RMH
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almost home
Aqua Utopia｜海の底で記憶を紡ぐ
NASA
gracie abrams
YOU ARE THE REASON
I'd rather be in outer space 🛸
Keni
Monterey Bay Aquarium
art blog(derogatory)
$LAYYYTER
d e v o n
titsay
ojovivo
we're not kids anymore.
Jules of Nature
Sade Olutola
if i look back, i am lost
seen from Portugal
seen from Chile
seen from Uzbekistan
seen from Brazil
seen from Iraq
seen from Russia
seen from Argentina
seen from Senegal
seen from Vietnam
seen from Australia
seen from Bangladesh
seen from United States
seen from United States
seen from Serbia
seen from Saudi Arabia
seen from United States
seen from France
seen from Bangladesh
seen from Japan
seen from Ecuador
@villainies
@contrabends
“hey.” tess is good in that tess is professional, and does what she does. smugglers aren’t usually the kinds of people that yeon-soo would ever think of as trustworthy, but maybe tess is as close to that as anyone can get. reliability, maybe, is the more accurate term. “... i’ve got a request. i can pay, and it shouldn’t be that difficult. you can always tell me otherwise.”
mutual respect. i trust you to not completely fuck me over.
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@inheritable
it takes yeon-soo a moment to finally lower the gun. she takes a breath, the sound loud in her ears, and almost seems to tilt back into motion. some of these people are ones she can identify. but half of them are not, including the only guy who didn’t have a weapon on him.
what the hell is even going on here? he doesn’t look like the type to end up with this kind of attention.
she looks him over, grip still tight on the gun. “you okay? or -- i don’t know, intact?”
one liner/para starter call….. i may improvise or may come to you for plotting
How could you do this to me? I have that privilege, because I made you.
@inheritable : i trust you completely.
yeon-soo watches damien for a long moment. things are quiet. the television is playing the daily news, a hum of noise in the background. it’s nice in that it pulls some of the quiet away from the statement. if it was said in dead silence she might recoil and pull back. might wait for part of her to settle again, something about to strike back inside of her. trust is something you build. trust is something other people can break, and they’ve done it to her again and again. she has trusted people, and they have found ways to hurt her. most of those wounds are still entirely raw. barely covered by the veneer that she puts on in the day to day, but that’s not something he needs to know about.
the fact is that whoever’s hunting her happened to run into whoever’s hunting him, and now they’ve collided in the same way her and him have collided. this is the situation as it stands. so how does that generate trust?
in conflict. in the resolution of conflict.
damien looks genuine. it’s easy to look genuine if you know what you’re doing, but there’s a sense of near-shame whenever he brings up the whole reason people are after him to begin with. as if he’s about to apologize for some religious conspiracy theory. yeon-soo has never been one for religion or the esoteric. there is what happens. there is what she can do with her own two hands. that’s all.
“… thank you,” she says, when she’s sure the silence has gone too long. when the near-discomfort is there, hovering at the edge of the conversation. “i think.” her weight has tilted forward, arm leaning on her knee. it is the illusion of being casual about things, as if this isn’t some kind of important statement at all. as if it’s something she hears every day, or even every week. in reality, she doesn’t remember the last time someone put their trust in her like this — at least, someone who wasn’t her daughter. children trust their parents instinctually. between grown people it isn’t like that. there is always the pretense of possible hurt. the shadow lurking in the background.
when you put together a gun, the only thing that can betray you is your own hands. if the mechanism fails, you can eject a round in seconds and fire again. people can do anything without giving you even a little bit of care. they can take you apart before you even know it.
would he do that? maybe not. maybe he would. either way, she’s well past the point of deciding whether or not to take that risk; the risk is taken. the consequences unfold now, one way or another.
“i don’t think i’ve ever been called trustworthy before,” yeon-soo admits after a moment. perhaps that’s sad to say. she wouldn’t really know. “or not in years. trust isn’t — trust is for other people. but still, thank you.”
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
PRE - ESTABLISHED RELATIONSHIP MEME .
send a ♡ and i’ll fill this out for our muses ! i’ll bold what i want for their relationship, italic what i could see and strike out what i don’t .
FRIENDS. childhood friends / work friends / family friends / recently friends / turning antagonistic / turning into something romantic / stable / falling apart / friendship of need / friendship of circumstance pen - pals or internet friends / coworkers / partners / other .
ROMANCE. childhood sweethearts / newly entered / soulmates / skinny love / unrequited from my muses side / unrequited from your muses side / friends with benefits / awkward / fading / turning toxic / toxic and destructive / other .
FAMILIAL BOND. sibling bond / older sibling figure to your muse / younger sibling figure to your muse / parental figure to your muse / parental figure to your muse / guardian figure / legal guardian / other .
ENEMIES. dangerous to themselves / dangerous to others / unpredictable / passionate / rivals / petty / developing into a sexual tension / developing into a romantic tension / based off family matters / based of circumstance / based of professional matters / based of misunderstandings or lies / other .
𝐀 𝐒𝐓𝐀𝐑 . . maybe you are . 𝐀 𝐒𝐓𝐀𝐑 . maybe you are new madonna . 𝙸𝚂 𝚃𝙷𝙸𝚂 𝚃𝙷𝙴 𝙾𝙽𝙻𝚈 𝚆𝙰𝚈 , you make it like a 𝑁𝐸𝑊 𝑀𝐴𝐷𝑂𝑁𝑁𝐴 .
#GOLDONNA: a private & mutuals only eldritch horror original character based on original canon . worshiped by maverick .
need to make a promo today too but i might have to screencap the film myself alas
also if first person filming doesn’t make you nauseous here is the opening action scene of the villainess, aka hell yeah you love to see it
need to make a promo today too but i might have to screencap the film myself alas
one liner/para starter call..... i may improvise or may come to you for plotting
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
fuck it plotting call
post-film is absolutely yeon-soo avenges her daughter, goes to jail, gets out (oh, such Good Behavior), and immediately has the vibes of the sympathy for lady vengeance scene where they’re like here’s this tofu so you can live pure and she just knocks it out of their hand and goes ‘go fuck yourself’ and goes to cause More Problems (On Purpose This Time)
Sympathy for Lady Vengeance (2005) Dir. Park Chan-wook
my year of meats.
dialogue prompts from my year of meats by ruth ozeki.
positive thinking leads to positive action, which leads to success.
you don’t want anyone to find you here.
is it what you’d imagined?
you have a bad attitude.
i trust you completely.
why are you so shy?
i know your secret.
i don’t know much about families at all.
you always only do what you want.
it’s my job to be sure about things.
thanks. for telling me.
you are what you eat, right?
this isn’t late night tv, you know.
i’m in jail. i’ll tell you about it sometime.
i’m sorry, too, for what it’s worth.
we should take a break. not see each other.
that much desire is hard to erase.
i will always support you.
it’s good to see you having fun.
don’t sulk.
collect calls from prison sort of make me nervous.
you wanna talk? you wanna fuck?
maybe it’s so, but that doesn’t make it right.
you’re blaming yourself, but it’s not your fault.
it’s hard to make things stop, once they’ve gotten going.
i’ve never made a single decision in my life.
say something. please.
just keep me in mind.
there must be a knack to luck.
you could come stay with me for a while.
i’ve been trained to know a secret when i see it.
secrets are like ghosts. like giving with ghosts.
you’re not at all what i expected.
not saying something makes it hang around in the air.
you’re sorry. just say you’re sorry.
it’s too late for apologies.
you said you’d come back and you did.
maybe sometimes you have to make things up to tell truths.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
❧ 𝐉𝐎𝐇𝐍 𝐖𝐈𝐂𝐊 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.
FEEL FREE TO CHANGE PRONOUNS, WORDING, ETC. TO SUIT YOUR NEEDS
❛ I heard you struck my son. ❜
❛ people keep asking if I’m back and I haven’t really had an answer. ❜
❛ so you can either hand over your son or you can die screaming alongside him! ❜
❛ it’s who you did it to. ❜
❛ who? that fucking nobody? ❜
❛ father, I can make this right. ❜
❛ you’ve lost weight. ❜
❛ are you here on business, sir? ❜
❛ I’ll leave you be then. ❜
❛ do I look civilized to you? ❜
❛ they know you’re coming. ❜
❛ your membership to the continental has been, by thine own hand, revoked. ❜
❛ everything’s got a price. ❜
❛ it’s okay. let’s go home. ❜
❛ now, as I recall, weren’t you the one tasked to dole out the beatings, not to receive them? ❜
❛ I’m retired. ❜
❛ you look terrible. ❜
❛ people don’t change. You know that. ❜
❛ you look good. ❜
❛ beautiful car. ❜
❛ she’s not for sale. ❜
❛ not this bitch. ❜
❛ be seeing you. ❜
❛ how long has it been? ❜
❛ so tell me, how was life on the other side? ❜
❛ I’d like to talk with him. ❜
❛ no, I’ve got that covered. ❜
❛ they sure as fuck broke the mold with you. ❜
❛ I thought I’d let myself in. ❜
❛ that’s unwise, I assure you. ❜
❛ you were always a pussy. ❜
❛ you stole my car, and you killed my dog! ❜
❛ housekeeping will find you. ❜
❛ treat all your ladies like this? ❜
❛ you are no lady. trust me. ❜
❛ I was dealing with an uninvited guest. ❜
❛ are you scared of the fuckin’ boogeyman? I’m not. ❜
❛ fuck management. ❜
❛ fuck you! ❜
❛ I’m not telling you shit! ❜
❛ how may I be of service? ❜
❛ that sounds perfect. ❜
❛ how’re you holding up? ❜
❛ are you sure? ❜
book meme :// i’m thinking of ending things by iain reid ( lightly edited to fit structure; change pronouns as necessary. )
maybe this is how it was always going to end.
sometimes a thought is closer to truth, to reality, than an action. you can say anything, you can do anything, but you can’t fake a thought.
it’s one of those terrible things, but unfortunately it’s very real.
i’m scared. i feel a little crazy. i’m not lucid.
i just feel a little more on edge than i usually am.
all relationships have secrets, though, don’t you think? even in lifelong
relationships, and fifty-year marriages, there are secrets.
maybe we’re not supposed to know all the answers. questions are good. they’re better than answers.
i’ll tell you a story. a true one. one you’ve never heard.
pretty much all memory is fiction and heavily edited.
i want to understand myself and recognize how others see me. i want to be comfortable being myself.
i think what i want is for someone to know me. really know me. know me better than anyone else and maybe even me.
we get sick and better, or sick and worse. we don’t know when, or how, or why. we just carry on.
you also know things are real when they can be lost.
it didn’t have to happen this way.
i just wasn’t sure if you were all right. you were trembling.
families have quirks. all of them.
who are you scared for?
are you sure there was someone there?
vulnerability makes us lose our ability to think straight.
if i could work mostly alone, and was
still living alone, things would be easier. everything would be a little more natural.
i can’t have everything.
we’re never inside someone else’s head. we can never really know someone else’s thoughts.
there’s a perception that fear and terror and dread are fleeting. that they hit hard and fast when they do, but they don’t last. it’s not true.
when you become aware of your heart, you want it to stop beating. you need a break from the constant rhythm, a rest. we all need a rest.
there’s grace in doing the right thing, in making a human decision.
are you good? are you?
what are you waiting for?
people talk about the ability to endure. to endure anything and everything,
to keep going, to be strong. but you can do that only if you’re not alone.
what do we do when we’re always alone? when there’s no one else, ever?
it’s not that i can’t accept and acknowledge love, and empathy, not that i can’t experience it. but with whom?
i’m sorry for everything.
you can do this. you can help me now.
i think you better sit down.
