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@veranone

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araman's most haunting and most haunted
honestly, i think every CR4 boss should read wicander for filth during combat. even at other tables. like primus tachonis is in the middle of a climactic revenge fight with julien and he stops to be like "and another thing, that little shit wicander halovar..."

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Forged by anger.
I think one of my favourite moments in all of critical role was at the end of c2 when they all, starting with Ashley, Travis, and Laura, slowly counted and they realised that they finally, organically, had nine people. That here at the end of it all, they were the Mighty Nein.
It made me cry then and I guarantee it’ll make me cry at the end of the show too.
Yeah..
Matt explaining why Beau and Caleb (from a DM's perspective) are the perfect characters for a campaign validates my feelings why c3 wasn't working as well as c2. You just need characters with high INT who investigate, who are interested in the world and their surroundings and who drive the party.
i think c4 feels so incredibly refreshing because (coming off the heels of c3 especially) all of the characters really feel like products of the world around them. rather than just ideas created in a vacuum, they all have opinions and beliefs and morals guided by this place, this setting, this story.

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Since I’ve seen a lot of Vax discussion today, here’s my chime in of something that’s been on my mind: There’s a lot of critique about how his resurrection cheapens and retrospectively nullifies the significance of C1. And I absolutely agree.
What feels particularly egregious on that front is that C1 is a story they are currently retelling. CR wants its audience to tune into The Legend of Vox Machina to experience the highs of Campaign 1 all over again- and you know I am! In fact, since I stopped keeping up with C3, TLOVM is the only CR media I’ve kept up to date with.
And it feels insane that we’re all going to re-experience the ending of C1 and just know that when Vax dies and Scanlan cries and Vex sobs and every day the raven comes to visit onscreen- that hey, that guy is actually alive haha. Isn’t that kind of wild? I don’t know how they expect it to have the same emotional impact for people who are up to date on the canon and context.
actually i still think it’s crazy that orym just said “no one here can guarantee that the actions they are proposing will not cause devastation on a cosmic scale, until we can then i am not interested in entertaining said proposals at all” and a lot of people went ohhhh my god. this guy is so annoying
"Everywhere we've gone so far my name is met with hate, and my faith is met with confusion, and my face is met with contempt. Nobody likes me!" I ship them so hard, you have no idea
Imagine being Shadia Fang rn. Your uncle was just executed. The guy your mom failed to set you up with died, but don't worry, he got better. There's also an ancient godkilling relic that needs your dad carnally and you have until Wednesday to perfect your new juggling routine
I really love Caleb Widogast as a character, so I'm really glad that The Mighty Nein (animated) didn't pull any punches with Caleb's backstory. Liam and Matt during the campaign kept trying to be clear about how bad it was and that there is a good reason Caleb feels like it would be dangerous and obscene to forgive himself. Restorative vs. punitive justice is a big theme in Campaign 2, and to seriously explore that topic you have to talk about people who have done seriously bad shit.
But the fandom immediately did what fandoms all do and put on blorbo glasses where all is forgiven from the get-go and The Character never did anything wrong nor can he do wrong and every interesting jagged corner is planed down into the exact same cute soft shaped doll as every other completely indistinguishable Sad White Man© character. Fanon textual Funko POPS with the same dead eyes and vaguely painted over same features. Most people simply did not seriously engage with the gravity of Caleb's actual backstory.
But The Mighty Nein has made it very hard to not engage with it. Episode 5 is one of the most viscerally intense and disturbing pieces of animation I've ever seen. It didn't cut away from anything. It didn't tone anything down. It didn't try to remove Caleb's agency and his desire to do what he did, even while also showing how deeply he was manipulated down that path. We just have to sit with the shocking and very uncomfortable reality of what happened to him and what he did. And that he's not shrugging away from that violence now, he just wants to turn it against the people he views as the real traitors to the Dwendalian Empire: Trent Ikithon and his Volstruckers.
Incarcerating him in a mental institution for a decade clearly didn't quell that rage or desire to act. If anything it just concentrated his desire to retaliate. That was never an effective method of "justice" in the text anymore than it's effective in our world. Although a LOT of social media is very big on forever punishing evildoers as some kind of righteous praxis no matter what politics they claim to value. It's a very ingrained mindset. People really hate if you ask if that vengeance-driven policy has any evidence-based research that shows it actually reduces crime and violence (it doesn't).
So I'm glad there are audience members both new to the story and Campaign 2 fans who are reacting with shock and having their opinion of Caleb challenged by having to really see what his story is in a way that's much harder to skim over and ignore. That was the actual point of the story to begin with, and it flew over so many viewers heads or they intentionally ducked it. But Caleb isn't actually Caleb if that part of him is just hand-waved away.

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crying at Tyranny insisting that Wick was doing really good in the conversation with Casimir when he wasn't even slightly. honey, I know you're trying to support him, but
Only Teor is Teor.