KIROKAZE
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#extradirty
Show & Tell
art blog(derogatory)

Origami Around

tannertan36
let's talk about Bridgerton tea, my ask is open

ellievsbear

PR's Tumblrdome
Cookie Run:Kingdom Official!
cherry valley forever
Monterey Bay Aquarium
Keni

Misplaced Lens Cap
Sweet Seals For You, Always

Game Changer & Make Some Noise

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@cosechadehuellas

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ergy Landau (1896-1967)
Assia endormie, 1932
André Steiner (1901-1978) Untitled, 1934.
Jesuítas observando el eclipse solar.
Colegio de São Francisco Xavier, Setúbal, c.1890.
https://velhocriterio.wordpress.com/2015/04/06/os-jesuitas-portugueses-e-os-eclipses-solares-de-1900-e-de-1905/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Jan Bengtsson
M. Peterka, Botes en el río Vltava. Praga, 1960’s
Diane Arbus, 1960´s

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Anna Turbau.
Mariscadoras, Ría de Noia, 1978
©Archivo Anna Turbau / Consello Cultura Galega
aislamiento
tupida rama:
no toques
al animal herido
provéele de aislamiento provéele de refugio provéele de larga noche
sobre los ojos cerrados
_ María Auxiliadora Álvarez
_ Abigail Heyman
Juan y Luis Goytisolo, 1954.
Masao Yamamoto.
Serie “Nakazora, nº 1139”. Tokio, 2000

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Mira Schendel & Fiama Hasse Pais Brandão
Para quien como yo vio
el propio cuerpo del poema
tomar una configuración blanda,
semejante a un licor
en gotitas o a la de coágulos,
estando lejos de mí en este caso
una asociación de ideas
con la muerte o la agonía,
esta hora es ya
la imagen de púrpura
de un ocaso impersonal.
Mirando como una bóveda
de piel plástica extendida
y estirada por los querubines,
que no quiero olvidar
como ángeles necesarios,
que los bizantinos confundieron
en demasiados detalles
con aves nítidas, tantas veces
azules mientras el cielo se doraba.
_ Fiama Hasse Pais Brandão (Lisboa, 1938-2007)
Versión de Raquel Madrigal Martínez
_ Mira Schendel. Sin título, 1964/1965. Monotype (óleo) sobre papel de arroz sobre cartón.