One Nice Bug Per Day
almost home
todays bird
Peter Solarz

@theartofmadeline

Origami Around
2025 on Tumblr: Trends That Defined the Year

JVL
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#extradirty
Alisa U Zemlji Chuda
RMH
Stranger Things

Product Placement
Cosmic Funnies

izzy's playlists!
Claire Keane
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
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@bright-eyed

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friends brought a dj to the desert
Annieo Klaas - Daydream No.7 (2025)
Oil on canvas
Material as Metaphor, Anni Albers
Updated link: Material as Metaphor (Anni Albers, 1982)
[Image ID: Text reading, "How do we choose our specific material, our means of communication? 'Accidentally.' Something speaks to us, a sound, a touch, hardness or softness, it catches us and asks us to be formed. We are finding our language, and as we go along we learn to obey their rules and their limits. We have to obey, and adjust to those demands. Ideas flow from it to us and though we feel to be the creator we are involved in a dialogue with our medium. The more subtly we are tuned to our medium, the more inventive our actions will become. Not listening to it ends in failure. (Years ago, I once asked John Cage how he had started to find his way. He will not remember it. 'By chance' was the answer.) Students worry about choosing their way. I always tell, them, 'you can go anywhere from aywhere.' /end ID.]
“For a long time I thought that the role of the artist was to shake the audience. Today I want to offer them what the world, which has become too hard, no longer gives them: moments of pure love.”
— Pina Bausch, Pina Bausch: The Biography (Oberon Books, 2017)

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a single mother who works two jobs
“The idea that you’re going to arrive at a perfect routine that will serve you forever is a fantasy. I’m a person who is drawn to routines, is drawn to ritual as a way of conjuring the emotions that I need to do my best work. But I also recognize that we have phases of life, that there’s seasonality, particularly as I deal with long-term chronic illness. I can’t necessarily depend on routine to be exactly the same for the long-term. I think I’m in a constant act of reassessment where I’m considering, okay, this is what I’ve been doing. What about this serves me? What about this is holding me back? It’s a dance between ritual and experimentation, and also a healthy element of play–because I think we have to be careful that ritual doesn’t get in the way of our capacity to play.”
— Illustrator and designer Joelle Arawjo on learning to do a lot with very little – The Creative Independent
here we are let loose in open fields
From Written on the body by Jeanette Winterson

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We loved each other like sisters when we rode the Eurasian steppe together. I held you and dried your tears beneath your father's kurgan and then you left me for the Indus river valley. All I knew to do was ride until I stopped crying. It took me all the way to central Europe and now I've buried the fathers of the Corded Ware Culture in shallow graves and the sons and daughters wear a yoke of Proto Indo-European bronze, but I know all the thralls and head of cattle in the world will never bring you back to me. My love, have you built the great city of Mahenjo-daro? Are you raising her walls higher? Are you bringing in the grain-grass harvest and digging the water-ways deeper and building magnificent crafts of bronze and gold? Will I ever see you again? Are you happy, are you healthy? My wails bring no answer, but we sleep beneath the same moon and stars and you call them by the same name, and the same sky-father horse-god smiles upon us from a world apart.
Aqrah, Iraqi Kurdistan (2016) by Safin Hamed ⍋ A shepherd and his flock on the green slopes — AFP / Getty Images
Do you have any general advice that you would give to writers working on a long project or artists working on something that takes a long time to produce, during which time passes and their feelings on the topic are subject to change?
Fortitude. Yeah, fortitude. Also, one of my good friends and mentors gave me the best advice I’ve ever gotten about this. He said, “Remember, your feelings about the work don’t determine the value of the work.” You can feel frustrated, disgusted, agitated, hopeless, every day, on and off, but you can’t necessarily believe all your moods. You just have to keep on working. Yeah, not believing in your moods. That’s a quote from Emerson, I might add. “Our moods do not believe in each other.” Which is one of my favorite quotes because when you feel despair, despair doesn’t believe in joy. And that can be very hard as a writer. If you feel like you open up your files and everything looks like shit and you’re upset, that mood is going to make you want to invalidate your whole project. You just have to get kind of Buddhist about it and recognize all that is weather.
(via Writer Maggie Nelson on working with and against constraints – The Creative Independent)
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mark doty, messiah

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“Take your time and you’ll be fine And say a prayer for people there Who live on the floor”
Not Anyone Who Says by Mary Oliver