I fucking love violence
One Nice Bug Per Day
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PUT YOUR BEARD IN MY MOUTH
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The Stonewall Inn

Product Placement

if i look back, i am lost
untitled
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@ultraviolentray
I fucking love violence

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Curse (Alexander Rothaug, 1870 - 1946)
Edvard Munch, Uninvited Guests (1932–1935)
Stanley Kubrick’s painfully funny take on Cold War anxiety is one of the fiercest satires of human folly ever to come out of Hollywood. The
YOU NEED TO HAVE WATCHED STANLEY KUBRICK'S 1964 NUCLEAR SATIRE MASTERPIECE DR. STRANGELOVE, OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB, NOW.
everyone seems to be doing quite well

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trying to communicate ideas through language and it doesnt suffice so you turn to the abstract image and then people want to be talking to you about the images NO!!!!!! ! ! ! ! ! !
precisely
Publicity Still of Theda Bara for The She-Devil ~ 1918
DAVID LYNCH's "I Find It Very Difficult to Understand What Is Going on These Days" (2009)

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The reason most indie novels are written like the author is terrified of doing something wrong is because the overwhelming majority of indie novelists get their start by networking in the violent panopticon of the social media indie publishing community, which favours the people who are able to win at the social policing game.
Okay so this comment got me googling because I hadn't heard of Isabel Fall
And if you also hadn't heard of her go read this because uhh... Holy Shit
I had heard of the whole messed up situation with this story, but I hadn't ever read the synopsis of the story before, and WOW
This story sounds like it could have been a brilliant exploration of gender and warfare and violence but instead it was attacked by people who didn't know how to confront a story that made them uncomfortable, and the author faced horrible consequences.
It's so important to be able to deal with stories that give you uncomfortable feelings in other ways than just attacking it. Being shown new perspectives sometimes has feelings of discomfort because it's an unfamiliar way of seeing the world.
You can read it Here
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
Nick Knight: ‘War’ (1997)
Weapons found by teachers in local Chicago schools, 1966.

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Wait Here by Ruth Speer, 2024
Talking Heads (1980) dir. Krzysztof Kieślowski