
ellievsbear
I'd rather be in outer space 🛸
Peter Solarz
Monterey Bay Aquarium
"I'm Dorothy Gale from Kansas"

Discoholic 🪩

JBB: An Artblog!
Stranger Things
Xuebing Du

Love Begins
Misplaced Lens Cap
d e v o n

tannertan36
Cosimo Galluzzi

titsay

祝日 / Permanent Vacation

roma★
occasionally subtle
seen from United States

seen from Pakistan
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seen from Philippines

seen from United States
seen from Spain

seen from Singapore
seen from United States

seen from Canada

seen from Germany

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from Romania
seen from Argentina
seen from United States

seen from Malaysia
seen from Brazil
seen from Brazil
@venuscrows

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The Machiavellian atmosphere—hedonism, lust, political intrigue—is magnetic...

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“Let’s go back,” Lila said.
“And the sea?”
“It’s too far.”
“And home?”
“Also.”
-Elena Ferrante,
My Brilliant Friend
so upsetting we never got to see holly’s lucrezia after rodrigo’s death and cesare’s capture because of how well she portrayed grief and loneliness (especially in regards to her identity as a borgia)
harlots is so special to me because not only does it center lower class women, it specifically explores a class of women (sex workers) that are typically depicted as accessories in period pieces rather than actual characters. there is not one singular character that bears the burden of being the all encompassing representation of sex workers. so the effect that this exploitative industry has on women can be explored in multiple ways. this is best represented in the in polar opposite response to sexual trauma that margaret and florence have and how it impacts their relationships with their daughters. though both were forced into sex work, florence is riddled with shame and copes with it by turning to religion. she views her daughter as her redemption and therefore imposes her religious fanaticism on her. she believes if she can raise a “pure” daughter she can atone for her own “sins” and is gravely fearful of amelia following her footsteps. despite the fact that florence doesn’t continue the cycle of abuse via sexually exploiting her daughter (as margaret does) she does groom and shelter amelia to bear the burden of living her life for the sake of florence’s salvation rather than her own.
whereas margaret has become so desensitized to sexual violence she believes it’s the only option for a woman of her socioeconomic status. she inflicts on her daughters the same abuse that she was subjected to and for the majority of the series refuses to acknowledge her daughter’s trauma because she prioritizes her own discomfort with recognizing the harm she’s inflicting on charlotte over charlotte’s feelings. her intention of grooming charlotte for sex work comes from a place of survival rather than profit, and she makes a genuine attempt to be a “good” madame but intention does not negate the end result. margaret is not alleviating her daughters from the confines of patriarchal violence, but rather teaching them to function within it.

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aside from exploitation i don’t really understand the criticism of the depiction of sexual trauma in media. this idea that women are framed as “helpless victims” seemingly blames women for the lack of autonomy forced upon them. the acknowledgment let alone an exploration of violence against women in a way that does not blame them for their victimhood is very recent in our history. i do understand not wanting people to become desensitized to the visual of brutalized women and disliking the common framing of assault as merely an obstacle which a female character must overcome and is ultimately stronger for. however, i don’t think the solution to this is eradicating rape as a subject matter as a whole but rather learning to execute it with more tact. creating a taboo around discussing assault does more harm to those victimized than the perpetrator.
sacrelige
“i am not to love or be loved”

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"I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such beauty? It was enough to watch him win, to see the soles of his feet flashing as they kicked up sand, or the rise and fall of his shoulders as he pulled through the salt. It was enough."
-Madeline Miller,
The Song of Achilles
“When pain is over, the remembrance of it often becomes a pleasure.”
-Jane Austen,
Persuasion