Fight Club (1999) dir. David Fincher


Origami Around

titsay

tannertan36
Peter Solarz
Game of Thrones Daily
i don't do bad sauce passes
AnasAbdin

Love Begins
cherry valley forever

❣ Chile in a Photography ❣
NASA
todays bird
Not today Justin
we're not kids anymore.
noise dept.
DEAR READER

Andulka
Mike Driver

seen from United States

seen from United States
seen from United States

seen from Singapore
seen from Germany
seen from France
seen from Canada
seen from Canada
seen from United States
seen from Singapore
seen from Belgium

seen from Netherlands

seen from United Kingdom
seen from United States

seen from Singapore

seen from Canada

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@veurona
Fight Club (1999) dir. David Fincher

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CLARA OSWALD IN EVERY EPISODE → 9.03 "Under the Lake" ↳ "Come on. We're on a roll. Monsters. Things blowing up. Okay, can we go back to that place with the people with the long necks who've been celebrating New Year's for two centuries? I left my sunglasses there. And most of my dignity."
Stoker (2013) dir. Park Chan-wook
“I love that photograph. It’s so weird - the dog, my brother jumping into the air, and Stella in a world of her own. I could look at it for ages. It’s not set up at all; it’s all about watching and timing. I bet she didn’t even change the lens to take it, just used the same old 50mm lens she always did. That’s what I mean about instinctive. There’s a faith that it will be all right and it is. She just gets it.” - Mary McCartney
In the Same Space by C. P. Cavafy

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acrylic on craft wood, partially fingerpainted. natural lighting.
A polar bear in carved bone, Inuit art, early 20th century
Artcurial
I’m gonna bury you underground.
THE BEAR — 1.02

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Near Mandalay on the Irrawaddy river in Myanmar. What a contrast..
Théodore Gudin - "Effect of light in the heart of a storm at sea" (1867)
Frosty Morning A5 Print by LaraIllustration

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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cathedrals everywhere for those with the eyes to see
Sentimental Value (2025) dir. Joachim Trier