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Sweet Seals For You, Always

Andulka

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Today's Document
let's talk about Bridgerton tea, my ask is open
trying on a metaphor

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@veurona

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Do you want to know the real reason why I came here tonight? Because I knew this was gonna be hard for you. And for the first time in a really long time, I wanted to be there for somebody. Yeah. All right. I messed up. I did. I’m sorry. And I’m gonna turn around, I’m gonna walk away. I’m gonna vanish. You’ll never see me again, I promise. But I want you to know that I think you deserve — I think you deserve more than what you’ve settled for. I do. I think you deserve to be taken care of for a change. I— I believe that.
JAMES MARSDEN as KEVIN DOYLE in 27 DRESSES (2008) dir. Anne Fletcher
Roe Deer/Capreolus capreolus/rådjur. Värmland, Sweden (3 July 2020).
You don’t have to belong everywhere (textile home)
Fight Club (1999) dir. David Fincher

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CLARA OSWALD IN EVERY EPISODE → 9.03 "Under the Lake" ↳ "Come on. We're on a roll. Monsters. Things blowing up. Okay, can we go back to that place with the people with the long necks who've been celebrating New Year's for two centuries? I left my sunglasses there. And most of my dignity."
Stoker (2013) dir. Park Chan-wook
“I love that photograph. It’s so weird - the dog, my brother jumping into the air, and Stella in a world of her own. I could look at it for ages. It’s not set up at all; it’s all about watching and timing. I bet she didn’t even change the lens to take it, just used the same old 50mm lens she always did. That’s what I mean about instinctive. There’s a faith that it will be all right and it is. She just gets it.” - Mary McCartney
In the Same Space by C. P. Cavafy
acrylic on craft wood, partially fingerpainted. natural lighting.

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A polar bear in carved bone, Inuit art, early 20th century
Artcurial
I’m gonna bury you underground.
THE BEAR — 1.02
Near Mandalay on the Irrawaddy river in Myanmar. What a contrast..

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Théodore Gudin - "Effect of light in the heart of a storm at sea" (1867)