Krol Miesopust's The King of the Carnival, 1971
Strindberg's Taniec Śmierci, 1974
Alban Berg's Lulu, 1980
Giełda Plakatów P.T.T.K. Warszawa, 1982
Edward Albee's Who's Afraid of Virginia Woolf?, 2015
Posters by Franciszek Starowieyski
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Krol Miesopust's The King of the Carnival, 1971
Strindberg's Taniec Śmierci, 1974
Alban Berg's Lulu, 1980
Giełda Plakatów P.T.T.K. Warszawa, 1982
Edward Albee's Who's Afraid of Virginia Woolf?, 2015
Posters by Franciszek Starowieyski

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Kathy Coleman in Land Of The Lost, 1974 (via)
Sunset Tree, Lake Maggiore, Italy
photo via carolyn
My love is a dog from Hell, Julia Soboleva

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Hyter Very
Edouard Boubat, France, 1977
J.J.P. Oud, Basic Terraced Housing, Weissenhofsiedlung, Stuttgart, Germany, 1927

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people who slander dandelions are so boring. oh you don’t like weeds?? you don’t want to see my yard absolutely covered in fairy pom moms motherfucker??? get bent
BERNARD TSCHUMI ADVERTISEMENTS FOR ARCHITECTURE: ROPES AND RULES, 1978
This structure was first built as a bunker disguised as a church in WW2, then after the war converted into an actual church. Philipp Wilhelm Stang: Bunker Church St. Sakrament, Düsseldorf, Germany, 1940–1952 Photo: Jörg Wiegels 2011 (CC BY-SA 3.0)
original westworld
cuurently
Jasper Johns (American, b. 1930), Fragment - According to What, 1971. Colour lithograph on Arches paper, sheet: 73 x 61 cm. Numbered 46/66.

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Agnès Varda, Salt, 1951
陳進展 台湾の女性日本画家 生誕100年記念