: The speaker is having sex with a married man, in the house he shares with his wife, which is āfilled with chintzāāsomething that here connotes fakeness, in contrast with ākeep it real.ā
The illicit encounter in the poem takes place within a house filled with facade, the flimsy construction of the wifeās marriage and domestic sphere, but the encounter itself is a taste of something āreal.ā Thatās a story, and itās just two lines.
This is EIGHTEEN SYLLABLES, yāall. The amount of meaning condensed into these eighteen syllables is stunning, and it is so elegantly done.
From a technical standpoint (and ive taken 300- and 400-level poetry classes so I can say this) this is damn near flawless as a poem.
Kept thinking about this ever since I saw it and had to do something
there's art now
Ah dang to go further; the floor is framed as a refuge. As if there is literally no other space in this house that hasn't been populated by his wife with flimsy inanimate fakery. There is no space for this man in this house save for the floor. There is no space for him on the sofa, oon the counter tops, and most notably, no space for him in the marital bed.
Iād also like to point out the use of the word āhas.ā The wife has filled the house with chintz. She isnāt filling the house with chintz. She doesnāt fill the house with chintz. She has filled the house with chintz. Use of the past-tense makes the wife a subtly removed element in the story, someone whose presence we see in the environment, but who is blissfully distant during the actors throes of passion. There is an element of physical as well as emotional separation from the wife that is catalyzed by being fucked on the floor. Use of the past tense is an end to the wife presence in the actors life, a carnal catharsis amid cold fragility and emotional distance.
This is my new favourite post in the world
everyone cheer for the one (1) time tumblr had reading comprehension
And, predictably, it's because it was about gay sex