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"Favorite Madonna song" is the person equivalent of counting the rings of a tree 🌲
▶️Watch the full Crowd Control episode on @dropoutdottv:
Bob, Leah, and Brennan discover that a growler is more than just a jug for beer. Content Warning: Discussion of Serial Killers - [23:05-23
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No, it’s NOT a dad making dinner for his daughter. It’s a BOYFRIEND showing his green flag husband material (especially when his girl’s been eating cheap lol)
Deal with it.
Based on Ch 3 of @theboywithburninghands TADC Royalcourt Office AU fanfic “My Boss’s Boss”. If Kinger can make a good coconut curry rice, he can definitelymake a mean Wellington!
you know what i miss in movies. sincerity. authenticity. when scripts didn't spend their time being overtly self aware, lampshading all of their mistakes, and winking at the camera. when they told stories without a sense of spectator before they even hit the screen
May December (2023) dir Todd Haynes
“I keep turning over new leaves, and spoiling them, as I used to spoil my copybooks; and I make so many beginnings there never will be an end.” ― Louisa May Alcott, Little Women
"We're just keeping it casual, right?" Garcia asks from behind closing doors, hands crossed and brows wrinkled. Because why would they not be. Except for all those moments, all those gestures and words and rumbling groans of desire Garcia has given to Trinity. All those reasons for why the Omega's wolf is gnashing as it whimpers, folding into itself in its pain.
Trinity had been careful this time. Had agreed on casual distance the way a deer on a midnight road agrees with an incoming car, then just stares at the impending crash. Just like a deer, Trinity had been too distracted with the bright lights of Garcia's eyes as they would sweep through her skin, pointedly staring like headlights as their two bodies closed on each other. Fuck. It is always the same shit with Trinity. She should have learned by now. No one would ever love her if they could not fuck her. No one, in fact, would ever love her outside of fucking her. She knew this. She is supposed to know it. Why did she let herself forget? Once again, her heart is just roadkill perched on a highway median, heart emptying as she fades.Â
"For sure," she weakly answers back. She hopes Garcia could not hear the hurt between the words. Trinity blinks away the cold numbness that returns deep in her bones as she begins moving back towards the bedlam that awaits her inside the ED. She is used to the feeling. The not-feeling rather, the detachment from her bodily experience as her surroundings fade to a restless fog. Her movement is automatic, words coming out of her mouth with a delay only she has to struggle through. Thankfully, no one seems to notice.
Teaser for an upcoming Barsantos Omegaverse fic
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- God, I can't tell if we're connecting or if I'm creating a bad memory for you in real time, but I can't help it. - No, we're connecting, Dad. It's okay. It's okay.
MAY DECEMBER (2023) dir. Todd Haynes
anyway. I think the work may december does in illustrating how a perpetrator of violence can continue to view themselves as, if not a victim, then at least a passive party in the situation is remarkable. gracie’s insistence that joe pursued her, that she was the less mature party from the start, her meltdown about the canceled cake order that joe has to not only eat but act out enjoyment of in order to calm her down, her recollection of her brothers threatening boys who might have taken interest in her in adolescence, it’s all in the service of crafting her vulnerability, displacing her agency as a grown woman onto joe both at the beginning of their relationship and in the present. she becomes effectively another child for him to take care of in addition to the kids he has been responsible for since 14. the tell is of course in the control she maintains to present the situation as entirely of his doing—she has to feed the narrative framing to joe because it sits in such obvious contrast to his reality. “who was the boss?” is a question that answers itself as she tries to force him yet again to accept the lie of his childhood agency.
Charles Melton as Joe Yoo in "May December" (2023) director: Todd Haynes
