Why does everytime I write faggot my phone autocorrects it to be written in capslock. How often do I scream the word faggot for it to do that
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@velvettecupcake
Why does everytime I write faggot my phone autocorrects it to be written in capslock. How often do I scream the word faggot for it to do that

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My season 3 bingo card
More Vaggi text posts
courtship practices
Chuckable Hellaverse Character (Round 1, Section 4, Match 5)
Voter rules and other polls on pinned post
Choose
Lilith Morningstar (Hazbin Hotel)
Velvette (Hazbin Hotel)
Propaganda for Lilith Morningstar:
[None Submitted]
Propaganda for Velvette:
[None Submitted]

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maid & butler cafe take 2
Frequency
It has been 2 days and nobody within 4 social asked, I'm honestly surpised and yeah you can hate me now
Viva Las Vegas 🥳🎉
Based on the beautiful LVL UP poster by kanomareki~ I love Charlie in a black dress so much. I wanted to see Vaggi in a white suit to match 🖤🤍✨
Oooo what are the reasons you think Vox and Angel not being attracted to each other is very important to their dynamic? Share em pretty please?
okay so the thing about Angel is that he reliably derives a sense of power from his own objectification. a huge part of the persona he puts on, especially in the early episodes, comes down not just to sexualizing himself but reminding people, incessantly and at every opportunity, who he is. he brags about the creepy fanmail he gets, he offers his ‘star power’ to the hotel, he shows off his films to people he has no sexual interest in, on and on. it’s one of the things husk directly calls him out on in masquerade—’nobody in that hotel cares who you are, how famous, how hot. so you might as well just cut the act.’ and it makes sense! while we obviously don’t know the original terms of his contract or exactly what motivated him to make it, in practice being hell’s big sex symbol is what he gets in exchange for having sold his soul; it’s effectively the only form of power he has available and the only thing that Val can’t take away because it’s as intrinsic to their dynamic as all the ways that angel is disempowered. not to a mention a functional substitute for his non-existent self-worth, which is part of what made ‘loser, baby’ such an important moment for his character. there’s also the fact that angel is, generally speaking, under no obligation to fuck the public (and in fact one might argue it would depreciate his value as an asset if he was too easily available)—for once, he has the ability to actively deny people access to his body. even if the way he’s talked about and treated by strangers appears violating from the outside, to angel the most defining factor is how he gets to react. which incidentally would mesh well with the idea that Val punishes him with traditional street-corner prostitution or fucking ‘greasy truckers,’ taking away the privilege of withholding sex from people considered unworthy of his status
and obviously this is a double-edged sword, because being desired for angel also means being exploited and dehumanized, if not violently abused. the dynamic that empowers him is just as likely to hurt or degrade him depending on the situation, and it can’t be separated from the ways in which angel is materially disempowered. but still, it’s not entirely illusory. there is a level at which the wanted will always have the wanter at a disadvantage, no matter how negligible that may be.
But Vox doesn't want Angel, sexually or otherwise, and that's a big part of what makes the violence he enacts so uniquely disempowering. The defenses and coping strategies Angel’s developed in response to the kinds of trauma he regularly undergoes do not work with Vox. And we know that Angel reacts badly to that. In the early episodes where Husk and Angel are still scrapping with each other, it’s Husk’s challenges to the quality of his work and desirability as an infamous sex object that visibly bother Angel the most, prompting actual anger instead of more exaggerated sexual harassment, and when Husk rejects him outright in Masquerade he responds with a rant about how many people would kill to be propositioned by him before running off to court the attention of shady strangers, with the implication that he may have been actively looking to get himself roofied, or at the very least was accepting of the possibility. Point being, Angel is very attached to his self-image as an object of desire, and is willing to get himself hurt in order to have it affirmed. Paradoxically enough, the lack of (literal, explicit) sexual violence involved in their dynamic makes things worse, just because it’s something Angel is already so used to coping with and compartmentalizing. Vox puts him off balance precisely because he doesn’t operate like Angel’s other aggressors, and what happens to him in S2 is new in a way that doesn’t just bypass his defenses but obliterates them. So basically, it’s all about keeping things as awful for Angel as they can possibly be. Sorry, Angel.
Another less important but still salient reason coming from Vox's end is that I don't think it really meshes with the reasons Vox has to hate Angel in the first place. Operating purely on the information we have now and not assuming any future reveals, Vox's fixation on Angel feels less like frustrated desire (e.g. Alastor) and more like projected self-loathing in the form of jealousy and fear—and not just with regards to Val, either, though that's obviously a big part of it. Angel simultaneously represents a lot of the things Vox wants (Val's obsessive fixation, the ability to derive empowerment from what Vox considers shameful, being Wanted by everyone everywhere for what Vox likely perceives to be very little effort) and the things he fears most (loss of control, disempowerment and degradation, Val turning on him). Angel is like a twisted funhouse mirror reflecting everything Vox could be, and the only appropriate response when you’re faced with something like that is to smash it until you can’t see a resemblance. Sexual attraction isn't necessarily incompatible with all this, but it does complicate the dynamic in a way I find more distracting than engaging. That, and it doesn't really fit in with how I'd describe the flavor of Vox's self-loathing. Angel isn't an external object for Vox to chase but a symbolic representation of himself, and I think Vox's most sincere response to that is going to be repulsion!
... I suppose there isn't, strictly speaking, any reason I think it's especially important that Angel isn't attracted to Vox, it just seems so catastrophically unlikely I didn't think to specify otherwise. Though Angel being openly repulsed by Vox's everything probably isn't doing any favors for his shrapnel bomb of an ego, so that's always a fun bonus.
One caveat: I do still think there’s an at least somewhat sexual element to how Vox revels in seeing Angel suffer, if only in a peripheral sort of way. Like, come on, why do we think he had a pre-edited footage reel of Val beating Angel Dust just hanging around on hand if not to jerk off to (and Val fucking knew it, too). That being said, I don’t this comes from any particular interest in or draw to Angel Dust himself and is more a function of his general sadism + satisfaction at seeing an object of hatred and envy suffer because that means he's winning (+ maaaaaybe some projected masochistic tendencies courtesy my previous point about his motivations for hating Angel, but don’t you even worry about that) It’s not a motivation for his behavior so much as side effect of it. And it definitely doesn’t translate to any desire to fuck Angel himself—in this house it’s violence and voyeurism only.

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Vox sitting on Rosie’s lap tho. Rosie loves having her handsome little picture box sitting so nicely for her. Poor Vox is just trying to be a gentleman and resist the urge to rest his head on her bosom (it’s not his fault! she’s so pretty and she pets his head so nicely!) Not that Rosie would mind, of course. Good boys should be allowed to be comfortable and cared for, that’s her motto.
Look at those freaks....They make me sick....
Listen man. I really wanna see motherly rage Millie. Like, Millie can already get so unhinged, but throw in her BABY??? I want to see Millie at a level of feral heretofore unseen. If ANYONE came after that kid, she'd peel the skin off their faces and feed it to them
Love yourself
That last picture took wayyyy longer than i expected. Like, last picture took the same amount of time as all the previous lol
UMM ANYWAY, CONTEXT, i was like, thinking about something and like. Why Alastor was so sure that Vox wouldn't go overboard with him, having Alastor in his hands after 70 years of obsession? And then it hit me. Because he knows it. Because that happened at some point in the past. Vox had Alastor under his control, could do whatever he pleased... and yet, didn't cross the line. Of course, it left him hurt and traumatized, but it didn't break him. He managed to heal enough to face Vox again and keep his cools. But still, Alastor has this part of him, hurting from that and being scared that this would repeat. And he had to reassure this part that he would be fine...
Anyway, this was fun to draw. Alastor to Alastor conversation, Alastor to Alastor communication.
Hazbin ships and/or dynamics i think are neat
Part 2 here
I just noticed A Thing about this scene.
Charlie is angry here. She wants the Vees gone, Vaggi is supporting her in typical Vaggi fashion, and Charlie has taken on her demonic form in a threat display of her own. She has absolutely no issue with threatening the two if that's what it takes to make them leave.
We switch to a closeup on Velvette, during which she ends up on the business end of Vaggi's spear and Vox intervenes. And in the next wide shot, Charlie's attitude has completely changed.
You'd think she would still be on guard, or maybe relieved that the Vees are on their way out, but instead she appears surprised. Her defensive posture has dropped. And as Vox steers Velvette away, she returns to her normal form, looking even more shocked.
Something happened here which she did not expect. And it's not Vox's casual disregard for the incredibly dangerous weapon, because he's obviously wary of it; far more so than he was when it was pointed at him, in fact. And he just as obviously puts himself between it and Velvette, so it's no mystery why he suddenly decided to take the threat seriously.
Charlie set up an elaborate, sabotaged to be actually life-threatening situation so Angel could "save" Husk, because she thought selflessly endangering himself could be the key to redemption. And then one of the people who spent the entire day mocking her efforts went and did that like it was second nature. And then that same person immediately turned around and asked if she thought he could be redeemed like it was some kind of gotcha.
Like. Sir. You literally just showcased your most redeemable quality to the Princess of Friendship Hell. And she noticed. What did you think she was going to say? (I'm sure he missed her reaction because he was focused on Vaggi, but still).

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Why are there so many horses in tarot card decks? I don’t want to learn how to draw horses D:
Radioapple 📻🍎 Ship dynamics
They make me sick‼️🫠🫶