Trop Tôt, Trop Tard (Jean-Marie Straub & Danièle Huillet, 1981)

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Trop Tôt, Trop Tard (Jean-Marie Straub & Danièle Huillet, 1981)

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the co-founder of 'crips for esims for gaza' and disability advocate, alice wong, has died according to her twitter account.
alice's disability advocacy naturally led her to palestine solidarity as the quote from the blog post announcing 'crips for esims' illustrates:
We also recognize that everyone in Gaza is now disabled due to the massive number of deaths, new disabilities, life-threatening illnesses and destruction of medical facilities going on. Such destruction also debilitates the land, water, and air, which will impact Palestinians and all surrounding life for generations to come. We owe our kin in Palestine to throw sand on the gears of genocide with our every breath. [source: the disability visibility project]
since december 2023, crips for esims for gaza has raised well over $3.1M and bought and maintained over 5,000 esims, undoubtedly saving lives.
in the past few days there has been intense winter flooding in gaza. donate to honor alice wong's memory–to keep people connected, to give disabled people the tools to advocate for themselves, to refuse to let palestine be silenced.
Crips for eSims for Gaza is a collaboration between Jane Shi, Leah Lakshmi Piepzna-Samarasinha, and Alice Wong.
Bisan says that among all the aid organisations working in North Gaza right now, Ele Elna Elak is one of the most effective, geared towards resolving the water scarcity and making clean water and vegetables available to Gazans.
Donate if you can and share.
Ferdinando Scianna. Mauritius. 1989.
Catherine Murphy (American, 1946), Scrub, 1987. Oil on canvas, 22 x 27 in.

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Icons representing saints from the Styrian farmers' calendar (Bauernkalender / Mandlkalender), published with regularity since the early 18th century.
The figures represented here are (L to R, top to bottom): Leo IX, Afra, John of Nepomuk, Augustine, Felix and Regula, and Lazarus.
Sepp Walter, Der steirische Mandlkalender. Seine Zeichen und Bilder (Graz: Leykam-Alpina, 1992)
black #000000
St John the Baptist medieval church, Inglesham. A series of paintings, from the thirteenth to the nineteenth century, cover the walls often with one painted over another, in places seven layers thick. While it is not always easy to puzzle out the subjects, you can see fifteenth-century angels above the chancel arch.
Romanichal family, England. Photographed by Barry Lewis, 1989
A Priest on Christ's Throne, Wearing a Papal Tiara and Bat's Wings by William Blake, 1821.
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Theodor Adorno, Minima Moralia, "72. Second harvest.":
...no sunrise, even in mountains, is pompous, triumphal, imperial; each one is faint and timorous, like a hope that all may yet be well, and it is this very unobtrusiveness of the mightiest light that is moving and overpowering.
joan wallach scott
jameson
Ornament in the Form of a Coiled Snake Chinese late 11th–10th century BCE
SLAM

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As the man-made famine in the Gaza Strip worsens and access to food becomes increasingly difficult, we've decided to extend our support beyond agricultural inputs. We are currently working to connect grassroots initiatives with local farmers-allowing crops to be purchased well below the soaring market rates and directly distributed to those unable to buy or access them.
Read more about and donate to revive Gaza's farmlands, a project by APN that aims to rehabilitate the agricultural sector and restore local food systems to combat famine.
“Boredom is different nowadays. It’s about super-saturation, distraction, restlessness. I am often bored but it’s not for lack of options: a thousand TV channels, the bounty of Netflix, countless net radio stations, innumerable unlistened-to albums, unwatched DVDs and unread books, the maze-like archive of YouTube. Today’s boredom is not hungry, a response to deprivation; it is a loss of cultural appetite, in response to the surfeit of claims on your attention and time.”
— Simon Reynolds, Retromania: Pop Culture’s Addiction to Its Own Past