Clarice Lispector, Água Viva
Three Goblin Art

titsay
macklin celebrini has autism

⁂
Monterey Bay Aquarium
Stranger Things
todays bird

shark vs the universe
Cosmic Funnies

Love Begins

izzy's playlists!

oozey mess
Claire Keane
will byers stan first human second
occasionally subtle

tannertan36
let's talk about Bridgerton tea, my ask is open
h

pixel skylines
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@vaucasons
Clarice Lispector, Água Viva

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Flying ... without burden, 2018 - by Okka Supardan, Indonesian
Elephants - by Thomas Herbrich (1955), German

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Yanis Varoufakis 1963 In "Technofeudalesimo" “Intelligent advertisers do this: they leverage emotions that had previously escaped marketing to grab our attention. And then they sell our attention to an entity whose business is to market any experiential value that was hidden in our hearts, escaping from commercialization. ” (…) “Brilliant and flawed, combining rare engineering talents with ridiculous public displays of flattery, Musk is the Thomas Edison of our era: the man who, as you will remember, electrocuted an elephant to discredit a rival. ”
by Mac Baconai @Macbaconai
Anne Carson, from “The Glass Essay”, Glass, Irony, and God
Claudia Rankine, “Some years there exists a wanting to escape…”, Citizen: An American Lyric
The San Francisco Examiner, California, November 16, 1933

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Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: II. Gott hilf Mir · Vox Luminis · Lionel Meunier · Sebastian Myrus · Ensemble Masques · Olivier Fortin Buxtehude: Abendmusiken ℗ Vox Luminis & Alpha Classics / Outhere Music France
"Noviembre"
Llega otra vez noviembre, que es el mes que más quiero
porque sé su secreto, porque me da más vida.
La calidad de su aire, que es canción,
casi revelación,
y sus mañanas tan remediadoras,
su ternura codiciosa,
su entrañable soledad.
Y encontrar una calle en una boca,
una casa en un cuerpo mientras, tan caducas,
con esa melodía de la ambición perdida,
caen las castañas y las telarañas.
Estas castañas, de ocre amarillento,
seguras, entreabiertas, dándome libertad
junto al temblor en sombra de su cáscara.
Las telarañas, con su geometría
tan cautelosa y pegajosa, y
también con su silencio,
con su palpitación oscura
como la del coral o la más tierna
de la esponja, o de la piña
abierta,
o la del corazón cuando late sin tiranía, cuando
resucita y se limpia.
Tras tanto tiempo sin amor, esta mañana
qué salvadora. Qué
luz tan íntima. Me entra y me da música
sin pausas
en el momento mismo en que te amo,
en que me entrego a ti con alegría,
trémulamente e impacientemente,
sin mirar a esa puerta donde llama el adiós.
Llegó otra vez noviembre. Lejos quedan los días
de los pequeños sueños, de los besos marchitos.
Tú eres el mes que quiero. Que no me deje a oscuras
tu codiciosa luz olvidadiza y cárdena
mientras llega el invierno.
_ Claudio Rodríguez
XII
La mentira que amenaza las tenaces y arriesgadas astucias
Las bocas al fondo de los pozos los ojos al fondo de las noches
Las súbitas virtudes las redes que se arrojan al azar
Los deseos de inventar ardides admirables
Las guadañas las trampas entre los cuerpos entre los labios
Las paciencias macizas las impaciencias calculadas
Todo lo que se impone y reina
Entre la libertad de amar
Y la de no amar
Todo lo que tú desconoces
_ Paula Eluard, El amor y la poesía. Colección Visor de poesía. Versión de Manuel Álvarez Ortega.
_ Katrien de Blauwer
16th c. alphabet for fingerspelling & fingercounting
from a copy of a text attributed to bede the venerable (7-8th c.), included in a miscellany manuscript written and illustrated by wilhelm werner von zimmern, speyer (?), c. 1539-62
source: Stuttgart, Landesbibl., Cod. Donaueschingen 704, fol. 163r-164r
wilhelm werner von zimmern copied these from a printed work from 1532. if you're trying to understand the system, it's easier to do so with the printed version :)
source: Munich, BSB, Res/4 Graph. 83#Beibd.1

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Collected diagrams from the first volume of The Luminance of Explication and Mysteries of Proof in the Understanding of the Paradigms of the Science of Weights and Measures, a 14th century text on cosmology and metrology by Arabic alchemist and polymath Aidamur Ibn Jaldakī.
musicians
from the margins of an antiphonary manuscript, bohemia, c. 1499
source: Vienna, ÖNB, Mus.Hs.15494, fol. 51r and 121v