Bram Stoker’s Dracula (1992) - Dir. Francis Ford Coppola
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Bram Stoker’s Dracula (1992) - Dir. Francis Ford Coppola

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“Early on Bríde’s morn,
the serpent rises from the mound.
I will not harm the serpent,
nor will the serpent harm me.”
— Carmina Gadelica, Vol. I
Eggs gathered from the barn on Imbolc. These are primarily from Sumatran, Swedish, and Romanian Naked-Neck hens. One or two guinea eggs might have snuck in. Flanked by white-tailed deer, milk, and serpent skeleton on a bed of Eastern Hemlock.
Imbolc heralds the coming spring. The great serpent of the earth stirs and prepares the fallow field to swell and burst with green vitality. Demeter’s bitter tears dry as baying hounds beckon her daughter’s return. The Old Woman of Winter gathers the last of her firewood as her reign suspends for a season.
Seasonal folklore tells of serpents stealing eggs from the barn or milk from goats and cattle. We leave offerings of milk and eggs to symbolically tempt the serpent from its hole. They wake the serpent, who climbs from the mound, which wakes the trees and their blossoms, which wakes the bees, who begin making the honey that makes the mead for the harvest feasts.
It’ll be time to prep the gardens and sow flats of seeds soon enough. May you all grow beautiful things this year.
Last tales of small Autumn deaths.
Model - Asya Osinkina.
Photography, editing - Natalie Ina.
©Natalie Ina Photography (at Яблоневый Сад в Коломенском)
https://www.instagram.com/p/B3XbShnHEP0/?igshid=8wvvsk445432
A Hamadryad, 1893, John William Waterhouse
Bethany van Rijswijk (@flower_lore)
The Ethnobotany of Eden (detail), hand-cut collage on paper, 2020

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“Venus eclipsed— enraptured by the evening, glimpsed by the morning, an Earthen queen of adamantine desire wielding hidden knives. Untamed, uncaged, fierce Protectress of her Plot.”
Datura inoxia blooms in my garden.
A Wormwood harvest on the Dark of the Moon—
“Of these worts that we name Artemisia, it is said that Diana did find them and delivered their powers and leechdom to Chiron the Centaur—.”
Nothing like the smell of nightshades on a rainy autumn day. Gathering what I can before the next frost hits.
Datura inoxia, stramonium, and wrightii seed pods.
The progression of my Aconite blooms in my poison garden. A most vibrant, striking color contrasting everything else in the garden that’s begun to die back. The daturas have started to wilt, tobaccos taken by the first frost, the mandragoras brought inside. The Queen of Poisons insists on being noticed. The oldest of the bunch, they’re about four years old and stand around five feet tall.
Venus’ Baths in English Gardens of Caserta - Architect Andrea Graefer (1782) - Sculptor Tommaso Solari (1762) - The Royal Gardens of Caserta.

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La fiesta de Yaksha / The Yaksha party (Detail), 2017. By Guillermo Lorca
One of the bees from our hives collecting pollen from the poppy garden, feat. Phoebe Bridgers.
More poppies from my poison garden—
“A scarlet dream, Her seeds a suffumigation to Hypnos in the abatons— that the Aesculapian snake might whisper curative hymns in your ear.”
“Then Helen, Daughter of Zeus, [...] cast into the wine they were drinking a phármakon to quiet all pain and strife”—
King of the High Sun, Sentinel of the Longest Day—
Stag adorned in fresh Elderflowers for Midsummer celebrations.

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The fog has been heavy here lately; the sea of dead goldenrod seems to be full of prying eyes. Our livestock guard dog, Sylva, barked throughout the night, standing sentry, stalking the fence line. Standing at the edge of the woods, Michael heard something “laughing or crying inside the barn”. He turned to go check on it, but I told him that he knows better than that and to come inside where the fire was hot.
Nothing good comes with the fog.
Levana and Our Ladies of Sorrow: Mater Tenebrarum, Mater Lachrymarum and Mater Suspiriorum
from Thomas de Quincey's Suspiria de Profundis.