update: they obviously didn't want to pay off the loan so they said they sent it to auction and said they would try to get it back by tomorrow, but i googled the VIN and found it online at a used car dealership an hour away LMAOO. kill me
wallacepolsom
PUT YOUR BEARD IN MY MOUTH

#extradirty

shark vs the universe
d e v o n

Janaina Medeiros
Lint Roller? I Barely Know Her
taylor price
DEAR READER
almost home
Xuebing Du
cherry valley forever

★
Sade Olutola
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open
AnasAbdin

⁂
YOU ARE THE REASON
Sweet Seals For You, Always
seen from Australia

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seen from Malaysia
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seen from United States

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@bright-eyed
update: they obviously didn't want to pay off the loan so they said they sent it to auction and said they would try to get it back by tomorrow, but i googled the VIN and found it online at a used car dealership an hour away LMAOO. kill me

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GOING TO THE CAR DEALERSHIP THAT TOOK MY CAR AND SOLD IT WITHOUT A TITLE TO DEMAND THEY PAY THE $20,000 LOAN ON IT TO AVOID THEM GETTING SUED AND INVESTIGATED BY THE GOVERNMENT AND LOSING THEIR DEALERS LICENSE. WISH ME FUCKING LUCK
Clarice Lispector, from Selected Cronicas
Ian Curtis photographed by Kevin Cummins at the Russell Club - Manchester, 1979.
sterling silver and vitreous enamel ring

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“I am interested in building a society in which creativity is a mass condition and not a gift reserved to the happy few, even if half of them are women. Our story at present is that of thousands of women who are agonizing over the book, the painting, or the music they can never finish, or cannot even begin, because they have neither the time nor money. We must also broaden our conception of what it means to be creative. At its best, one of the most creative activities is being involved in a struggle with other people, breaking out of our isolation, seeing our relations with others change, discovering new dimensions in our lives.”
— Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle by Silvia Federici, 1984
‘Stories’ on social media, which are in fact mere self-promotion, separate people from each other. Unlike narratives, they produce neither closeness nor empathy. In the end, they are information adorned with images — information that is briefly registered and then disappears. The stories do not narrate; they advertise. Vying for attention does not create community. In the age of storytelling as storytelling, narration and advertisement become indistinguishable, That is the current crisis of narration. Byung-Chul Han. 2024. The Crisis of Narration. Cambridge: Polity Press.
Please Plant This Book by Richard Brautigan, 1968
Sound Workshop Flexur T2 // Trautonium inspired synthesizer
there is nothing a corporation hates more than having employees, but a close second is having to provide a good or service in order to make money. these two reasons concisely explain is why the ai bubble formed in the first place.

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I usually tell my students that “close reading” means looking at what is actually on the page, reading the text itself, rather than some idea “behind the text.” It means noticing things in the writing, things in the writing that stand out. To give you some idea of what this means, I’ve made up a list of five sorts of things that a close reading might typically notice: (1) unusual vocabulary, words that surprise either because they are unfamiliar or because they seem to belong to a different context; (2) words that seem unnecessarily repeated, as if the word keeps insisting on being written; (3) images or metaphors, especially ones that are used repeatedly and are somewhat surprising given the context; (4) what is in italics or parentheses; and (5) footnotes that seem too long. This list is far from complete—in fact, no complete list is possible—but the list is meant to begin to give you an idea of what sorts of things we notice when we’re doing close reading.
What all five of my examples have in common is that they are minor elements in the text; they are not main ideas. In fact, your usual practice of reading which focuses on main ideas would dismiss them all as marginal or trivial. Another thing they have in common is that, although they are minor, they are nonetheless conspicuous, eye-catching: they are either surprising or repeated, set off from the text or too long. Close reading pays attention to elements in the text which, although marginal, are nonetheless emphatic, prominent—elements in the text which ought to be quietly subordinate to the main idea, but which textually call attention to themselves.
Most of you have been educated to ignore such elements. You have been taught to seek out and identify the main ideas, dismissing the trivial as you go. This has had to be trained into you: read to a young child sometime, you will notice she has the annoying habit of interrupting the flow of the story to draw attention to some minor thing. Close reading resembles the interruptions of that child. It is a method of undoing the training that keeps us to the straight and narrow path of main ideas. It is a way of learning not to disregard those features of the text that attract our attention, but are not principal ideas.
Jane Gallop, “The Ethics of Close Reading: Close Encounters,” Journal of Curriculum Theorizing, Vol.16, No.3 (Fall 2000), pg.7-8 (x)
K*ll every car salesperson. Sorry i didn’t mean that. K*ll every car salesperson. Wait sorry i didn’t mean that. Sorry. Kill every—oops. Sorry…. k— sorry
“Successions (Glow)” series by Katrin Koenning
@bright-eyed
Passenger princesses never give in never buy a car this shit SUCKS i’m gonna DIE
Guys i think the dealership where i traded in my car defrauded me of $20,000. #lifeupdates

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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When despair for the world grows in me and I wake in the night at the least sound in fear of what my life and my children’s lives may be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
—Wendell Berry, “The Peace of Wild Things,” Collected Poems 1957-1982 (Counterpoint, 1985)
Andrea Calisi (Italian b.1968), The Bridge and the Blue Knight, 2026, Illustration