Veronica Fitzpatrick

I edited and cowrote (with the fabulous Elissa Suh AKA movie pudding) In the Mood?, a 220-page nightstand book of erotic film recommendations, for presale now from A24 Books.

Contributed a postcard for Paris, Texas (1984) for L.A. Review of the Moving Image's Interlude 0 collection.

Wrote about The Silence of the Lambs (1991) for Bright Wall/Dark Room's Jonathan Demme issue.

Wrote a new essay, “Remote Control: the Uncanny Foresight of Sliver,” for Vinegar Syndrome’s 4K release.

Wrote a new essay, "Change of Address: POV in The Tenant (1976)," for Vinegar Syndrome's 4K release.

Contributed a commentary track to Imprint's rerelease of Secretary (Steven Shainberg, 2002).

On May December (2023) for Bright Wall/Dark Room.

On Raising Cain (1992) for Nitehawk Prospect Park's 35mm screening, for Screen Slate.

NYFF61 coverage for Bright Wall/Dark Room, part two. Films: Priscilla (Sofia Coppola), L'Éte dernier (Last Summer, Catherine Breillat), Ferrari (Michael Mann).

NYFF61 coverage for Bright Wall/Dark Room, part one. Films: All of Us Strangers (Andrew Haigh), Anatomy of a Fall (Justine Triet), Strange Way of Life (Pedro Almodóvar), The Zone of Interest (Jonathan Glazer).

Introducing a new issue (Issue 14: Spell) and redesign of world picture (online open-access journal + conference). Next meeting Nov. 17-18, Berlin.

On Perdita Durango (1997) for Roxy Cinema's 35mm screenings, for Screen Slate.

On In the Cut (2003) for Downtime.

On The Game (1997) for Nitehawk Williamsburg’s 35mm screening, at Screen Slate.

My critic's ballot for the Greatest Films of All Time.

On The Hand That Rocks the Cradle (Curtis Hanson, 1992) for Nitehawk Williamsburg's 35mm screening, at Screen Slate.