im like if someone somewhere had a baby and it was me
hello vonnie
ojovivo
noise dept.

Product Placement
RMH
cherry valley forever

if i look back, i am lost
Not today Justin
🪼

titsay
wallacepolsom

he wasn't even looking at me and he found me

izzy's playlists!
$LAYYYTER
occasionally subtle

Origami Around

Kaledo Art
will byers stan first human second
Keni
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@utenaposter
im like if someone somewhere had a baby and it was me

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Never read Baldwin before?
Nonfiction
The Price of The Ticket (borrow from IA)
The Fire Next Time (pdf download)
Notes of A Native Son (pdf download)
Nothing Personal (read on IA - not great quality sorry)
The Last Interview (pdf download) (only 10 pages!)
Fiction
Giovanni's Room (pdf download)
If Beale Street Could Talk (pdf download)
BONUS
Little Man Little Man (read or pdf download on scribd) (Baldwin's only children's book)
Go Tell It On The Mountain (pdf download)
Another Country (pdf and epub download)
Sonny's Blues (pdf download)
Going to Meet the Man (pdf download)
My next Black History Month request:
Pick one of James Baldwin's works and read it!!! The Fire Next Time is an excellent essay, most of us are familiar with the quote on gay white people from The Last Interview but not the rest of it. If Beale Street Could Talk even has a movie!
really really really detest it when (usually older millennial and genX) cis women say shit like "welcome to being a woman!" or "that's how you know trans women are women!" and so on in response to hearing about instances of catcalling, sexual assault, workplace chauvinism etc. directed at trans women. in the first place it's blisteringly patronising, as if transfems are not and have not been constantly subject to misogyny throughout their lives both pre and post transition, but in the second it perpetuates this vile mindset that somehow receiving misogynistic abuse is validating of your womanhood. it's a head on the very same hydra that makes girls shamefully privately feel that they must ugly and undesirable if they're not catcalled or objectified or 'chosen' by sexual assaulters.
your identity, your dignity and your worth as a woman have absolutely nothing to do with how or why abusive people lash out at you. the insidious narrative that survivors should feel special on some level for having been worthy of their abuse is battered wife rhetoric. it's the perpetrator-system of violence grooming you to accept, and even shamefully yearn for, violence it always intended to inflict. and women are so often complicit in repeating the narrative back to each other. sometimes it's very well meaning and springs up out of the solidarity of shared experience, trying to reclaim power from situations where power was wielded against you, but sometimes it's lana del rey sadgirl coquette I need a man who'll slap me around so I know he cares. sometimes it's eating disorders and self harm. the twinning of femininity and female worthiness with suffering, associating the scars of misogynistic violence with acceptance of one's femininity by somebody who hates you, is profoundly unhealthy and profoundly unfair.
bottom line: trans women have never needed to be identifiable by their abusers at a glance to be subject to misogynistic violence. they have never even needed to be out. remember the early days of the internet when online culture was so outspokenly misogynistic as a baseline that most women just never disclosed their gender, never went on mic, never posted pictures? would anyone ever seriously argue that women weren't subject to misogynistic abuse online until they broke anonymity? and that being the case, would it ever ever seem appropriate to hear someone had been doxxed or sexually harassed for disclosing her gender and respond "heh, proves you really are a woman"?
womanhood is not contingent on suffering. womanhood is not contingent on suffering. womanhood is not contingent on suffering. the cart does not define the horse.
oh fuck... the adderall has hit my system... the change, it's happening... grRRRGH...!! get away from me, before it's too late...!!
(flails on the ground, then stands up and does the dishes)

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can’t risk it
THIS PIECE OF PICTURE WORKS.
Gotta take all the chances…..
Never risk it
Too close to final’s week
I could use it.
Why not, spread the luck
i do wish the response to the ai water usage concern debate (umm actually the water and mineral usage is roughly equivalent to all of our other constantly growing massive distributed information systems that require enormous amounts of resource extraction etc etc etc) was less of a "haha checkmate luddites" and more of a "hmm maybe we should reevaluate our usage of constantly growing massive distributed information systems that require enormous amounts of resource extraction" but idk
Brian Eno, Drake Hotel, New York City, August 1974 by Linda D. Robbins
A Palestinian youth serves tea to fighters after a gunfight at the israeli outpost in the West Bank village of al-Khader, outside Bethlehem, February 25 ,2002.
(Photo credit: Musa Al-Shaer/AFP)
maker and maître

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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okay well when you say it like that it makes it sound stupid
A bright, young violinist
no! explanation of the gaps will kill Reader! she needs narrative lacunae to enjoy the story!
BUFFY THE VAMPIRE SLAYER (4x06) ᴡɪʟᴅ ᴀᴛ ʜᴇᴀʀᴛ
BUFFY THE VAMPIRE SLAYER REWATCH -> A New Man (4.12)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
In my experience, horror fans are by and large lovely people with a very healthy relationship to their genre of choice, but sometimes they fuck up and say something that in their ears sounds very affirmative of the movie of discussion and to everyone else sounds like the most sinister shit.
I mean the line that I think of first is “A kid dies in this movie.”
Which I suspect to horror fans is shorthand for “The director of this movie subverts horror tropes (wherein kids are usually immune to the monster/slasher/source of terror) to make something that is deliberately shocking. Seeing a child character die in this story is not a happy thing or a good thing, but for a horror story emphasizes that nobody is immune to the source of the terror, which makes the horror more serious and scarier.”
And to everybody else just sounds like “Oh this movie’s great! A kid dies in it!”