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The Machiavellian atmosphereâhedonism, lust, political intrigueâis magnetic...

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âLetâs go back,â Lila said.
âAnd the sea?â
âItâs too far.â
âAnd home?â
âAlso.â
-Elena Ferrante,
My Brilliant Friend
so upsetting we never got to see hollyâs lucrezia after rodrigoâs death and cesareâs capture because of how well she portrayed grief and loneliness (especially in regards to her identity as a borgia)
harlots is so special to me because not only does it center lower class women, it specifically explores a class of women (sex workers) that are typically depicted as accessories in period pieces rather than actual characters. there is not one singular character that bears the burden of being the all encompassing representation of sex workers. so the effect that this exploitative industry has on women can be explored in multiple ways. this is best represented in the in polar opposite response to sexual trauma that margaret and florence have and how it impacts their relationships with their daughters. though both were forced into sex work, florence is riddled with shame and copes with it by turning to religion. she views her daughter as her redemption and therefore imposes her religious fanaticism on her. she believes if she can raise a âpureâ daughter she can atone for her own âsinsâ and is gravely fearful of amelia following her footsteps. despite the fact that florence doesnât continue the cycle of abuse via sexually exploiting her daughter (as margaret does) she does groom and shelter amelia to bear the burden of living her life for the sake of florenceâs salvation rather than her own.
whereas margaret has become so desensitized to sexual violence she believes itâs the only option for a woman of her socioeconomic status. she inflicts on her daughters the same abuse that she was subjected to and for the majority of the series refuses to acknowledge her daughterâs trauma because she prioritizes her own discomfort with recognizing the harm sheâs inflicting on charlotte over charlotteâs feelings. her intention of grooming charlotte for sex work comes from a place of survival rather than profit, and she makes a genuine attempt to be a âgoodâ madame but intention does not negate the end result. margaret is not alleviating her daughters from the confines of patriarchal violence, but rather teaching them to function within it.

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aside from exploitation i donât really understand the criticism of the depiction of sexual trauma in media. this idea that women are framed as âhelpless victimsâ seemingly blames women for the lack of autonomy forced upon them. the acknowledgment let alone an exploration of violence against women in a way that does not blame them for their victimhood is very recent in our history. i do understand not wanting people to become desensitized to the visual of brutalized women and disliking the common framing of assault as merely an obstacle which a female character must overcome and is ultimately stronger for. however, i donât think the solution to this is eradicating rape as a subject matter as a whole but rather learning to execute it with more tact. creating a taboo around discussing assault does more harm to those victimized than the perpetrator.
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âi am not to love or be lovedâ

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"I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such beauty? It was enough to watch him win, to see the soles of his feet flashing as they kicked up sand, or the rise and fall of his shoulders as he pulled through the salt. It was enough."
-Madeline Miller,
The Song of Achilles